DICTĀTOR, an extraordinary magistrate at Rome. The name is of Latin origin, and the office probably existed in many Latin towns before it was introduced into Rome. We find it in Lanuvium even in very late times. At Rome this magistrate was originally called magister populi and not dictator, and in the sacred books he was always designated by the former name down to the latest times. On the establishment of the Roman republic the government of the state was entrusted to two consuls, that the citizens might be the better protected against the tyrannical exercise of the supreme power. But it was soon felt that circumstances might arise in which it was of importance for the safety of the state that the government should be vested in the hands of a single person, who should possess for a season absolute power, and from whose decision there should be no appeal to any other body. Thus it came to pass that in B.C. 501, nine years after the expulsion of the Tarquins, the dictatorship (dictatura) was instituted. By the original law respecting the appointment of a dictator (lex de dictatore creando) no one was eligible for this office unless he had previously been consul. We find, however, a few instances in which this law was not observed.—When a dictator was considered necessary, the senate passed a senatus consultum, that one of the consuls should nominate (dicere) a dictator; and without a previous decree of the senate the consuls had not the power of naming a dictator. The nomination or proclamation of the dictator was always made by the consul, probably without any witnesses, between midnight and morning, and with the observance of the auspices (surgens or oriens nocte silentio dictatorem dicebat). The technical word for this nomination or proclamation was dicere (seldom creare or facere). Originally the dictator was of course a patrician. The first plebeian dictator was C. Marcius Rutilus, nominated in B.C. 356 by the plebeian consul M. Popillius Laenas. The reasons which led to the appointment of a dictator, required that there should be only one at a time. The dictators that were appointed for carrying on the business of the state were said to be nominated rei gerundae causa, or sometimes seditionis sedandae causa; and upon them, as well as upon the other magistrates, the imperium was conferred by a Lex Curiata. The dictatorship was limited to six months, and no instances occur in which a person held this office for a longer time, for the dictatorships of Sulla and Caesar are of course not to be taken into account. On the contrary, though a dictator was appointed for six months, he often resigned his office long previously, immediately after he had dispatched the business for which he had been appointed. As soon as the dictator was nominated, a kind of suspension took place with respect to the consuls and all the other magistrates, with the exception of the tribuni plebis. The regular magistrates continued, indeed, to discharge the duties of their various offices under the dictator, but they were no longer independent officers, but were subject to the higher imperium of the dictator, and obliged to obey his orders in every thing. The superiority of the dictator’s power to that of the consuls consisted chiefly in the three following points—greater independence of the senate, more extensive power of punishment without any appeal (provocatio) from their sentence to the people, and irresponsibility. To these three points, must of course be added that he was not fettered by a colleague. We may naturally suppose that the dictator would usually act in unison with the senate; but it is expressly stated that in many cases where the consuls required the co-operation of the senate, the dictator could act on his own responsibility. That there was originally no appeal from the sentence of the dictator is certain, and accordingly the lictors bore the axes in the fasces before them even in the city, as a symbol of their absolute power over the lives of the citizens, although by the Valerian law the axes had disappeared from the fasces of the consuls. Whether, however, the right of provocatio was afterwards given cannot be determined. It was in consequence of the great and irresponsible power possessed by the dictatorship, that we find it frequently compared with the regal dignity, from which it only differed in being held for a limited time.