19 Porphyry, De Antro Nympharum. Tertullian, Prescript. ad Her., cap. xl., where he refers the mimic death and resurrection in the Mithraic Mysteries to the teaching of Satan.
afterwards rose unto a new life, all of which was a type of the natural fate of man.20 The descent of the soul from heaven and its return thither were denoted by a torch borne alternately reversed and upright, and by the descriptions of the passage of spirits, in the round of the metempsychosis, through the planetary gates of the zodiac. The sun and moon and the morning and evening star were depicted in brilliant gold or blackly muffled, according to their journeying in the upper or in the lower hemisphere.21
The hero of the Syrian Mysteries was Adonis or Thammuz, the beautiful favorite of Aphrodite, untimely slain by a wild boar. His death was sadly, his resurrection joyously, celebrated every year at Byblus with great pomp and universal interest. The festival lasted two days. On the first, all things were clad in mourning, sorrow was depicted in every face, and wails and weeping resounded. Coffins were exposed at every door and borne in numerous processions. Frail stalks of young corn and flowers were thrown into the river to perish, as types of the premature death of blooming Adonis, cut off like a plant in the bud of his age.22 The second day the whole aspect of things was changed, and the greatest exultation prevailed, because it was said Adonis had returned from the dead.23 Venus, having found him dead, deposited his body on a bed of lettuce and mourned bitterly over him. From his blood sprang the adonium, from her tears the anemone.24 The Jews were captivated by the religious rites connected with this touching myth, and even enacted them in the gates of their holy temple. Ezekiel says, "Behold, at the gate of the Lord's house which was towards the north [the direction of night and winter] there sat women weeping for Tammuz." It was said that Aphrodite prevailed on Persephone to let Adonis dwell one half the year with her on earth, and only the rest among the shades, a plain reference to vegetable life in summer and winter.25 Lucian, in his little treatise on the Syrian Goddess, says that "the river Adonis, rising out of Mount Libanus, at certain seasons flows red in its channel: some say it is miraculously stained by the blood of the fresh wounded youth; others say that the spring rains, washing in a red ore from the soil of the country, discolor the stream." Dupuis remarks that this redness was probably an artifice of the priests.26 Milton's beautiful allusion to this fable is familiar to most persons. Next came he "Whose annual wound in Lebanon allured The Syrian damsels to lament his fate In amorous ditties all a summer's day, While smooth Adonis from his native rock Ran purple to the sea with Thammuz' blood."
20 Julius Firmicus, De Errore Prof. Relig.
21 Mithraica, Memoire Academique sur le Culte Solaire de Mithra, par Joseph de Hammer, pp: 66-68, 125-127. Tertullian, Prescript. ad Her., cap. xl. Porphyry, De Abstinentia, lib. iv. sect. 16. Hyde. Hist. Vet. Pers. Relig., p. 254.
22 Hist. du Culte d'Adonis, Mem. Acad. des Inscript., vol. iv. p. 136.
23 Theocritus, Idyl XV.
24 Bion, Epitaph Adon., l. 66.
25 See references in Anthon's Class. Dict., art. Adonis.
26 Dupuis, Orig. de Cultes, vol. iv. p. 121, ed. 1822.