Corona Civica, on a Coin of the Emperor Galba.
SPQR OB CS = Senatus Populusque Romanus ob civem servatum.
CŎRŌNA (στέφανος), a crown, that is, a circular ornament of metal, leaves, or flowers, worn by the ancients round the head or neck, and used as a festive as well as funereal decoration, and as a reward of talent, military or naval prowess, and civil worth. Its first introduction as an honorary reward is attributable to the athletic games, in some of which it was bestowed as a prize upon the victor. It was the only reward contended for by the Spartans in their gymnic contests, and was worn by them when going to battle. The Romans refined upon the practice of the Greeks, and invented a great variety of crowns formed of different materials, each with a separate appellation, and appropriated to a particular purpose.—I. Corona Obsidionalis. Amongst the honorary crowns bestowed by the Romans for military achievements, the most difficult of attainment, and the one which conferred the highest honour, was the corona obsidionalis, presented by a beleaguered army after its liberation to the general who broke up the siege. It was made of grass, or weeds and wild flowers, thence called corona graminea, and graminea obsidionalis, gathered from the spot on which the beleaguered army had been enclosed.—II. Corona Civica, the second in honour and importance, was presented to the soldier who had preserved the life of a Roman citizen in battle. It was made of the leaves of the oak. The soldier who had acquired this crown had a place reserved next to the senate at all the public spectacles; and they, as well as the rest of the company, rose up upon his entrance. He was freed from all public burthens, as were also his father, and his paternal grandfather; and the person who owed his life to him was bound, ever after, to cherish his preserver as a parent, and afford him all such offices as were due from a son to his father.—III. Corona Navalis or Rostrata, called also Classica. It is difficult to determine whether these were two distinct crowns, or only two denominations for the same one. It seems probable that the navalis corona, besides being a generic term, was inferior in dignity to the latter, and given to the sailor who first boarded an enemy’s ship; whereas the rostrata was given to a commander who destroyed the whole fleet, or gained any very signal victory. At all events, they were both made of gold; and one at least (rostrata) decorated with the beaks of ships like the rostra in the forum. The Athenians likewise bestowed golden crowns for naval services; sometimes upon the person who got his trireme first equipped, and at others upon the captain who had his vessel in the best order.—IV. Corona Muralis, was presented by the general to the first man who scaled the wall of a besieged city. It was made of gold, and decorated with turrets.—V. Corona Castrensis or Vallaris, was presented to the first soldier who surmounted the vallum, and forced an entrance into the enemy’s camp. This crown was made of gold, and ornamented with the palisades (valli) used in forming an entrenchment.—VI. Corona Triumphalis. There were three sorts of triumphal crowns: the first was made of laurel or bay leaves, and was worn round the head of the commander during his triumph; the second was of gold, which, being too large and massive to be worn, was held over the head of the general during his triumph, by a public officer. This crown, as well as the former one, was presented to the victorious general by his army. The third kind, likewise of gold and of great value, was sent as a present from the provinces to the commander. [Aurum Coronarium.]—VII. Corona Ovalis, was given to a commander who obtained only an ovation. It was made of myrtle.—VIII. Corona Oleagina, was made of the olive leaf, and conferred upon the soldiers as well as their commanders.—The Greeks in general made but little use of crowns as rewards of valour in the earlier periods of their history, except as prizes in the athletic contests; but previous to the time of Alexander, crowns of gold were profusely distributed, amongst the Athenians at least, for every trifling feat, whether civil, naval, or military, which, though lavished without much discrimination as far as regards the character of the receiving parties, were still subjected to certain legal restrictions in respect of the time, place, and mode in which they were conferred. They could not be presented but in the public assemblies, and with the consent, that is by suffrage, of the people, or by the senators in their council, or by the tribes to their own members, or by the δημόται to members of their own δῆμος. According to the statement of Aeschines, the people could not lawfully present crowns in any place except in their assembly, nor the senators except in the senate-house; nor, according to the same authority, in the theatre, which is, however, denied by Demosthenes; nor at the public games, and if any crier there proclaimed the crowns he was subject to atimia. Neither could any person holding an office receive a crown whilst he was ὑπεύθυνος, that is, before he had passed his accounts.