The next chapters show how this vision or presentiment was verified. The journeys which he now took exposed him to frequent dangers, both from robbers and from lawless men who hated the monks. One adventure with a murderer is told with delightful simplicity and vividness. Suso remains throughout his life thoroughly human, and, hard as his lot had been, he is in an agony of fear at the prospect of a violent death. The story of the outlaw confessing to the trembling monk how, besides other crimes, he had once pushed into the Rhine a priest who had just heard his confession, and how the wife of the assassin comforted Suso when he was about to drop down from sheer fright, forms a quaint interlude in the saint's memoirs. But a more grievous trial awaited him. Among other pastoral work, he laboured much to reclaim fallen women; and a pretended penitent, whose insincerity he had detected, revenged herself by a slander which almost ruined him.[263] Happily, the chiefs of his order, whose verdict he had greatly dreaded, completely exonerated him, after a full investigation, and his last years seem to have been peaceful and happy. The closing chapters of the Life are taken up by some very interesting conversations with his spiritual "daughter," Elizabeth Stäglin, who wished to understand the obscurer doctrines of Mysticism. She asks him about the doctrine of the Trinity, which he expounds on the general lines of Eckhart's theology. She, however, remembers some of the bolder phrases in Eckhart, and says, "But there are some who say that, in order to attain to perfect union, we must divest ourselves of God, and turn only to the inwardly-shining light." "That is false," replies Suso, "if the words are taken in their ordinary sense. But the common belief about God, that He is a great Taskmaster, whose function is to reward and punish, is cast out by perfect love; and in this sense the spiritual man does divest himself of God, as conceived of by the vulgar. Again, in the highest state of union, the soul takes no note of the Persons separately; for it is not the Divine Persons taken singly that confer bliss, but the Three in One." Suso here gives a really valuable turn to one of Eckhart's rashest theses. "Where is heaven?" asks his pupil next. "The intellectual where" is the reply, "is the essentially-existing unnameable nothingness. So we must call it, because we can discover no mode of being, under which to conceive of it. But though it seems to us to be no-thing, it deserves to be called something rather than nothing." Suso, we see, follows Dionysius, but with this proviso. The maiden now asks him to give her a figure or image of the self-evolution of the Trinity, and he gives her the figure of concentric circles, such as appear when we throw a stone into a pond. "But," he adds, "this is as unlike the formless truth as a black Moor is unlike the beautiful sun." Soon after, the holy maiden died, and Suso saw her in a vision, radiant and full of heavenly joy, showing him how, guided by his counsels, she had found everlasting bliss. When he came to himself, he said, "Ah, God! blessed is the man who strives after Thee alone! He may well be content to suffer, whose pains Thou rewardest thus. God help us to rejoice in this maiden, and in all His dear friends, and to enjoy His Divine countenance eternally!" So ends Suso's autobiography. His other chief work, a Dialogue between the eternal Wisdom and the Servitor, is a prose poem of great beauty, the tenor of which may be inferred from the above extracts from the Life. Suso believed that the Divine Wisdom had indeed spoken through his pen; and few, I think, will accuse him of arrogance for the words which conclude the Dialogue. "Whosoever will read these writings of mine in a right spirit, can hardly fail to be stirred in his heart's depths, either to fervent love, or to new light, or to longing and thirsting for God, or to detestation and loathing of his sins, or to that spiritual aspiration by which the soul is renewed in grace."
John Tauler was born at Strassburg about 1300, and entered a Dominican convent in 1315. After studying at Cologne and Paris, he returned to Strassburg, where, as a Dominican, he was allowed to officiate as a priest, although the town was involved in the great interdict of 1324. In 1339, however, he had to fly to Basel, which was the headquarters of the revivalist society who called themselves "the Friends of God." About 1346 he returned to Strassburg, and was devoted in his ministrations during the "black death" in 1348. He appears to have been strongly influenced by one of the Friends of God, a mysterious layman, who has been identified, probably wrongly, with Nicholas of Basel,[264] and, according to some, dated his "conversion" from his acquaintance with this saintly man. Tauler continued to preach to crowded congregations till his death in 1361.
