9 Hist. Greek Literature, vol. i. ch. 2, sect. 5.
Deification exhibited in Pumpkinification obviously measures the distance from the honest credulity of one class and period to the keen infidelity of another.
One of the most important passages in Greek literature, in whatever aspect viewed, is composed of the writings of the great Theban lyrist. Let us see what representation is there made of the fate of man in the unseen world. The ethical perception, profound feeling, and searching mind of Pindar could not allow him to remain satisfied with the undiscriminating views of the future state prevalent in his time. Upon such a man the problem of death must weigh as a conscious burden, and his reflections would naturally lead him to improved conclusions. Accordingly, we find him representing the Blessed Isles not as the haven of a few favorites of the gods, but as the reward of virtue; and the punishments of the wicked, too, are not dependent on fickle inclinations, but are decreed by immutable right. He does not describe the common multitude of the dead, leading a dark sad existence, like phantoms in a dream: his references to death and Hades seem cheerful in comparison with those of many other ancient Greek authors. Dionysius the Rhetorician, speaking of his Threnes, dirges sung at funerals, says, "Simonides lamented the dead pathetically, Pindar magnificently."
His conceptions of the life to come were inseparably connected with certain definite locations. He believed Hades to be the destination of all our mortal race, but conceived it subdivided into a Tartarus for the impious and an Elysium for the righteous. He thought that the starry firmament was the solid floor of a world of splendor, bliss, and immortality, inhabited by the gods, but fatally inaccessible to man. When he thinks of this place, it is with a sigh, a sigh that man's aspirations towards it are vain and his attempts to reach it irreverent. This latter thought he enforces by an earnest allusion to the myth of Bellerophon, who, daring to soar to the cerulean seat of the gods on the winged steed Pegasus, was punished for his arrogance by being hurled down headlong. These assertions are to be sustained by citations of his own words. The references made are to Donaldson's edition.
In the second Pythian Ode10 Pindar repeats, and would appear to endorse, the old monitory legend of Ixion, who for his outrageous crimes was bound to an ever revolving wheel in Hades and made to utter warnings against such offences as his own. In the first Pythian we read, "Hundred headed Typhon, enemy of the gods, lies in dreadful Tartarus."11 Among the preserved fragments of Pindar the one numbered two hundred and twenty three reads thus: "The bottom of Tartarus shall press thee down with solid necessities." The following is from the first Isthmian Ode: "He who, laying up private wealth, laughs at the poor, does not consider that he shall close up his life for Hades without honor."12 The latter part of the tenth Nemean Ode recounts, with every appearance of devout belief, the history of Castor and Pollux, the god begotten twins, who, reversing conditions with each other on successive days and nights, spent their interchangeable immortality each alternately in heaven and in Hades. The astronomical interpretation of this account may be correct; but its applicability to the wondering faith of the earlier poets is extremely doubtful.
10 L. 39.
11 LI. 15, 16.
12 L. 68.
The seventh Isthmian contains this remarkable sentence: "Unequal is the fate of man: he can think of great things, but is too ephemeral a creature to reach the brazen floored seat of the gods."13 A similar sentiment is expressed in the sixth Nemean: "Men are a mere nothing; while to the gods the brazen heaven remains a firm abode forever."14 The one hundred and second fragment is supposed to be a part of the dirge composed by Pindar on the death of the grandfather of Pericles. It runs in this way: "Whoso by good fortune has seen the things in the hollow under the earth knows indeed the end of life: he also knows the beginning vouchsafed by Zeus." It refers to initiation in the Eleusinian Mysteries, and means that the initiate understands the life which follows death. It is well known that a clear doctrine of future retribution was inculcated in the Mysteries long before it found general publication. The ninety fifth fragment is all that remains to us of a dirge which appears, from the allusion in the first line, to have been sung at a funeral service performed at midnight, or at least after sunset. "While it is night here with us, to those below shines the might of the sun; and the red rosied meadows of their suburbs are filled with the frankincense tree, and with golden fruits. Some delight themselves there with steeds and exercises, others with games, others with lyres; and among them all fair blossoming fortune blooms, and a fragrance is distilled through the lovely region, and they constantly mingle all kinds of offerings with the far shining fire on the altars of the gods." This evidently is a picture of the happy scenes in the fields that stretch around the City of the Blessed in the under world, and is introduced as a comfort to the mourners over the dead body.
The ensuing passage the most important one on our subject is from the second Olympic Ode.15 "An honorable, virtuous man may rest assured as to his future fate. The souls of the lawless, departing from this life, suffer punishment. One beneath the earth, pronouncing sentence by a hateful necessity imposed upon him, declares the doom for offences committed in this realm of Zeus. But the good lead a life without a tear, among those honored by the gods for having always delighted in virtue: the others endure a life too dreadful to look upon. Whoever has had resolution thrice in both worlds to stand firm, and to keep his soul pure from evil, has found the path of Zeus to the tower of Kronos, where the airs of the ocean breathe around the Isle of the Blessed, and where some from resplendent trees, others from the water glitter golden flowers, with garlandsofwhich they wreathe their wrists and brows in the righteous assemblies of Rhadamanthus, whom father Kronos has as his willing assistant." The "path of Zeus," in the above quotation, means the path which Zeus takes when he goes to visit his father Kronos, whom he originally dethroned and banished, but with whom he is now reconciled, and who has become the ruler of the departed spirits of the just, in a peaceful and joyous region.