The friendship of Madame Récamier and Chateaubriand became more absorbing and complete, and was destined to endure with their lives. "It was," Madame Lenormant says, "the one aim of her life to appease the irritability, soothe the susceptibilities, and remove the annoyances of this noble, generous, but selfish nature, spoiled by too much adulation." Her steady moderation, moral wisdom, beautiful repose, and sweet oblivion of self, were an admirable antidote to his extreme moods, uneasy vanity, and morbid depression. Communion with her serene equity, her matchless beauty, her inexhaustible tenderness, the experience of her constant homage, soothed his haughty and mordant, but magnanimous and affectionate, nature, and were an infinite luxury to him. An admiring recognition is almost a necessity for those highly endowed with genius. And Madame Récamier's intense faculty of admiration, with her self-forgetting devotedness, exactly fitted her for this ministry. Chateaubriand became the first object of her life. Modifying her habits to suit his tastes, she made him, instead of herself, the centre around which every thing was to revolve. She devised endless means of lending an interest to his existence. She listened to every thing he wrote. She drew into her parlor, to meet him, all those persons who could interest or amuse him, or in any way give him pleasure. She diverted attentions from herself to him with exhaustless skill and generosity. In a poem which he addressed to her, he called her the "soft star that guided his path."

Such jealousy as can find a place in natures so noble is easily to be traced in the letters of Ballanche and Montmorency. Chateaubriand calls Ballanche "the hierophant" or "the mysterious initiator," "the man the most advanced at the Abbaye-aux-Bois." Ballanche, in turn, calls Chateaubriand "the king of intelligence." But Madame Récamier's wonderful sweetness and discretion invariably restored the interrupted harmony. Nor, indeed, did she allow the superior attraction to cast her old friends in the shade. Several years after the death of Montmorency, which happened in church on a Good Friday, Chateaubriand wrote to her thus: "Yesterday I believed myself dying, as your best friend did. Then you would have found one resemblance at least between us, and perhaps you would have joined us in your heart." Five years after their first meeting, Chateaubriand, then ambassador at Berlin, writes to her, "That I shall see you in a month, seems a kind of dream to me." Twenty-five years later, two years before his death, he writes to her at a watering-place whither she had gone for her health, "Do not hasten back. I pass my time here in Notre Dame. It is well occupied; for I think only of you and of God." The persistence of an affection so profound and so pure as that of Madame Récamier bore its proper fruit, and ended by subduing Chateaubriand. Gratitude, respect, veneration, struck their roots to the very bottom of his heart. Little by little, his self-occupied personality yields, and at last he writes to her, "You have transformed my nature." When she was alarmingly ill, in the winter of 1837, he, together with Ballanche, might be seen, in the cold mornings, "his beautiful white hair blown about by the wind, his physiognomy the image of despair," in the court of the Abbaye-aux- Bois, waiting for the doctor to come out. He then writes, "I bring this note to your door. I was so terrified yesterday at not being admitted, that I believed you were going from me. Ah! remember it is I who am to go before you. Never speak of what I shall do without you. I have not done any thing so evil that I should be left behind you." She recovered, and devoted herself more than ever, if possible, through the years of his mental decay, to alleviate and disguise the sad changes that came over him. Blindness began their separation before death came. Nothing can more emphatically bespeak her divine self-abnegation than the fact, that, for a long time after she had become perfectly blind, a dislike to trouble others with her infirmities led her to conceal the misfortune from her general acquaintance. Her eyes kept their brightness, and her hearing was most acute: she recognized, by the first inflection of the voice, those who drew near. The furniture was carefully arranged, always in the same way, so that she could move about confidently; and many persons, when she spoke of her "poor eyes," never dreamed that she had actually lost her sight.

After the decease of his wife, Chateaubriand besought Madame Récamier to marry him. She refused, on the ground, that, if she resided with him, the variety and pleasure his daily visits brought into the tedium of his existence would be destroyed. "Were we younger," she said, "I would gladly accept the right to consecrate my life to you. Age and blindness give me this right. I know the world will do justice to the purity of our relation. Let us change nothing." During his last sickness, he was as unable to speak as she was to see. She had the fortitude to undergo two operations on her eyes in the hope of looking on him once more; but in vain. By his bedside when he expired, she felt the sources of her life struck. She came from the room with no outward sign of distress, but clothed with a deadly paleness, which from that hour never left her. Her niece wrote, at the time, to a friend in England, "Those who, during the last two years, have seen Madame Récamier, blind, though the sweetness and brilliancy of her eyes remained uninjured, surrounding the illustrious friend, whose age had extinguished his memory, with cares so delicate, so tender, so watchful; who have seen her joy when she helped him to snatch a momentary distraction from the conversation around him, by leading it to subjects connected with that past which still lingered in his memory, those persons will never forget the scene. They could not help being deeply affected with pity and respect at the sight of that noble beauty, brilliancy, and genius bending beneath the weight of age, and sheltered, with such ingenious tenderness, by the sacred friendship of a woman who forgot her own infirmities, in the endeavor to lighten his."

