The Christmas masques were not, however, abandoned, and in the first Christmas after the marriage of Philip and Mary, there was one where the characters seem somewhat incongruous with the disposition of Mary, as there were six Venuses, or amorous ladies, with six cupids, and male and female Turks, &c.

Among the numerous miscellaneous New Year’s gifts presented to Mary in 1556, were the fore part of a kyrtell, and a pair of sleeves, of cloth of silver, richly embroidered all over with Venice silver, and raised with silver and black silk, given by the princess Elizabeth; a table, painted of the queen’s marriage, by Suete, painter; a smock, wrought all over with silk, and collar and ruffs of damask, gold, pearl, and silver, by the Duchess of Somerset; six sugar loaves, six tapnetts of figs, four barrels of suckets, and orange water, &c., by Lady Yorke, who, apparently, had a sweet tooth; two fat oxen, by Mr. Michael Wentworth—in the present time we should have taken them for granted, as prize oxen; two guinea-cocks, scalded by Gent; a marchpane, and two dishes of jelly, by Burrage, master cook; a fat goose and a capon, by Mrs. Preston; a cake of spice bread, by Kelley, plasterer; nutmegs and ginger, and a long stalk of cinnamon elect, in a box, by Smalwodde, grocer; a basket of pomegranates, cherries, apples, oranges, and lemons, by Harris, fruiterer; three rolls of songs, by Sheparde, of the chapel; a fair lute, edged with passamayne of gold and silk, by Browne, instrument maker.

The lord-mayor kept his state as usual, and in the end of January, 1557, the lord treasurer’s lord of Misrule,—for this officer’s power was frequently extended to Candlemas Day—came to the lord-mayor with his suite, and invited him to dinner.

In the following year there is a notice of the lord of Misrule, which would be rather strange if we did not know that going to the Poultry Compter in those days was not always a mark of disgrace or difficulty, as in recent times; but after all allowance made, some part of the account is suspicious; however, as we have not got the name of the master reveller, we may give the story, that on New Year’s Eve a lord of Misrule, with his herald, trumpets, and drums, and several attendants, disguised in white, went to London, and was brought to the Poultry Compter, and divers of his men lay all night there, and they went astray home again, by four and six together, to Westminster, on horseback and on foot. It is to be hoped that those who came disguised in white did not go home disguised in liquor; but let us give them the benefit of the doubt.

Queen Elizabeth, who, to powerful intellect, joined much of the arbitrary temper of her father, possessed also great vanity and fondness of display. In her time, therefore, the festivities were renewed with great pomp and show; and theatrical entertainments were also particularly encouraged, and were frequently performed before the queen, especially at Christmas time. To restrain somewhat the great expenses of these entertainments, she directed, in her second year, estimates to be made of them previously; but this wholesome practice, judging from the cost of after years, did not exist very long. In 1559, which may be called her first Christmas, the play before her, on Christmas Night, unluckily contained some offensive or indecent matter, as the players were commanded to leave off, and the mask came in dancing. On the Twelfth Night following there was a play, and then a goodly mask, and afterwards a great banquet.

In 1561, a lord of Misrule, having with him a train of 100 horsemen, richly apparelled, rode through London to the Inner Temple, where there was great revelling throughout the Christmas; Lord Robert Dudley, afterwards Earl of Leicester, being the constable and marshal, under the name of Palaphilos; and Christopher Hatton, afterwards chancellor, was master of the game. A sort of parliament had been previously held on St. Thomas’s Eve to decide whether the Society should keep Christmas; and if so, the oldest bencher delivered a speech on the occasion, the oldest butler was to publish the officers’ names, and then, “in token of joy and good liking, the bench and company pass beneath the hearth, and sing a carol, and so to boyer.” It was at this Temple Grand Christmas that Ferrex and Porrex, which may be considered as the first play assuming the character of the regular tragedy, was performed. The revels at these Grand Christmasses generally continued throughout the whole twelve days; Christmas Day, New Year’s Day, and Twelfth Day, being more particularly distinguished. On this occasion, at the breakfast of Twelfth Day, were brawn, mustard, and malmsey; the dinner of two courses to be served in the hall, and after the first course came the master of the game, apparelled in green velvet, and the ranger of the forest in green satin, bearing a green bow with arrows, each of them having a hunting horn about his neck; after blowing three blasts of venery, they paced three times round the fire, which was then placed in the middle of the hall. The master of the game next made three courtesies and knelt down, and petitioned to be admitted into the service of the lord of the feast. This ceremony having been performed, a huntsman came into the hall with a fox, and a purse-net with a cat, both bound at the end of a staff, and nine or ten couple of hounds, the horns blowing. The fox and cat were then set upon by the hounds, and killed beneath the fire; a pleasant Christmas amusement. This sport being finished, the marshal ushered all in their proper places, and after the second course, the oldest of the masters of the revels sang a song, with the assistance of others present; after some repose and further revels, supper of two courses was served, and when that was finished, the marshal was borne in by four men, on a sort of scaffold or framework, and taken three times round the hearth, crying out, “A lord, a lord,” &c.; after which he came down and went to dance. The lord of Misrule then addressed himself to the banquet,—the unfortunate fox and cat ought to have formed part—which ended with minstrelsy, mirth, and dancing; when they all departed to rest.

In 1573, there was some urgent expedition necessary in getting the revels ready in time; for a set of unfortunate plasterers were kept at work all night, and as they could not be spared, nor trusted, to go abroad to supper, they were allowed bread, and cheese, and beer, for that meal. The queen generally had masks of different kinds before her at Christmas time, of greater or less magnificence; but mention must not be omitted of the celebrated Christmas at Gray’s Inn, in 1594, of which an account was published under the title of Gesta Grayorum. Mr. Henry Helmes, the Christmas Prince, took for his style, “The High and Mighty Prince; Henry, Prince of Purpoole; Arch-duke of Stapulia and Bernardia; Duke of High and Nether Holborn; Marquis of St. Giles and Tottenham; Count Palatine of Bloomsbury and Clerkenwell; Great Lord of the Cantons of Islington, Kentish Town, Paddington, and Knightsbridge; Knight of the most heroical Order of the Helmet; and sovereign of the same.” According to our views, the entertainments would be considered heavy and pedantic in their nature; but they were in the style of the age, and seem to have given much satisfaction. There was a cessation of sports from Twelfth Night till the 1st of February, the prince being supposed absent in Russia on public affairs. On that day he was received at Blackwall, as if on his return, and that and the following day were spent in revelling and feasting, which then ceased until Shrovetide, when a mask was performed before the queen, containing, as usual, some gross flattery, and she was so much pleased with the performance, that on the courtiers dancing a measure after it, she exclaimed, “What! shall we have bread and cheese after a banquet.”

She was particularly partial to theatrical performances, and throughout her reign frequent mention is made of the plays performed during Christmas, at Court, and the rewards given to the players; the children of St. Paul’s also, and the scholars on her new foundation in Westminster, often performed before her at this season.

In 1560 and several following years, Sebastian Westcott, master of the children of St. Paul’s, received £6 13s. 4d., for their services, which seems to have been the usual price paid to regular players for a play, until the end of her reign, when it was increased to £10. Richard Farrant, the master of the children of Windsor, received for their services, in 1574, as much as £13 6s. 8d.