This cut seems to me to show Leech's power of marking the difference of character in the persons represented in a degree noticeable by the most ordinary observer. The Duke is an aristocrat from top to toe; the insincerity of his welcome even is apparent; while the squat and "crab-like" figure of the banker is no less true to nature; his delight at shaking hands with a Duke making him forget for the moment the serious issues dependent upon the interview.
At the eleventh hour I find myself forbidden to show my readers any of the admirable drawings which illustrate this book.
[CHAPTER XVI.]
THE "BON GAULTIER BALLADS."
I will here leave the sporting novels for a time and introduce my reader to the "Bon Gaultier Ballads," and if he make his first acquaintance with that work through this introduction, I respectfully advise him to improve it by a more intimate knowledge, for he will not only find excellent reading, but illustrations by Richard Doyle and others, scarcely inferior to those by Leech.
It will be remembered that at the time of the Papal aggression Lord John Russell, according to Leech, chalked "No Popery" on Cardinal Wiseman's door and then ran away. In the "Bon Gaultier Ballads" we find his lordship face to face with Cardinal Wiseman, disguised as a friar, in Sherwood Forest, where Little John is supposed to reign in place of Robin Hood, deceased. The ballad is entitled "Little John and the Red Friar," and begins:
"The deer may leap within the glade,
The fawns may follow free—
For Robin is dead, and his bones are laid
Beneath the greenwood tree.