Standing on the sand-ridge by the beach, you have before you the washing surf, and miles on miles of level sand, rimmed with creeping, silver water-lace, overhung here and there by thinnest powdery mist. Out at sea the waves are tossing their salt-threaded manes, or flinging the sunlight from their supple coats—(æonian roar; white-haired, demoniac shapes)—while at evening you see far away to the northeast the revolving light of the Isles of Shoals.
"Quail and sandpiper and swallow and sparrow are here;
Sweet sound their manifold notes, high and low, far and near;
Chorus of musical waters, the rush of the breeze,
Steady and strong from the south,—what glad voices are these!"
So sings the poet of the Isles of Shoals, Celia Thaxter, who, it is said, was discovered and introduced to the world by Whittier,—her rocky home being still one of his favorite summer resorts.
Landward, your gaze sweeps the beautiful salt-meadows and rests on the woods beyond, or reaches still farther to the steeples of Newburyport rising sculpturesquely in the pellucid atmosphere, and often at evening filling the air with faint silver hymns that chime with the liquid undertone of the pouring surf.
The valley of the Merrimack with the surrounding region, is, or was until recently, full of legends of the marvellous and the supernatural, which, in this remote and isolated corner of the State, have come down in unbroken tradition from earlier times. One of the distinguishing peculiarities of Whittier's genius is his story-telling power, and since he has not only written many poems about the legends of his native province, but also published in his youth two small collections of those legends in prose form, it will be proper to give the reader a taste of them, both here and elsewhere in the volume, and thus assist him to an understanding of our poet's early environment.
The following extracts from his "Supernaturalism of New England," published in the year 1847, are germane to the subject in hand:—
"One of my earliest recollections," he says, "is that of an old woman residing at Rocks Village, in Haverhill, about two miles from the place of my nativity, who for many years had borne the unenviable reputation of a witch. She certainly had the look of one,—a combination of form, voice, and features, which would have made the fortune of an English witch-finder in the days of Matthew Paris or the Sir John Podgers of Dickens, and insured her speedy conviction in King James' High Court of Justiciary. She was accused of divers ill-doings, such as preventing the cream in her neighbor's churn from becoming butter, and snuffing out candles at huskings and quilting parties. The poor old woman was at length so sadly annoyed by her unfortunate reputation, that she took the trouble to go before a Justice of the Peace, and made a solemn oath that she was a Christian woman and no witch."
"Some forty years ago, on the banks of the pleasant little creek separating Berwick, in Maine, from Somersworth, in New Hampshire, within sight of my mother's home, dwelt a plain, sedate member of the Society of Friends, named Bantum. He passed, throughout a circle of several miles, as a conjurer and skilful adept in the art of magic. To him resorted farmers who had lost their cattle, matrons whose household gear, silver spoons, and table-linen had been stolen, and young maidens whose lovers were absent; and the quiet, meek-spirited old man received them all kindly, put on his huge, iron-rimmed spectacles, opened his 'conjuring book,' which my mother describes as a large clasped volume, in strange language and black-letter type, and after due reflection and consideration gave the required answers without money and without price. The curious old volume is still in possession of the conjurer's family. Apparently inconsistent as was this practice of the Black Art with the simplicity and truthfulness of his religious profession, I have not been able to learn that he was ever subjected to censure on account of it."
This incident reminds one of some verses in a poem of Whittier's entitled "Flowers in Winter":—
"A wizard of the Merrimack—
So old ancestral legends say—
Could call green leaf and blossom back
To frosted stem and spray.
The dry logs of the cottage wall,
Beneath his touch, put out their leaves;
The clay-bound swallow, at his call,
Played round the icy eaves.