"'Knoweth that beth and schul be
That i am mad in help of the cuntre
In knowyng of whyche thyng
Thys is chartre and witnessyng.'"
"(Seal, 'gules', on a chevron 'or' three lions rampant 'sable'.)
"Inscriptions are rare on Gothic buildings, especially on castles. This at Coulyng is remarkable from being in English, at a time when Latin was employed in all charters; it contains that early form of the plural 'beth' instead of 'are.' The inscription measures thirty-two inches by fourteen, and the diameter of the seal is no less than seven and a quarter inches long."
After stopping a short time to admire the imposing entrance gate and the remains of the ancient moat, we wend our way for two or three miles, by lanes and "over the stubble-fields," to the straggling village of Cliffe,[36] the houses of which are very old and mostly weather-boarded. The approach to the church is by a rare example of a lich-gate, having a room over it for muniments, and the church itself (which is very large, and seems to be out of proportion to the size of the village) stands in a commanding position on a ridge of chalk, overlooking the marshes, from whence the views of the river in the distance are very fine. It is supposed to be the place where the Saxon Church held its councils, and there is a local tradition of a ferry having once existed near here. Evidence of this seems to survive in the fact that all the roads both on the Kent and Essex shores appear to converge to this point. The church has some interesting miserere stalls and brasses to the Faunce family (17th century). On the walls we find specimens of that somewhat rare fern, the scaly spleenwort (Ceterach officinarum).
Time does not permit us to go on to Gravesend, which like this place was one of Dickens's favourite spots ("We come, you see" [says Mr. Peggotty, speaking of himself and Ham to David Copperfield, when they visited him at Salem House], "the wind and tide making in our favor, in one of our Yarmouth lugs to Gravesen'"), so we defer our visit to that popular resort until another occasion.
We notice in places where the harvest has been cleared (which, alas! owing to excess of wet and absence of sun, has not been an abundant one), preparations for cultivation next year, exhibiting that peculiar effect from ploughing which that gifted writer and born naturalist, the late Richard Jeffreys, described in his book Wild Life in a Southern County, with that love for common things which was so characteristic of him:—
"The ploughmen usually take special care with their work near public roads, so that the furrows end on to the base of the highway shall be mathematically straight. They often succeed so well that the furrows look as if traced with a ruler, and exhibit curious effects of vanishing perspective. Along the furrow, just as it is turned, there runs a shimmering light as the eye traces it up. The ploughshare, heavy and drawn with great force, smooths the earth as it cleaves it, giving it for a time a 'face,' as it were, the moisture on which reflects the light. If you watch the farmers driving to market, you will see that they glance up the furrows to note the workmanship and look for game; you may tell from a distance if they espy a hare, by the check of the rein and the extended hand pointing."
Our destination is now Higham—"Higham by Rochester, Kent,"—Dickens's nearest village, in which, from his first coming to Gad's Hill, he took the deepest interest, and after a further long tramp of nearly four miles steadily maintained, we reach Lower Higham towards dusk; and in a lane we ask an old labourer (who looks as though he would be all the better for "Three Acres and a Cow") if we are on the right road to Higham Station. Curtly but civilly the man answers, "Keep straight on," when an incident occurs which brightens up matters considerably. The questioner says to the labourer, "Do you remember the late Charles Dickens?" (We always spoke, when in the district, of "the late Charles Dickens," to distinguish him from his eldest son, who lived at Gad's Hill for some years after his father's death. Frequently the great novelist was spoken of by residents as "old Mr. Dickens!")
"Do I remember Muster Dickens?" responds the venerable rustic, and his eyes sparkle, and his face beams with such animation that he becomes a different being. "Of course I do; he used to have games—running, jumping, and such-like—for us working people, and I've often won a prize. He used to come among us and give us refreshments, and make himself very pleasant."