George W. Bungay, in his "Crayon Sketches" of distinguished Americans, published in 1852, gives the following picture of Whittier: "His temperament is nervous-bilious; [he] is tall, slender and straight as an Indian; has a superb head; his brow looks like a white cloud under his raven hair; eyes large, black as sloes, and glowing with expression,— ... those star-like eyes dashing under such a magnificent forehead."
A writer in the Democratic Review for August, 1845, speaks of "the fine intellectual beauty of his expression, the blending brightness and softness of the clear dark eye, the union of manly firmness and courage with womanly sweetness and tenderness alike in countenance and character."
Mr. David A. Wasson says that Whittier is of the Saracenic or Hebrew prophet type: "The high cranium, so lofty, especially in the dome,—the slight and symmetrical backward slope of the whole head,—the powerful level brows, and beneath these the dark, deep eyes, so full of shadowed fire,—the Arabian complexion,—the sharp-cut, intense lines of the face,—the light, tall, erect stature,—the quick, axial poise of the movement,"—all these traits reveal the fiery Semitic prophet.
The long backward and upward slope of the head, alluded to by Mr. Wasson, is very striking. It is the head of Walter Scott or of Emerson. Whittier is now an old man, somewhat hard of hearing, and with the fixed sadness of time upon his pleasant face. But ever and anon, as you converse with him, his countenance is irradiated by a sudden smile, sweet and strange and full of benignity,—like a waft of perfume from a bed of white violets, or a glint of rich sunlight on an April day. His is one of those Emersonian natures that everybody loves at first sight. The very mole under the right eye seems somehow the birth-mark or sign-manual of kindliness. The quaint grammatical solecisms of the Quaker and the New England farmer—the "thee's" and the omission of the g's from present participles and other words ending in "ing"—give to the poet's conversation a certain slight piquancy and picturesqueness.[17] About half-past nine every morning, when at Amesbury, Mr. Whittier walks down for the mail and the news, and perhaps has a chat with some neighbor on the street, or with the country editor who is setting up in type his own editorials while he grimly rolls his quid of tobacco in his cheek. In the spring and early summer the poet's dress will be after this fashion: black coat and vest, gray pantaloons, cinnamon-colored overcoat, drab tile hat, and perhaps a small gray tippet around his neck. As he walks, he salutes those whom he meets with a little jerky bow. A forty years' residence in Amesbury has made him acquainted with almost everybody, and he might, therefore, very properly be somewhat economical of exertion in his salutations. But his abrupt bow is really the expression of that unbending rectitude and noble pride in individual freedom that made him the reformer and the poet of liberty. As a single instance of Whittier's kind-heartedness, take the following incident, narrated by an anonymous writer in the Literary World for December, 1877: "When I was a young man trying to get an education, I went about the country peddling sewing-silk to help myself through college; and one Saturday night found me at Amesbury, a stranger and without a lodging-place. It happened that the first house at which I called was Whittier's, and he himself came to the door. On hearing my request he said he was very sorry that he could not keep me, but it was quarterly meeting and his house was full. He, however, took the trouble to show me to a neighbor's, where he left me; but that did not seem to wholly suit his idea of hospitality, for in the course of the evening he made his appearance, saying that it had occurred to him that he could sleep on a lounge, and give up his own bed to me,—which it is, perhaps, needless to say, was not allowed. But this was not all. The next morning he came again, with the suggestion that I might perhaps like to attend meeting, inviting me to go with him; and he gave me a seat next to himself. The meeting lasted an hour, during which there was not a word spoken by any one. We all sat in silence that length of time, then all arose, shook hands and dispersed; and I remember it as one of the best meetings I ever attended."
Dom Pedro II., Emperor of Brazil, is a reader of Mr. Whittier's poems, and an ardent admirer of his genius. He has exchanged letters with him, both in regard to poetry and to the emancipation of slaves.[18] When his Majesty was in this country, in 1876, he expressed a wish to meet Mr. Whittier, and on Wednesday evening, June 14, a little reception was arranged by Mrs. John T. Sargent at her Chestnut Street home, a few prominent persons having been invited to be present. "When the Emperor arrived, the other guests had already assembled. Sending up his card, his Majesty followed it with the quickness of an enthusiastic school-boy; and his first question, after somewhat hastily paying his greetings, was for Mr. Whittier. The poet stepped forward to meet his imperial admirer, who would fain have caught him in his arms and embraced him warmly, with all the enthusiasm of the Latin race. The diffident Friend seemed somewhat abashed at so demonstrative a greeting, but with a cordial grasp of the hand drew Dom Pedro to the sofa, where the two chatted easily and with the familiarity of old friends.