History scarcely affords a finer instance of the ministrations of womanhood to soothe the woes and supply the wants of man than is exhibited in the relation of Madame Récamier and Chateaubriand. His egotistic and restless mental activity; his exaggerated, perturbed, and gnawing self-consciousness; his despairing view of men; his alienation from the spirit of his age, made him most lonely and unhappy. Meanwhile his ardent poetic susceptibility, his soaring imagination, his impassioned tenderness, his knightly sentiments, his religious feeling, pre-eminently fitted him to enjoy the moral homage, the delicate, sympathetic attentions, of a woman crowned with every exalting attribute of her sex. He appreciated the prize at its full worth. When nothing else could any longer interest him, her charm retained its pristine power. When beyond his threescore and ten, he writes to her thus, at different times:

"Other things are old stories: you are all that I love to see." "I am going to walk out with the lark. She shall sing to me of you: then she will be silent for ever in the furrow into which she drops." "I have only one hope graven on my heart, and that is, to see you again." "Cherish faithfully your attachment to me: it is all my life. You see how my poor hand trembles; but my heart is firm." "I have but one thought, fidelity to you: all the rest is gone."

For many years, even after his noble faculties were broken, and he had lost the use of his limbs, so that he was forced to be carried into her room, he passed the hours of every day, from three to six, with her. Amidst the ordinary hatreds, miseries, and indifferences of society, is it not indeed instructive and refreshing to see this example of a spotless friendship still yielding, in extreme old age, the interest, the solace, the happiness, which every thing else had ceased to yield?

Chateaubriand devotes to Madame Récamier the eighth volume of his "Memoires d'Outre Tombe." He recognizes, in her serious friendship, a support for the weariness of his life, a remuneration for all his sufferings.

"It seems, in nearing the close of my existence, as if every thing that has been dear to me has been dear to me in Madame Récamier, and that she was the concealed source of my affections. All my memories, both of my dreams and of my realities, have been kneaded into a mixture of charms and sweet pains, of which she has become the visible form. In the midst of these Memoirs,' the temple I am eagerly building, she will meet the chapel which I dedicate to her. Perhaps it will please her to repose there. There I have placed her image." During the few months that she survived their loss, Madame Récamier often spoke of Chateaubriand and Ballanche together. Repeatedly, if the door chanced to open at the hour when these two friends had been accustomed to enter, she started; and, on being asked the reason, replied that at certain moments her thought of them was so vivid, that it amounted to an apparition. Only three days previous to her death, she received M. de Saint Priest, and took great interest in hearing him read the eulogy on Ballanche which he was about to pronounce before the Academy.

Besides these three chief friends, Madame Récamier had many others well deserving of separate mention. Paul David, nephew of her husband, was a most devoted and inseparable companion of her whole life. When she lost her sight, he used to read to her every evening. He was a poor reader; and, perceiving that she was sensitive to this defect, he secretly took lessons, at the age of sixty-four, to improve his elocution. Junot and Bernadotte were her ardent, lasting friends, and always delighted to serve her. Her rare graces, and her generous goodness to Madame Desbordes-Valmore, disarmed the prejudices and won the heart of the gifted but misanthropic Latouche. The Duke de Noailles, who, under the envelope of a chill manner, concealed a conscientiousness of judgment, a constancy and delicacy of feeling, in strong sympathy with her own nature, was admitted to the rank and title of friend, "a serious thing," says her biographer, "for her who, more than any one in the world, inspired and practised friendship in the most perfect sense of the word." He held a place in her esteem like that held by Matthieu de Montmorency. One of the latest and warmest of her friends was the brilliant and high-souled Ampere, introduced to her by Ballanche, who had been an intimate friend of his father, and who now loved the son with double fervor, a debt which the grateful young man repaid with interest in a noble tribute to his memory. Never did a mother feel a deeper solicitude in the prospects of a darling son, or exert herself more devotedly to further his success; never did a son more thoroughly idolize a beautiful and good mother, than was realized between Madame Récamier and Ampere. Solely to please her, this most entertaining and most courted man in Paris devoted himself not merely to her, which would have been easy; but to Chateaubriand, which was difficult. Nothing can better illustrate her irresistible charm. And nothing can better illustrate the coarseness and ignorance of many of our critics, than the presumption with which one of them, in 1864, speaking of Ampere's funeral, says, "He was one of Madame Récamier's many lovers, and was bitterly disappointed at her refusal to marry him after the death of Chateaubriand!"

Such were the few principal men who penetrated to the centre of that select circle, in whose outer ranges of general benevolence the right of citizenship was granted to so many choice figures. Among the more distinguished of these latter may be named Benjamin Constant, the Duke de Doudeauville, De Gerando, Prosper de Barante, Delacroix, Gerard, Thierry, Ville-main, Lamartine, Guizot, De Tocqueville, Sainte Beuve. Surrounded by such persons as these, in the humble chamber to which, on the loss of her fortune, she had betaken herself, she presided like a priestess in the temple of friendship, ever pre-occupied with them, their glory her dominant passion, never herself seeking to shine, but intent only to elicit and display their gifts. Was it not natural, that they should, in the humorous phrase of Ballanche, "gravitate towards the centre of the Abbaye-aux-Bois"?