"2. Shakspeare.—Like his own Banquo, 'father of a line of kings'—monarchs who rule with absolute sway the passions and sympathies of the human heart.
"Previous to offering the third toast, the chairman, Chancellor McCoun, addressed the company in the following terms:
"To your kindness and partiality, gentlemen, I owe it that the pleasing duty devolves upon me of consummating the object for which we are this day met together. To render a suitable acknowledgment to worth is one of the most grateful employments of generous minds. But with how much more alacrity is such an office undertaken when the worth is of so mingled a character that it equally commands the admiration of our intellects and the applause of our hearts, and when it is to be exercised not for merit of foreign growth and already stamped with foreign approbation, but for the offspring of our own soil and nursed into fame by our own encouragement.
"Eight years ago a youth came to this city unheralded and almost unknown. His first introduction to the community was through one of those acts of kindness on his part by which his whole subsequent career has been distinguished. To add a few dollars to the slender means of a poor but industrious and worthy native actor, this youth, his diffidence overcome by his sympathy, appeared in the arduous character of Othello before a metropolitan audience. What was the astonishment and delight of the spectators when, instead of a raw and ungainly tyro, they beheld one who needed only a few finishing touches to render him the peer of the proudest in his art! A rival theatre was then rapidly rising under the superintendence of a man who has had few superiors as a director of the mimic world of the stage. To this theatre the unheralded youth (now the 'observed of all observers') was speedily transferred, and during the most brilliant period of its history was its 'bright particular star.' Allured by the strange and attractive light, the wealth, the talent, the fashion and respectability of the city nightly crowded its benches. The carriages of the luxurious were drawn up in long retinue before its doors, and the laborious left their tasks and repaired in throngs to sit entranced beneath the actor's potent spell. Not Goodman's Fields, when Garrick burst, a kindred prodigy, on the astonished London audience, displayed nightly a gayer scene nor resounded with heartier plaudits.
"Such success naturally elicited from rival theatres the most splendid offers; yet, though earning a poor stipend and held but by a verbal tie, this honorable boy—his prospects altered but his mind the same—gave promptly such replies as showed that he valued integrity at its proper price. I shall be pardoned for thus adverting to one such instance among the many that might be adduced as finely illustrative of his character to whose honor it is mentioned.
"The time soon came, however, when he began to reap a harvest of profit as well as fame. And one of the first uses to which he turned his prosperity was to arouse the dramatic talent of his countrymen. The fruits of his liberality and judgment are several of the most popular and meritorious tragedies which have been produced on the modern stage. One of them, wholly American in its character and incidents, has been performed more frequently and with more advantage to the theatres than any other play in the same period of time on either side of the Atlantic. Though not without defects as a drama, it has the merit of presenting a strong and natural portrait of one of the most remarkable warriors of a race the last relics of which are fast melting away before the advancing tide of civilization. Yet, whatever the intrinsic qualities of the production, no one has witnessed it without feeling that its popularity is mainly to be ascribed to the bold, faithful, and spirited personation of the principal character; and, as the original of Metamora died with King Philip, so his scenic existence will terminate with the actor who introduced him to the stage. Among the other dramatic productions which the same professional perspicuity and generous feeling gave rise to are two or three of extraordinary merit. One of them, The Gladiator, for scenic effect, strongly-marked and well-contrasted characters, and fine nervous language, is surpassed by few dramas of modern times.
"But while this young actor was thus encouraging with liberal hand the literary genius of our countrymen, many an admiring audience beheld through the medium of his personations the noblest creations of the noblest bards of the Old World 'live o'er the scene' in all that reality which only acting gives.
"''Tis by the mighty actor brought,
Illusion's perfect triumphs come;