It is a spot full of traditions, and well suited to any poet's residence, most of all for one so versed in New England legends. It is the very spot once occupied by the Rev. George Burroughs, a clergyman who was hung for witchcraft in 1692, on the charge, among other things, of "having performed feats of extraordinary physical strength." He could hold out a gun seven feet long, tradition says, by putting his finger in the muzzle, and could lift a barrel of molasses in the same way by the bung-hole. For acts like these—deemed unclerical, at least, if not unnatural—he was convicted and hanged; and a well on the premises of Oak Knoll is still known as the "witch well."
Here, in the home of relatives, the poet has lived since 1876. A lovelier and more poetical place it would be difficult to imagine. The extensive, carefully kept grounds, and the antique elegance of the house, give to the estate the air of an old English manor, or gentleman's country hall. The house is approached by a long, upward-sweeping lawn, diversified with stately forest trees, clumps of evergreens and shrubs and flowers. Down across the road stands a large and handsome barn, which is as neat as paint and care can make it. In front of the house the eye ranges downward over an extensive landscape, as far as to the town of Peabody, in the direction of Salem. Indeed, on every side of the estate there are broad and distant views of the blue hills of Essex and Middlesex.
VIEW FROM THE PORCH AT OAK KNOLL, DANVERS, MASS.
In the summer, as you ascend the carriage-road that winds through the grounds, your eye is captured by the rare beauty of the scene. Yonder is a tall living wall of verdure, with an archway cut through it. To the left the grounds sweep gently down to a deep ravine, where a little rivulet, named Beaver Brook, creeps leisurely out and winds seaward through green and marish meadows. It is in this portion of the grounds that the fine oak-trees grow which give to the place its name. Here, too, is a large grove of pines, with numerous seats within it. There are trees and trees at Oak Knoll,—smooth and shapely hickories, glistering chestnuts with cool foliage, maples, birches, and the purple beech. Add to the picture the rural accessories of bee-haunted clover-fields, apple and pear orchards, and beds of tempting strawberries. The house is of wood, salmon-colored, with tall porches on each side, up-propped by stately Doric columns. In front, with wide sweep of closely cropped grass intervening, is the magnificent Norway spruce that Oliver Wendell Holmes, a year or two before Mr. Whittier's death, on one of those periodical visits to his brother poet that so delighted their two souls, named "The Poets' Pagoda." A luxuriant vine clusters about the eaves of the house. On the long porch a mocking-bird and a canary-bird fill the green silence with gushes of melody, and near at hand, in his study in the wing of the building, sits one with a singing pen and listens to their song. To their song and to the murmur of the tall pines by his window he listens, then looks into his heart and writes,—this sweet-souled magician,—and craftily imprisons between the covers of his books, echoes of bird and tree music, bits of blue sky, glimpses of green landscape, winding rivers, and idyls of the snow,—all suffused and interfused with a glowing atmosphere of human and divine love, such as the poet found in this home of his choosing at Oak Knoll. It will not perhaps be intruding upon the privacies of home to say that the members of the cultured household at Oak Knoll ever, found in their happy circle, their highest pleasure in ministering to all needs, social or otherwise, of their loved cousin the poet. Three sisters dispense the hospitalities of the house, and a young daughter of Mrs. Woodman's adds the charm of girlhood to the family life.