In 1850 this remarkable Duke "took it into his head" to close his beautiful Glen Tilt to tourists. I was fortunate enough to have passed through it before this decree was issued; but multitudes—noisy multitudes, as they proved themselves—not having had my advantage, became clamorous for their right, as they believed, of unobstructed passage through the lovely glen. Many letters from indignant tourists appeared in the press, which almost universally condemned the Duke's action, Punch's baton being brought into play in the tourists' cause; and to this weapon was added Leech's pencil, which, in a vigorous drawing, portrayed the old Duke as a dog in the manger, with a snarl on his face that portended a bite if his position was assailed. The drawing was entitled "A Scotch Dog in the Manger," and was immediately followed by another blow, happily paraphrasing Scott's lines in the "Lady of the Lake," and supposed to apply to "a scene from the burlesque recently performed at Glen Tilt":

"These are Clan Athole's warriors true,
And, Saxons, I'm the regular Doo."

How far these drawings were the means of causing the Duke to reverse his decision I know not; but it was reversed, and that he took Leech's somewhat severe treatment good-humouredly is shown by his treatment of the artist, whom he met near the glen soon after the drawings appeared. Leech was alone, sketch-book in hand, no doubt noting, by pencil and observation, for future use, some of the beauties around him, when a horseman approached, attended by a groom. Leech was probably on forbidden ground, for the rider, who was the Duke of Athole, immediately asked his name and "what he was doing there." Under ordinary circumstances Leech would have said, "What is your name?" for the matter of that, "and what do you want to do with mine if I give it to you?"; but whether the manner of his questioner impressed him, or conscious guilt shook him, I cannot say. It is certain, however, that he replied he was an artist, and that his name was Leech.

"Not John Leech?" said the Duke.

"Yes, John," was the reply.

And Leech now, feeling sure that he was in the presence of the Duke, and that he was about to hear some strong language about his daring to caricature so august a personage for merely asserting his rights, proceeded to explain that he would not intrude further, but return at once to his inn, where he intended to pass the night.

The Duke turned to his groom, and told him to dismount, and called to Leech to take the servant's place.

Leech obeyed, when the Duke said, "No, sir; no inn for you to-night: you must dine and sleep at my house. I am the Duke of Athole." Further hesitation on Leech's part was met by a warmer and more pressing invitation.

Leech yielded, and the two rode off together. The road to the castle lay through some rather perilous country, culminating in a narrow and broken path, with cliff on one side and a precipice on the other. The artist hesitated; the Duke called upon him to come on. "Has he brought me here to revenge himself by breaking my neck?" thought Leech. He timidly advanced, and reached the Duke, who had stopped for him at a point where the path was most dangerous.

"Are you, sir, the man who has maligned me in Punch?" fiercely demanded the Duke.