—The second class of crowns were emblematical and not honorary, and the adoption of them was not regulated by law, but custom. Of these there were also several kinds.—I. Corona Sacerdotalis, was worn by the priests (sacerdotes), with the exception of the pontifex maximus and his minister (camillus), as well as the bystanders, when officiating at the sacrifice. It does not appear to have been confined to any one material.—II. Corona Funebris and Sepulchralis. The Greeks first set the example of crowning the dead with chaplets of leaves and flowers, which was imitated by the Romans. Garlands of flowers were also placed upon the bier, or scattered from the windows under which the procession passed, or entwined about the cinerary urn, or as a decoration to the tomb. In Greece these crowns were commonly made of parsley.—III. Corona Convivialis. The use of chaplets at festive entertainments sprung likewise from Greece. They were of various shrubs and flowers, such as roses (which were the choicest), violets, myrtle, ivy, philyra, and even parsley.—IV. Corona Nuptialis. The bridal wreath was also of Greek origin, among whom it was made of flowers plucked by the bride herself, and not bought, which was of ill omen. Amongst the Romans it was made of verbena, also gathered by the bride herself, and worn under the flammeum, with which the bride was always enveloped. The bridegroom also wore a chaplet. The doors of his house were likewise decorated with garlands, and also the bridal couch.—V. Corona Natalitia, the chaplet suspended over the door of the vestibule, both in the houses of Athens and Rome, in which a child was born. At Athens, when the infant was male, the crown was made of olive; when female, of wool. At Rome it was of laurel, ivy, or parsley.
Females with Crowns. (From an ancient Painting.)
CŎRŌNIS (κορωνίς), the cornice of an entablature, is properly a Greek word signifying anything curved. It is also used by Latin writers, but the genuine Latin word for a cornice is corona or coronix.
CORTĪNA, the name of the table or hollow slab, supported by a tripod, upon which the priestess at Delphi sat to deliver her responses; and hence the word is used for the oracle itself. The Romans made tables of marble or bronze after the pattern of the Delphian tripod, which they used as we do our sideboards, for the purpose of displaying their plate at an entertainment. These were termed cortinae Delphicae, or Delphicae simply.
CŎRỸBANTĬCA (κορυβαντικά), a festival and mysteries celebrated at Cnossus in Crete, by the Corybantes. (See Class. Dict., Corybantes.)
CŎRYMBUS (κόρυμβος). [[Coma].]
CORVUS, a sort of crane, used by C. Duilius against the Carthaginian fleet in the battle fought off Mylae, in Sicily (B.C. 260). The Romans, we are told, being unused to the sea, saw that their only chance of victory was by bringing a sea-fight to resemble one on land. For this purpose they invented a machine, of which Polybius has left a minute description. In the fore part of the ship a round pole was fixed perpendicularly, twenty-four feet in height and about nine inches in diameter; at the top of this was a pivot, upon which a ladder was set, thirty-six feet in length and four in breadth. The ladder was guarded by cross-beams, fastened to the upright pole by a ring of wood, which turned with the pivot above. Along the ladder a rope was passed, one end of which took hold of the corvus by means of a ring. The corvus itself was a strong piece of iron, with a spike at the end, which was raised or lowered by drawing in or letting out the rope. When an enemy’s ship drew near, the machine was turned outwards, by means of the pivot, in the direction of the assailant. Another part of the machine was a breast-work, let down from the ladder, and serving as a bridge, on which to board the enemy’s vessel. By means of these cranes the Carthaginian ships were either broken or closely locked with the Roman, and Duilius gained a complete victory.