In an interesting letter addressed to Mr. Angus Fletcher, recently in the possession of Mr. Arthur Hailstone of Manchester, Dickens further describes the event:—"Suspectful of a butcher who had been heard to threaten, I had the body opened. There were no traces of poison, and it appeared he died of influenza. He has left considerable property, chiefly in cheese and halfpence, buried in different parts of the garden. The new raven (I have a new one, but he is comparatively of weak intellect) administered to his effects, and turns up something every day. The last piece of bijouterie was a hammer of considerable size, supposed to have been stolen from a vindictive carpenter, who had been heard to speak darkly of vengeance down the mews."
Maclise on hearing the news sent to Forster a letter, and a pen-and-ink sketch, being the famous "Apotheosis." The second raven died in 1845, probably from "having indulged the same illicit taste for putty and paint, which had been fatal to his predecessor." Dickens says:—
"Voracity killed him, as it did Scott's; he died unexpectedly by the kitchen fire. He kept his eye to the last upon the meat as it roasted, and suddenly turned over on his back with a sepulchral cry of 'Cuckoo!'"
These ravens were of course the two "great originals" of which Grip in Barnaby Rudge was the "compound." There was a third raven at Gad's Hill, but he "gave no evidence of ever cultivating his mind." The novelist's remarkable partiality for ravens called forth at the time the preposterous rumour that "Dickens had gone raving (raven) mad."
Here Longfellow visited Dickens in 1841, and thus referred to his visit:—"I write this from Dickens's study, the focus from which so many luminous things have radiated. The raven croaks in the garden, and the ceaseless roar of London fills my ears."
Apotheosis of "Grip" the Raven. Drawn by D. Maclise, R.A.