Many circumstances may favour or counteract this tendency, such as the difficulty of finding an agreeable place to retire to, where the money will be secure, or the interest regularly paid; but, an inquiry into that will come more properly when we examine the external causes of decline.
Though the increase of taxes, by augmenting the expense of living, and of the necessaries of life, is little felt by the labouring class, their wages rising in proportion; yet a most disastrous effect is produced on the fine arts, and on all productions of which the price does not bear a proportional rise.
Where taxes are high, and luxury great, there must be some persons who have a great deal of ostentation, even if they have little taste. A picture or a jewel of great value will, very certainly, find a purchaser, but that will only serve as a motive for bringing the fine painting from another country, where the necessaries of life are cheaper, and where men enjoy that careless ease which is incompatible with a high state of taxation.
When Rome became luxurious, to the highest pitch, there were neither poets, painters, nor historians, bred within its walls; buffoons and fiddlers could get more money than philosophers, and they had more saleable talents. Had Virgil not found an Augustus, had he lived three centuries later, he must either have written ballads and lampoons, or have starved; otherwise he must have quitted Italy.
When Rome was full of luxury, and commanded the world and its wealth, there was not an artist in it capable of executing the statues of its victorious generals. {94}
Some Greek island, barren and bare, would breed artists capable of making ornaments for imperial Rome.
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{94} They were obliged to cut the heads off from ancient statues, as their artists were only sufficiently expert to carve the drapery of the body.
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