"On one occasion," says the poet, "a few years ago, on my return from the field at evening, I was told that a foreigner had asked for lodgings during the night, but that, influenced by his dark, repulsive appearance, my mother had very reluctantly refused his request. I found her by no means satisfied with her decision. 'What if a son of mine was in a strange land?' she inquired, self-reproachfully. Greatly to her relief, I volunteered to go in pursuit of the wanderer, and, taking a cross-path over the fields, soon overtook him. He had just been rejected at the house of our nearest neighbor, and was standing in a state of dubious perplexity in the street. His looks quite justified my mother's suspicions. He was an olive-complexioned, black-bearded Italian, with an eye like a live coal, such a face as perchance looks out on the traveller in the passes of the Abruzzi,—one of those bandit-visages which Salvator has painted. With some difficulty, I gave him to understand my errand, when he overwhelmed me with thanks, and joyfully followed me back. He took his seat with us at the supper-table; and when we were all gathered around the hearth that cold autumnal evening, he told us, partly by words, and partly by gestures, the story of his life and misfortunes, amused us with descriptions of the grape-gatherings and festivals of his sunny clime, edified my mother with a recipe for making bread of chestnuts; and in the morning when, after breakfast, his dark sullen face lighted up and his fierce eye moistened with grateful emotion as in his own silvery Tuscan accent he poured out his thanks, we marvelled at the fears which had so nearly closed our doors against him; and, as he departed, we all felt that he had left with us the blessing of the poor.
"It was not often that, as in the above instance, my mother's prudence got the better of her charity. The regular 'old stragglers' regarded her as an unfailing friend; and the sight of her plain cap was to them an assurance of forthcoming creature comforts."
In "Snow-Bound," too, we learn that the good mother often stayed her step to express a warm word of gratitude for their own comforts, and to hope that the unfortunate might be cared for also. It is a facetious saying in Philadelphia that beggars are shipped to that city from all parts of the country that they may share the never-failing bounty of the Quakers. However this may be, it is evident that benevolence was the predominant trait in the character of our poet's mother.
Other members of the household in Whittier's boyhood were his elder sister Mary, who died in 1861; Uncle Moses Whittier, who in 1824 received fatal injuries from the falling of a tree which he was cutting down; the poet's younger brother Matthew, who was born in 1812, and has been for many years a resident of Boston,—himself a versifier, and a contributor to the newspapers of humorous dialect articles, signed "Ethan Spike, from Hornby"; and finally the aunt, Mercy E. Hussey, the younger sister Elizabeth, and occasionally the "half-welcome" eccentric guest, Harriet Livermore.
Elizabeth Hussey Whittier—the younger sister and intimate literary companion of her brother, the poet—was a person of rare and saintly nature. In the little parlor of the Amesbury home there hangs a crayon sketch of her. The face wears a smile of unfailing sweetness and patience. That her literary and poetical accomplishments were of an unusually high order is shown by the poems of hers appended to Mr. Whittier's "Hazel Blossoms," published after her death. Her poem, "Dr. Kane in Cuba," would do honor to any poet. In the piece entitled the "Wedding Veil," we have a hint of an early love transformed by the death of its object into a spiritual worship and hope, nourished in the still fane of the heart. In the prefatory note to "Hazel Blossoms," Mr. Whittier says: "I have ventured, in compliance with the desire of dear friends of my beloved sister, Elizabeth H. Whittier, to add to this little volume the few poetical pieces which she left behind her. As she was very distrustful of her own powers, and altogether without ambition for literary distinction, she shunned everything like publicity, and found far greater happiness in generous appreciation of the gifts of her friends than in the cultivation of her own. Yet it has always seemed to me that, had her health, sense of duty and fitness, and her extreme self-distrust permitted, she might have taken a high place among lyrical singers. These poems, with perhaps two or three exceptions, afford but slight indications of the inward life of the writer, who had an almost morbid dread of spiritual and intellectual egotism, or of her tenderness of sympathy, chastened mirthfulness, and pleasant play of thought and fancy, when her shy, beautiful soul opened like a flower in the warmth of social communion. In the lines on Dr. Kane, her friends will see something of her fine individuality,—the rare mingling of delicacy and intensity of feeling which made her dear to them. This little poem reached Cuba while the great explorer lay on his death-bed, and we are told that he listened with grateful tears while it was read to him by his mother.
"I am tempted to say more, but I write as under the eye of her who, while with us, shrank with painful deprecation from the praise or mention of performances which seemed so far below her ideal of excellence. To those who best knew her, the beloved circle of her intimate friends, I dedicate this slight memorial."
Many readers of "Snow-Bound" have doubtless often wondered who the beautiful and mysterious young woman is who is sketched in such vigorous portraiture,—"the not unfeared, half-welcome guest," half saint and half shrew. She is no other than the religious enthusiast and fanatical "pilgrim preacher," Harriet Livermore,[7] the same who startled
"On her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own."
By the "Queen of Lebanon" is meant Lady Hester Stanhope. Harriet Livermore was the grand-daughter of Hon. Samuel Livermore, of Portsmouth, N. H., and the daughter of Hon. Edward St. Loe Livermore, of Lowell. She was born April 14, 1788, at Concord, N. H. Her misfortune was her temper, inherited from her father. When Whittier was a little boy, she taught needlework, embroidery, and the common school branches, in the little old brown school-house in East Haverhill, and was a frequent guest at Farmer Whittier's. The poet thus characterizes her:—