9 Kenrick, Ancient Egypt, vol. i. ch. xxi. sect. iii.
10 Lib. i. cap. 7.
11 Library of Entertaining Knowledge, vol. ii. ch. iii.
theological doctrine carefully devised; although, after the priesthood appropriated the business, it is altogether probable that they interwove it with an artificial and elaborate system of sacerdotal dogmas, in which was the hiding of the national power.
The second question that arises is, What was the significance of the funeral ceremonies celebrated by the Egyptians over their dead? When the body had been embalmed, it was presented before a tribunal of forty two judges sitting in state on the eastern borders of the lake Acherusia. They made strict inquiry into the conduct and character of the deceased. Any one might make complaint against him, or testify in his behalf. If it was found that he had been wicked, had died in debt, or was otherwise unworthy, he was deprived of honorable burial and ignominiously thrown into a ditch. This was called Tartar, from the wailings the sentence produced among his relatives. But if he was found to have led an upright life, and to have been a good man, the honors of a regular interment were decreed him. The cemetery a large plain environed with trees and lined with canals lay on the western side of the lake, and was named Elisout, or rest. It was reached by a boat, the funeral barge, in which no one could cross without an order from the judges and the payment of a small fee. In these and other particulars some of the scenes supposed to be awaiting the soul in the other world were dramatically shadowed forth. Each rite was a symbol of a reality existing, in solemn correspondence, in the invisible state. What the priests did over the body on earth the judicial deities did over the soul in Amenthe. It seems plain that the Greeks derived many of their notions concerning the fate and state of the dead from Egypt. Hades corresponds with Amenthe; Pluto, with the subterranean Osiris; Mercury psychopompos, with Anubis, "the usher of souls;" Aacus, Minos, and Rhadamanthos, with the three assistant gods who help in weighing the soul and present the result to Osiris; Tartarus, to the ditch Tartar; Charon's ghost boat over the Styx, to the barge conveying the mummy to the tomb; Cerberus, to Oms; Acheron, to Acherusia; the Elysian Fields, to Elisout.12 Kenrick thinks the Greeks may have developed these views for themselves, without indebtedness to Egypt. But the notions were in existence among the Egyptians at least twelve hundred years before they can be traced among the Greeks.13 And they are too arbitrary and systematic to have been independently constructed by two nations. Besides, Herodotus positively affirms that they were derived from Egypt. Several other ancient authors also state this; and nearly every modern writer on the subject agrees in it.
The triumphs of modern investigation into the antiquities of Egypt, unlocking the hieroglyphics and lifting the curtain from the secrets of ages, have unveiled to us a far more full and satisfactory view of the Egyptian doctrine of the future life than can be constructed from the narrow glimpses afforded by the accounts of the old Greek authorities. Three sources of knowledge have been laid open to us. First, the papyrus rolls, one of which was placed in the bosom of every mummy. This roll, covered with hieroglyphics, is called the funeral ritual, or book of the dead. It served as a passport through the burial rites. It contained the names of the deceased and his parents, a series of prayers he was to recite
12 Spineto on Egyptian Antiq, Lectures IV., V.
13 Wilkinson, Manners and Customs of the Ancient Egyptians, 2d Series, vol. i. ch. 12.
before the various divinities he would meet on his journey, and representations of some of the adventures awaiting him in the unseen state.14 Secondly, the ornamental cases in which the mummies are enclosed are painted all over with scenes setting forth the realities and events to which the soul of the dead occupant has passed in the other life.15 Thirdly, the various fates of souls are sculptured and painted on the walls in the tombs, in characters which have been deciphered during the present century:16
"Those mystic, stony volumes on the walls long writ, Whose sense is late reveal'd to searching modern wit."