Tauler is a thinker as well as a preacher. Though in most points his teaching is identical with that of Eckhart,[265] he treats all questions in an independent manner, and sometimes, as for instance in his doctrine about the uncreated ground of the soul,[266] he differs from his master. There is also a perceptible change in the stress laid upon certain parts of the system, which brings Tauler nearer than Eckhart to the divines of the Reformation. In particular, his sense of sin is too deep for him to be satisfied with the Neoplatonic doctrine of its negativity, which led Eckhart into difficulties.[267]
The little book called the German Theology, by an unknown author, also belongs to the school of Eckhart. It is one of the most precious treasures of devotional literature, and deserves to be better known than it is in this country. In some ways it is superior to the famous treatise of à Kempis, On the Imitation of Christ, since the self-centred individualism is less prominent. The author thoroughly understands Eckhart, but his object is not to view everything sub specie oeternitatis, but to give a practical religious turn to his master's speculations. His teaching is closely in accordance with that of Tauler, whom he quotes as an authority, and whom he joins in denouncing the followers of the "false light," the erratic mystics of the fourteenth century.
The practical theology of these four German mystics of the fourteenth century—Ruysbroek, Suso, Tauler, and the writer of the German Theology, is so similar that it is possible to consider it in detail without taking each author separately. It is the crowning achievement of Christian Mysticism before the Reformation, except in the English Platonists of the seventeenth century, we shall not find anywhere a sounder and more complete scheme of doctrine built upon this foundation.
The distinction drawn by Eckhart between the Godhead and God is maintained in the German Theology, and by Ruysbroek. The latter, as we have seen,[268] does not shrink from following the path of analysis to the end, and says plainly that in the Abyss there is no distinction of Divine and human persons, but only the eternal essence. Tauler also bids us "put out into the deep, and let down our nets"; but his "deep" is in the heart, not in the intellect. "My children, you should not ask about these great high problems," he says; and he prefers not to talk much about them, "for no teacher can teach what he has not lived through himself." Still he speaks, like Dionysius and Eckhart, of the "Divine darkness," "the nameless, formless nothing," "the wild waste," and so forth; and says of God that He is "the Unity in which all multiplicity is transcended," and that in Him are gathered up both becoming and being, eternal rest and eternal motion. In this deepest ground, he says, the Three Persons are implicit, not explicit. The Son is the Form of all forms, to which the "eternal, reasonable form created after God's image" (the Idea of mankind) longs to be conformed.
The creation of the world, according to Tauler, is rather consonant with than necessary to the nature of God. The world, before it became actual, existed in its Idea in God, and this ideal world was set forth by means of the Trinity. It is in the Son that the Ideas exist "from all eternity." The Ideas are said to be "living," that is, they work as forms, and after the creation of matter act as universals above and in things. Tauler is careful to show that he is not a pantheist. "God is the Being of all beings," he says; "but He is none of all things." God is all, but all is not God; He far transcends the universe in which He is immanent.
We look in vain to Tauler for an explanation of the obscurest point in Eckhart's philosophy, as to the relations of the phenomenal to the real. We want clearer evidence that temporal existence is not regarded as something illusory or accidental, an error which may be inconsistent with the theory of immanence as taught by the school of Eckhart, but which is too closely allied with other parts of their scheme.
The indwelling of God in the soul is the real centre of Tauler's doctrine, but his psychology is rather intricate and difficult. He speaks of three phases of personal life, the sensuous nature, the reason, and the "third man"—the spiritual life or pure substance of the soul. He speaks also of an "uncreated ground," which is the abyss of the Godhead, but yet "in us," and of a "created ground," which he uses in a double sense, now of the empirical self, which is imperfect and must be purified, and now of the ideal man, as God intended him to be. This latter is "the third man," and is also represented by the "spark" at the "apex of the soul," which is to transform the rest of the soul into its own likeness. The "uncreated ground," in Tauler, works upon us through the medium of the "created ground," and not as in Eckhart, immediately. The "created ground," in this sense, he calls "the Image," which is identical with Eckhart's "spark." It is a creative principle as well as created, like the "Ideas" of Erigena.
The German Theology says that "the soul has two eyes,[269]" one of which, the right eye, sees into eternity, the other sees time and the creatures. The "right eye" is practically the same as Eckhart's "spark" and Tauler's "image." It is significant that the author tells us that we cannot see with both eyes together; the left eye must be shut before we can use the right.[270] The passage where this precept is given shows very plainly that the author, like the other fourteenth century mystics,[271] was still under the influence of mediæval dualism—the belief that the Divine begins where the earthly leaves off. It is almost the only point in this "golden little treatise," as Henry More calls it, to which exception must be taken.[272]