PAINTER.
I saw them speak together.
POET.
Sir, I have upon a high and pleasant hill
Feigned Fortune to be throned. The base o’ th’ mount
Is ranked with all deserts, all kind of natures
That labour on the bosom of this sphere
To propagate their states. Amongst them all
Whose eyes are on this sovereign lady fixed,
One do I personate of Lord Timon’s frame,
Whom Fortune with her ivory hand wafts to her,
Whose present grace to present slaves and servants
Translates his rivals.
PAINTER.
’Tis conceived to scope.
This throne, this Fortune, and this hill, methinks,
With one man beckoned from the rest below,
Bowing his head against the steepy mount
To climb his happiness, would be well expressed
In our condition.
POET.
Nay, sir, but hear me on.
All those which were his fellows but of late,
Some better than his value, on the moment
Follow his strides, his lobbies fill with tendance,
Rain sacrificial whisperings in his ear,
Make sacred even his stirrup, and through him
Drink the free air.
PAINTER.
Ay, marry, what of these?
POET.
When Fortune in her shift and change of mood
Spurns down her late beloved, all his dependants,
Which laboured after him to the mountain’s top
Even on their knees and hands, let him slip down,
Not one accompanying his declining foot.
PAINTER.
’Tis common.
A thousand moral paintings I can show
That shall demonstrate these quick blows of Fortune’s
More pregnantly than words. Yet you do well
To show Lord Timon that mean eyes have seen
The foot above the head.
Trumpets sound. Enter Lord Timon, addressing himself courteously to every suitor. He is accompanied by a Messenger; Lucilius and other servants follow.
TIMON.
Imprisoned is he, say you?
MESSENGER.
Ay, my good lord. Five talents is his debt,
His means most short, his creditors most strait.
Your honourable letter he desires
To those have shut him up, which, failing,
Periods his comfort.