In the Ninevite sculptures the Umbrella or Parasol appears frequently. Layard gives a picture of a bas-relief representing a king in his chariot, with an attendant holding an Umbrella over his head. It has a curtain hanging down behind, but is otherwise exactly like those in use at the present time, the stretchers and sliding runner being plainly represented. To quote the words of that indefatigable traveller:—
"The Umbrella or Parasol, the emblem of royalty so universally accepted by eastern nations, was generally carried over the king in time of peace, and sometimes even in time of war. In shape it resembled, very closely, those in common use; but it is always open in the sculptures. It was edged with tassels, and was usually ornamented at the top by a flower or some other ornament. On the later bas-reliefs, a long piece of embroidered linen or silk falling from one side like a curtain, appears to screen the king completely from the sun. The parasol was reserved exclusively for the monarch, and is never represented as borne over any other person."
In Egypt again, the Parasol is found in various shapes. In some instances it is depicted as a flabellum, a fan of palm-leaves or coloured feathers fixed on a long handle, resembling those now carried behind the Pope in processions. Sir Gardner Wilkinson, in his work on Egypt, has, an engraving of an Ethiopian princess travelling through Upper Egypt in a chariot; a kind of Umbrella fastened to a stout pole rises in the centre, bearing a close affinity to what are now termed chaise Umbrellas. To judge from Wilkinson's account, the Umbrella was generally used throughout Egypt, partly as a mark of distinction, but more on account of its useful than its ornamental qualities.
The same author is rather doubtful whether, in the picture given by him of a military chief in his chariot, the frame which an attendant holds up behind the rider is a shield or a screen, but the latter is the more probable supposition, as it has all the appearance of an Umbrella without the usual handle. In some paintings on a temple wall, an Umbrella is held over the figure of a god carried in procession, and altogether we may, perhaps, consider it decided, beyond dispute, that the Umbrella in its modern shape was used in Egypt. [Footnote: To silence captious critics, who may find fault with the designs of our artist, we may once for all remark that an idealised conception of the figures only is given. The style of the ancient draughtsmen was by no means so perfect that we, who live in a more civilised age, should be entirely fettered by their conceptions, and the records of ancient life are not nearly full enough to justify any one who may Assert that the pictures in our pages are not as accurate as those in the British Museum. Anyhow, what they ought to have been, rather than what the ancient were, our artist has striven to delineate.]
In Persia the Parasol is repeatedly found in the carved work of Persepolis, and Sir John Malcolm has an article on the subject in his "History of Persia." In some sculptures—of a very Egyptian character, by the way—the figure of a king appears attended by a slave, who carries over his head an Umbrella, with stretchers and runner complete. In other sculptures on the rock at Takht-i-Bostan, supposed to be not less than twelve centuries old, a deer-hunt is represented, at which a king looks on, seated on a horse, and having an Umbrella borne over his head by an attendant.
This combination of business and comfort forcibly reminds us of a certain wet day in Carlsruhe, where we witnessed from the window of the Hôtel d'Angleterre a stout, martial-looking national guardsman marching to the exercising-ground with an Umbrella over his head, and a maid-servant diligently tramping through the mud behind him, bearing his musket.
As in Assyria, so in most other Eastern countries, this use of the Parasol carried with it a peculiar and honourable significance. The tradition relating to its origin in China has been already alluded to, and we can trace notices of its use a very long way back indeed.
According to Dr. Morrison, Umbrellas and Parasols are referred to in books printed about A.D. 300, but their use has been traced still further back than this. A very ancient book of Chinese ceremonies, called "Tcheou-Li, or The Rites of Tcheou," directs that upon the imperial cars the dais should be placed. "The figure of this dais contained in the Chinese edition of Tcheou-Li, and the particular description of it given in the explanatory commentary of Lin-hi-ye, both identify it with an Umbrella. The latter describes the dais to be composed of 28 arcs, which are equivalent to the whalebone ribs of the modern instrument, and the staff supporting the covering to consist of two parts, the upper being a rod 3/18ths of a Chinese foot in circumference, and the lower a tube 6/10ths in circumference, into which the upper half is capable of sliding."
In the second Tartar invasion of China the emperor's son was taken prisoner by the Tartar chief, and made to carry his Umbrella when he went out hunting.
Starting from the royal significance attached to the Umbrella, came a feeling of veneration for it, very different from the contempt with which we are now-a-days too apt to regard it. It was represented by many ancient nations as shading their gods. In the Hindoo mythology Vishnu is said to have paid a visit to the infernal regions with his Umbrella over his head. One would think that in few places could an Umbrella have been less appropriate, but doubtless Vishnu knew what he was about, and had his own reasons for carrying his Parapluie under his arm. Perhaps like Mrs. Gamp he could not be separated from it. So much for the ancient history of our subject in the East. We may now go on to countries about which we know a little more than of ancient China and Assyria.