"Right fine," he told her, settling himself comfortably in the chair she had indicated. "But a feller gets tired of one place after a while. I thought maybe I'd come back to the Lazy River and get a job ridin' the range again."
"Aren't there any ranches round the Bend?" she asked, poking up the fire and setting on the coffee-pot.
"Plenty, but I—I like the Lazy River country," he told her. "Fort
Creek country for yores truly, now and hereafter."
In this fashion did the proposed journey to Arizona go glimmering. His eye lingered on the banjo where it lay on the table.
"Can you play it?" she asked, her eye following his.
"Some," said he. "Want to hear a camp-meeting song?"
She nodded. He rose and picked up the banjo. He placed a foot on the chair seat, slid the banjo to rest on his thigh, swept the strings, and broke into "Inchin' Along". Which ditty made her laugh. For it is a funny song, and he sang it well.
"That was fine," she told him when he had sung it through. "Your voice sounds a lot like that of a man I heard singing in Farewell yesterday. He was in the Happy Heart when I was going by, and he sang Jog on, jog on the footpath way. If it hadn't been a saloon I'd have gone in. I just love the old songs."
"You do?" said he, delightedly, with shining eyes. "Well, Miss Dale, that feller in the saloon was me, and old songs is where I live. I cut my teeth on 'The Barley Mow' and grew up with 'Barbara Allen'. My mother she used to sing 'em all. She was a great hand to sing and she taught me. Know 'The Keel Row?'"
She didn't, so he sang it for her. And others he sang, too—"The Merry Cuckoo" and "The Bailiff's Daughter". The last she liked so well that he sang it three times over, and they quite forgot the coffee.