—There were however a few limits to the power of the dictator. 1. The most important was that which we have mentioned above, that the period of his office was only six months. 2. He had not power over the treasury, but could only make use of the money which was granted him by the senate. 3. He was not allowed to leave Italy, since he might thus easily become dangerous to the republic; though the case of Atilius Calatinus in the first Punic war forms an exception to this rule. 4. He was not allowed to ride on horseback at Rome, without previously obtaining the permission of the people; a regulation apparently capricious, but perhaps adopted that he might not bear too great a resemblance to the kings, who were accustomed to ride.—The insignia of the dictator were nearly the same as those of the kings in earlier times; and of the consuls subsequently. Instead however of having only twelve lictors, as was the case with the consuls, he was preceded by twenty-four bearing the secures as well as the fasces. The sella curulis and toga praetexta also belonged to the dictator.—The preceding account of the dictatorship applies more particularly to the dictator rei gerundae causa; but dictators were also frequently appointed, especially when the consuls were absent from the city, to perform certain acts, which could not be done by any inferior magistrate. These dictators had little more than the name; and as they were only appointed to discharge a particular duty, they had to resign immediately that duty was performed. The occasions on which such dictators were appointed, were principally:—1. For the purpose of holding the comitia for the elections (comitiorum habendorum causa). 2. For fixing the clavus annalis in the temple of Jupiter (clavi figendi causa) in times of pestilence or civil discord, because the law said that this ceremony was to be performed by the praetor maximus, and after the institution of the dictatorship the latter was regarded as the highest magistracy in the state. 3. For appointing holidays (feriarum constituendarum causa) on the appearance of prodigies, and for officiating at the public games (ludorum faciendorum causa), the presidency of which belonged to the consuls or praetors. 4. For holding trials (quaestionibus exercendis.) 5. And on one occasion, for filling up vacancies in the senate (legendo senatui).—Along with the dictator there was always a magister equitum, the nomination of whom was left to the choice of the dictator, unless the senatus consultum specified, as was sometimes the case, the name of the person who was to be appointed. The magister equitum had, like the dictator, to receive the imperium by a lex curiata. The dictator could not be without a magister equitum, and, consequently, if the latter died during the six months of the dictatorship, another had to be nominated in his stead. The magister equitum was subject to the imperium of the dictator, but in the absence of his superior he became his representative, and exercised the same powers as the dictator. The magister equitum was originally, as his name imports, the commander of the cavalry, while the dictator was at the head of the legions, the infantry; and the relation between them was in this respect similar to that which subsisted between the king and the tribunus celerum. Dictators were only appointed so long as the Romans had to carry on wars in Italy. A solitary instance of the nomination of a dictator for the purpose of carrying on war out of Italy has been already mentioned. The last dictator rei gerundae causa was M. Junius Pera, in B.C. 216. From that time dictators were frequently appointed for holding the elections down to B.C. 202, but after that year the dictatorship disappears altogether.—After a lapse of 120 years, Sulla caused himself to be appointed dictator in B.C. 82, reipublicae constituendae causa, but neither his dictatorship nor that of Caesar is to be compared with the genuine office. Soon after Caesar’s death the dictatorship was abolished for ever by a lex proposed by the consul Antonius. During the time, however, that the dictatorship was in abeyance, a substitute was invented for it, whenever the circumstances of the republic required the adoption of extraordinary measures, by the senate investing the consuls with dictatorial power. This was done by the well-known formula, Videant or dent operam consules, ne quid respublica detrimenti capiat.

