"O-o-o-o!" yawned Quinn. "I'm getting dry. Trot out some grape juice and put on that Kreisler record—'Drigo's Serenade.' I love to hear it. Makes me think of the time when they landed that scoundrel Weimar."
VI
A MATTER OF RECORD
"What was that you mentioned last week—something about the record of Kreisler's 'Drigo's Serenade' reminding you of the capture of some one?" I asked Bill Quinn one summer evening as he painfully hoisted his game leg upon the porch railing.
"Sure it does," replied Quinn. "Never fails. Put it on again so I can get the necessary atmosphere, as you writers call it, and possibly I'll spill the yarn—provided you guarantee to keep the ginger ale flowing freely. That and olive oil are about the only throat lubricants left us."
So I slipped on the record, rustled a couple of bottles from the ice box, and settled back comfortably, for when Quinn once started on one of his reminiscences of government detective work he didn't like to be interrupted.
"That's the piece, all right," Bill remarked, as the strains of the violin drifted off into the night. "Funny how a few notes of music like that could nail a criminal while at the same time it was saving the lives of nobody knows how many other people—"