Just i' the middle o' the hill
Thy nest was placed wi' curious skill,
There I espied thy little bill
Beneath the shade.
In that sweet bower, secure frae ill,
Thine eggs were laid.
Five corns o' maize had there been drappit,
An' through the stalks thy head was pappit,
The drawing nowt could na be stappit
I quickly foun',
Syne frae thy cozie nest thou happit,
Wild fluttering roun'.
The sklentin stane beguiled the sheer,
In vain I tried the plough to steer,
A wee bit stumpie i' the rear
Cam 'tween my legs,
An' to the jee-side gart me veer
An' crush thine eggs."
The following elegiac stanza, written by honest Robert on the occasion of the death of his wife, is irresistibly ludicrous:—
"No more may I the Spring Brook trace,
No more with sorrow view the place
Where Mary's wash-tub stood;
No more may wander there alone,
And lean upon the mossy stone,
Where once she piled her wood.
'T was there she bleached her linen cloth,
By yonder bass-wood tree;
From that sweet stream she made her broth,
Her pudding and her tea."
Mr. Whittier says that the last time he saw Robert, "Threescore years and ten," to use his own words,
'Hung o'er his back,
And bent him like a muckle pack,'
yet he still stood stoutly and sturdily in his thick shoes of cowhide, like one accustomed to tread independently the soil of his own acres,—his broad, honest face seamed by care and darkened by exposure to all the 'airts that blow,' and his white hair flowing in patriarchal glory beneath his felt hat. A genial, jovial, large-hearted old man, simple as a child, and betraying neither in look nor manner that he was accustomed to
'Feed on thoughts which voluntary move
Harmonious numbers.'"