DICTYNNĬA (δικτύννια), a festival with sacrifices, celebrated at Cydonia in Crete, in honour of Artemis, surnamed Δίκτυννα or Δικτύνναια, from δίκτυον, a hunter’s net.

DĬES (ἡμέρα), a day. The name dies was applied, like our word day, to the time during which, according to the notions of the ancients, the sun performed his course around the earth, and this time they called the civil day (dies civilis, in Greek νυχθήμερον, because it included both night and day). The natural day (dies naturalis), or the time from the rising to the setting of the sun, was likewise designated by the name dies. The civil day began with the Greeks at the setting of the sun, and with the Romans at midnight. At the time of the Homeric poems the natural day was divided into three parts. The first, called ἠώς, began with sunrise, and comprehended the whole space of time during which light seemed to be increasing, i.e. till mid-day. The second part was called μέσον ἦμαρ or mid-day, during which the sun was thought to stand still. The third part bore the name of δείλη or δείελον ἦμαρ, which derived its name from the increased warmth of the atmosphere. Among the Athenians the first and last of the divisions made at the time of Homer were afterwards subdivided into two parts. The earlier part of the morning was termed πρωΐ or πρῲ τῆς ἡμέρας: the latter, πληθούσης τῆς ἀγορᾶς, or περὶ πλήθουσαν ἀγοράν. The μέσον ἦμαρ of Homer was afterwards expressed by μεσημβρία, μέσον ἡμέρας, or μέση ἡμέρα, and comprehended, as before, the middle of the day, when the sun seemed neither to rise nor to decline. The two parts of the afternoon were called δείλη πρωΐη or πρωΐα, and δείλη ὀψίη or ὀψία. This division continued to be observed down to the latest period of Grecian history, though another more accurate division was introduced at an early period; for Anaximander, or, according to others, his disciple Anaximenes, is said to have made the Greeks acquainted with the use of the Babylonian chronometer or sun-dial (called πόλος, or ὡρολόγιον), by means of which the natural day was divided into twelve equal spaces of time. The division of the day most generally observed by the Romans, was that into tempus antemeridianum and pomeridianum, the meridies itself being only considered as a point at which the one ended and the other commenced. But as it was of importance that this moment should be known, an especial officer [[Accensus]] was appointed, who proclaimed the time of mid-day. The division of the day into twelve equal spaces, which were shorter in winter than in summer, was first adopted when artificial means of measuring time were introduced among the Romans from Greece. This was about the year B.C. 291, when L. Papirius Cursor, after the war with Pyrrhus in southern Italy, brought to Rome an instrument called solarium horologium, or simply solarium. But as the solarium had been made for a different latitude, it showed the time at Rome very incorrectly. Scipio Nasica, therefore, erected in B.C. 159 a public clepsydra, which indicated the hours of the night as well as of the day. Even after the erection of this clepsydra it was customary for one of the subordinate officers of the praetor to proclaim the third, sixth, and ninth hours; which shows that the day was, like the night, divided into four parts, each consisting of three hours.—All the days of the year were, according to different points of view, divided by the Romans into different classes. For the purpose of the administration of justice all days were divided into dies fasti and dies nefasti. Dies fasti were the days on which the praetor was allowed to administer justice in the public courts; they derived their name from fari (fari tria verba; do, dico, addico). On some of the dies fasti comitia could be held, but not on all. The regular dies fasti were marked in the Roman calendar by the letter F, and their number in the course of the year was 38.—Besides these there were certain days called dies intercisi, on which the praetor might hold his courts, but not at all hours, so that sometimes one half of such a day was fastus, while the other half was nefastus. Their number was 65 in the year.—Dies nefasti were days on which neither courts of justice nor comitia were allowed to be held, and which were dedicated to other purposes. The term dies nefasti, which originally had nothing to do with religion, but simply indicated days on which no courts were to be held, was in subsequent times applied to religious days in general, as dies nefasti were mostly dedicated to the worship of the gods.—In a religious point of view all days of the year were either dies festi, or dies profesti, or dies intercisi. According to the definition given by Macrobius, dies festi were dedicated to the gods, and spent with sacrifices, repasts, games, and other solemnities; dies profesti belonged to men for the administration of their private and public affairs. Dies intercisi were common between gods and men, that is, partly devoted to the worship of the gods, partly to the transaction of ordinary business. Dies profesti were either dies fasti, or dies comitiales, that is, days on which comitia were held, or dies comperendini, that is, days to which any action was allowed to be transferred; or dies stati, that is, days set apart for causes between Roman citizens and foreigners; or dies proeliales, that is, all days on which religion did not forbid the commencement of a war.

DIFFARRĔĀTĬO. [[Divortium].]

DĬĬPŎLEIA (διιπόλεια), also called Διπόλεια or Διπόλια, a very ancient festival celebrated every year on the acropolis of Athens in honour of Zeus, surnamed Πολιεύς.

DĬMĂCHAE (διμάχαι), Macedonian horse-soldiers, who also fought on foot when occasion required, like our dragoons.

DĪMĬNŪTĬO CĂPĬTIS. [[Caput].]

DĬŎCLEIA (διόκλεια), a festival celebrated by the Megarians in honour of an ancient Athenian hero, Diocles, around whose grave young men assembled on the occasion, and amused themselves with gymnastic and other contests. We read that he who gave the sweetest kiss obtained the prize, consisting of a garland of flowers.

