In 1428, a sum of four pounds was given to Jakke Travaill and companions, for making divers plays and interludes before the king, at Christmas.
Plays and interludes, with disguisings and mummings, were of very ancient date, and derived, like many other things, from the heathens. As early as 408 stage plays and spectacles were forbidden by the Concilium Africanum, on the Lord’s day, and other solemn Christian festivals, and by several subsequent councils, whose orders seem to have been but little attended to, showing how deep-rooted was the attachment to these shows. The early secular plays, principally performed by strolling minstrels, were frequently of a comic nature, but of a gross character, and accompanied by music, dancing, and mimicry. About the twelfth century the ecclesiastics introduced miracle-plays and scripture-histories, to counteract the secular plays, and these became common in the time of Henry the Second; the miracle-play of St. Katherine was acted at Dunstaple early in the twelfth century. London became famous for them, and in some places different trade-guilds produced each their separate play or mystery, as we find in the case of the Chester and Coventry Mysteries, and others. It was found expedient in these to introduce some comic passages, to relieve the length of the performances, and attract the notice of the audience, who probably paid on the voluntary system, as each thought proper. Thus, in the ‘Chester Mysteries,’ about the fourteenth century, Noah’s wife refuses to go into the ark, without her gossips, every one, and swears by Christ and by Saint John; and when she is at last forced in, she salutes Noah with a hearty box on the ear. In the Cornish Mystery of the ‘Creation of the World,’ by Jordan, which is, however, nearly three centuries later in date, the lady is much more civil, and is very careful to collect her property, like a thrifty housewife, because “they cost store of money.” In the ‘Secunda Pastorum’ of the Towneley Mysteries, which are said to be about a century later than those of Chester, Mak, the buffoon of the piece, steals a sheep from the Shepherds, while they are asleep, and takes it home to his wife, who puts it into the cradle, endeavouring to make it pass for a child, and praying that if ever she beguiled the Shepherds, who have come in search of it, she may eat the child lying there. The trick, however, is discovered, one of the Shepherds, going to kiss the child, finds the long snout. A similar story is told of Archie Armstrong, the jester, in the seventeenth century, excepting that his fraud was not discovered. In the ‘Slaughter of the Innocents,’ a cowardly character, called Watkyn, requests Herod to knight him, that he may be properly qualified to assist; he is nevertheless well beaten by the women, and goes to complain accordingly.
These Mysteries abound in anachronisms: Pharaoh in his pursuit of the Israelites, when in fear of drowning, recommends his people to lift up their hearts to Mahownde, or Mahomet; Herod constantly swears by him, sometimes even calling him St. Mahomed, as the Sicilian peasants swear by Santu Diavolu, and promises to make one of his counsellors Pope, by way of reward; Noah’s wife swears by Mary; Caiaphas sings mass; and the Shepherds are acquainted with the fools of Gotham; but as individuals of this class are of a very ancient, as well as lasting, breed, the statement may be correct, if applied to some Gotham in Palestine. In the ‘Mactatio Abel,’ of the same collection, Cain is made to speak in the rudest dialect of West York, using the vulgarest phrases, with gross buffoonery.
The pilgrims and crusaders, on their return from the East, introduced other subjects, and the frequent use of the name of Mahomed or Mahomet may have some connection with them. The Christmas play of St. George and the Dragon—
“St. George! that swindg’d the dragon, and e’er since
Sits on his horseback, at mine hostess’ door,”—
with the King of Egypt, and fair Sabra, his daughter, still extant in some parts of the country, may have the same origin. It is evidently of great antiquity; and the fact of its being performed in similar manner in the extreme northern and western parts of the country, a considerable part indeed being nearly identical, tends to prove this. “St. George!” was the old battle cry of the English, or “Sand Jors!” as an old German poem, of the fourteenth century, on the battle of Poictiers, calls it.
