As Schmidt remarks, the modern distinction of compliment and complement is unknown to the orthography of the old eds. See on ii. 2. 89 above.

22. [Prick-song.] Music sung from notes (Schmidt); so called from the points or dots with which it is expressed. S. uses the word only here. When opposed to plain-song, it meant counter-point as distinguished from mere melody. Here, as Elson shows, there is a reference to marking the time "by tapping the foot in time with the music, or, more frequently and more artistically, by waving the hand as the conductor of an orchestra waves his baton."

23. [Me.] For the "ethical dative," cf. J.C. i. 2. 270: "He plucked me ope his doublet," etc.

25. [Button.] Steevens quotes The Return from Parnassus, 1606: "Strikes his poinado at a button's breadth." Staunton cites George Silver's Paradoxes of Defence, 1599: "Signior Rocco, ... thou that takest upon thee to hit anie Englishman with a thrust upon anie button," etc. Duels were frequent in England in the time of S. The matter had been reduced to a science, and its laws laid down in books. The causes of quarrel had been duly graded and classified, as Touchstone explains in A.Y.L. v. 4. 63 fol.

26. [Of the very first house.] Of the first rank among duellists.

27. [Passado.] "A motion forwards and thrust in fencing" (Schmidt). Cf. L. L. L. i. 2. 184: "the passado he respects not." The punto reverso was a back-handed stroke. We have punto (= thrust) in M.W. ii. 3. 26: "to see thee pass thy punto." The hay was a home-thrust; from the Italian hai = thou hast it (not "he has it," as Schmidt and others explain it). Johnson gives it correctly: "The hay is the word hai, you have it, used when a thrust reaches the antagonist, from which our fencers, on the same occasion, without knowing, I suppose, any reason for it, cry out ha!"

30. [Fantasticoes.] Steevens quotes Dekker, Old Fortunatus: "I have danced with queens, dallied with ladies, worn strange attires, seen fantasticoes," etc.

32. [Grandsire.] Addressed to Benvolio in raillery of his staid demeanour.

33. [Fashion-mongers.] Cf. Much Ado, v. 1. 94: "fashion-monging boys."