After the introduction of miracle-plays and mysteries, if there was a deficiency at any time of ecclesiastical performers, the clergy took secular players to assist them; and besides the fraternities and guilds, as before mentioned, some of the public schools also claimed an exclusive privilege of performing plays at particular times and places; the scholar of Paul’s School, indeed, applied to Richard the Second to prohibit inexperienced persons from presenting the ‘History of the Old Testament,’ which the clergy had been at great expense to represent publicly at Christmas. The parish-clerks were also famed for their representations, which seem frequently to have taken place at Clerkenwell, and occasionally lasted for several days. One is mentioned by Stow, in 1409, at Skinner’s Well, near Clerkenwell, which lasted eight days, commencing from the Creation of the World; which was indeed the favourite beginning, if we may judge from the sets of mysteries still extant; the authors thinking that date sufficiently remote: unlike some pedigree hunters, who some way down their ornamented tree, place a note, stating that about this time the world began; or the Chinese picture of the Creation, which has, in a corner, a Chinese mandarin looking on through a telescope. About the middle of the fifteenth century, moralities, or morals, appear to have been introduced, consisting of allegorical personifications, and with them the Vice with his dagger of lath and fool’s coat. The scripture-plays were not, however, immediately abandoned, and may be met with, though perhaps in the shape of a puppet-show, as late certainly as the time of Queen Anne, when at Heatley’s Booth, at Bartholomew Fair, might be seen the old Creation of the World, newly revived, commencing with the Creation of Adam and Eve, and finishing with rich Dives in Hell, and Lazarus in Abraham’s bosom. The French had representations similar to those of the English, at least as early in date; and, in 1313, Philippe-le-Bel exhibited, on the occasion of conferring knighthood on his children, the following spectacles:—‘Adam et Eve;’ ‘Les Trois Rois;’ ‘Le Meurte des Innocens;’ N. S. riant avec Sa Mère, et mangeant des pommes; Hérode et Caiphe en mitre, &c. In France, and in Spain, where they had their Autos Sacramentales, as they called these mysteries, from an equally early date, these performances have been continued to modern times among the country people, and most of their collections of carols contain two or three short mysteries. The plays exhibited at court, during the Christmas, were probably different from those of the clergy, and more in the nature of mummeries, or disguisings, with pageants, until the time of Queen Elizabeth, when the regular drama was performed before her, a practice which has been renewed in the elegant Christmas festivities of our present Queen.
After Edward the Fourth became the undisputed king of this country, he resumed the custom of keeping Christmas with pomp, wearing his crown, and keeping his estate, and making presents to his household; but the parliament nevertheless, in 1465, thought it necessary to pass one of those useless acts against excess in dress, forbidding cloth of gold, and shoes with pikes more than two inches long, to any under a lord. In 1461, also, all diceing, or playing at cards, was prohibited except at Christmas. Cards forming then, as since, an essential part, in many places, of the Christmas amusements. Among the Christmas gifts, during this reign, several were given to players and minstrels. Margery Paston, in a letter to her husband John Paston, 24th Dec., 1484, says that his eldest son had gone to Lady Morley to know how the Christmas next after her husband’s death was kept, and that there were no disguisings, nor harping, nor luting, nor singing, nor loud disports; but playing at the tables, and chess, and cards.
Richard the Third’s reign was too short and turbulent to give much opportunity for festivities, but he nevertheless kept two or three Christmasses in state, and particularly in 1484, at Westminster, when he wore his crown at a royal banquet on the Epiphany, clad in rich attire, of which he was fond; and it was observed that the princess Elizabeth was dressed in splendid robes of the same form and colour as those of the queen, whence inferences were drawn that he wished to get rid of the queen, either by death or divorce. Yet even now we hardly know the real character of Richard, and whether there were not some lights to relieve the dark shade: ambitious he was, and unscrupulous, but eloquent, and brave or bold; and perhaps, after all, his hump was only a high-shoulder. The old Countess of Desmond, who danced with him in her youth, describes him as a handsome man, somewhat dazzled probably by dancing with royalty. Shakespeare has rather treated him like a mad dog, and given him a bad name.
With Henry the Seventh commenced that series of splendid Christmasses which lasted, with little interruption, until the time of the civil wars, and were especially magnificent in the first half of the reign of Henry the Eighth, and of which historians have left us such particulars, that we can fancy ourselves present at them. In Christmas, 1489, however, the measles were prevalent, and proved fatal to several ladies and gentlewomen, and there were no disguisings, and but few plays, though there was an abbot of Misrule, who “made much sport and did right well his office;” the ambassadors of Spain dined at the king’s board on Twelfth Day, and the officers of arms had their largess, as they were accustomed. In the following year, to make up for it, there was a goodly disguising on New Year’s Night, and many plays during the Christmas. There are some household books of this king still extant at the Chapter-House, which contain many particulars of the payments for the Christmas diversions. Among these there are numerous gifts to different sets of players; dramatic performances, such as they were, being frequent in this reign; but the payments are somewhat of the smallest, varying from ten shillings to £2. 13s. 4d. for each set of players, excepting on occasions when some of the gentlemen of his chapel played before him, who received as much as £6. 13s. 4d. for their services, which sum appears also to have been the usual reward for the lord of Misrule. It is probable, however, that the players had rewards from other people besides the king, and that when the cap was handed round a handsome collection was frequently made. On one occasion no less than £12. was given to a little maiden that danced: now, considering how careful Henry was of his money, and comparing her reward to that of the players, we must presume her to have been the Taglioni of her day. The payments by the nobles were frequently small; in Lord Howard’s account there is one of 3s. 4d. to four players.