DĬŎNȲSĬA (διονύσια), festivals celebrated in various parts of Greece in honour of Dionysus, and characterised by extravagant merriment and enthusiastic joy. Drunkenness, and the boisterous music of flutes, cymbals, and drums, were likewise common to all Dionysiac festivals. In the processions called θίασοι (from θείαζω), with which they were celebrated, women also took part in the disguise of Bacchae, Lenae, Thyades, Naiades, Nymphs, &c., adorned with garlands of ivy, and bearing the thyrsus in their hands, so that the whole train represented a population inspired, and actuated by the powerful presence of the god. The choruses sung on the occasion were called dithyrambs, and were hymns addressed to the god in the freest metres and with the boldest imagery, in which his exploits and achievements were extolled. [[Chorus].] The phallus, the symbol of the fertility of nature, was also carried in these processions. The indulgence in drinking was considered by the Greeks as a duty of gratitude which they owed to the giver of the vine; hence in some places it was thought a crime to remain sober at the Dionysia. The Attic festivals of Dionysus were four in number: the Rural or Lesser Dionysia (Διονύσια κατ’ ἀγρούς, or μικρά), the Lenaea (Λήναια), the Anthesteria (Ἀνθεστήρια), and the City or Great Dionysia (Διονύσια ἐν ἄστει, ἀστικά, or μεγάλα). The season of the year sacred to Dionysus was during the months nearest to the shortest day; and the Attic festivals were accordingly celebrated in Poseideon, Gamelion, Anthesterion, and Elaphebolion.—The Rural or Lesser Dionysia, a vintage festival, were celebrated in the various demes of Attica in the month of Poseideon, and were under the superintendence of the several local magistrates, the demarchs. This was doubtless the most ancient of all, and was held with the highest degree of merriment and freedom; even slaves enjoyed full freedom during its celebration, and their boisterous shouts on the occasion were almost intolerable. It is here that we have to seek for the origin of comedy, in the jests and the scurrilous abuse with which the peasants assailed the bystanders from a waggon in which they rode about. The Dionysia in the Peiraeeus, as well as those of the other demes of Attica, belonged to the lesser Dionysia.—The second festival, the Lenaea (from ληνός, the wine-press, from which also the month of Gamelion was called by the Ionians Lenaeon), was celebrated in the month of Gamelion; the place of its celebration was the ancient temple of Dionysus Limnaeus (from λίμνη, as the district was originally a swamp). This temple was called the Lenaeon. The Lenaea were celebrated with a procession and scenic contests in tragedy and comedy. The procession probably went to the Lenaeon, where a goat (τράγος, whence the chorus and tragedy which arose out of it were called τραγικὸς χορός, and τραγῳδία) was sacrificed, and a chorus standing around the altar sang the dithyrambic ode to the god. As the dithyramb was the element out of which, by the introduction of an actor, tragedy arose [[Chorus]], it is natural that, in the scenic contests of this festival, tragedy should have preceded comedy. The poet who wished his play to be brought out at the Lenaea applied to the second archon, who had the superintendence of this festival, and who gave him a chorus if the piece was thought to deserve it.—The third festival, the Anthesteria, was celebrated on the 11th, 12th, and 13th days of the month of Anthesterion. The second archon likewise superintended the celebration of the Anthesteria, and distributed the prizes among the victors in the various games which were carried on during the season. The first day was called πιθοιγία: the second, χόες: and the third, χύτροι. The first day derived its name from the opening of the casks to taste the wine of the preceding year; the second from χοῦς, the cup, and seems to have been the day devoted to drinking. The third day had its name from χύτρος, a pot, as on this day persons offered pots with flowers, seeds, or cooked vegetables, as a sacrifice to Dionysus and Hermes Chthonius. It is uncertain whether dramas were performed at the Anthesteria; but it is supposed that comedies were represented, and that tragedies which were to be brought out at the great Dionysia were perhaps rehearsed at the Anthesteria. The mysteries connected with the celebration of the Anthesteria were held at night.—The fourth festival, the City or Great Dionysia, was celebrated about the 12th of the month of Elaphebolion; but we do not know whether they lasted more than one day or not. The order in which the solemnities took place was as follows:—the great public procession, the chorus of boys, the comus [[Chorus]], comedy, and, lastly, tragedy. Of the dramas which were performed at the great Dionysia, the tragedies at least were generally new pieces; repetitions do not, however, seem to have been excluded from any Dionysiac festival. The first archon had the superintendence, and gave the chorus to the dramatic poet who wished to bring out his piece at this festival. The prize awarded to the dramatist for the best play consisted of a crown, and his name was proclaimed in the theatre of Dionysus. As the great Dionysia were celebrated at the beginning of spring, when the navigation was re-opened, Athens was not only visited by numbers of country people, but also by strangers from other parts of Greece, and the various amusements and exhibitions on this occasion were not unlike those of a modern fair.—The worship of Dionysus, whom the Romans called Bacchus, or rather the Bacchic mysteries and orgies (Bacchanalia), are said to have been introduced from southern Italy into Etruria, and from thence to Rome, where for a time they were carried on in secret, and, during the latter period of their existence, at night. The initiated, according to Livy, not only indulged in feasting and drinking at their meetings, but when their minds were heated with wine they indulged in the coarsest excesses and the most unnatural vices. The time of initiation lasted ten days; on the tenth, the person who was to be initiated took a solemn meal, underwent a purification by water, and was led into the sanctuary (Bacchanal). At first only women were initiated, and the orgies were celebrated every year during three days. But Pacula Annia, a Campanian matron, pretending to act under the direct influence of Bacchus, changed the whole method of celebration: she admitted men to the initiation, and transferred the solemnisation, which had hitherto taken place during the daytime, to the night. Instead of three days in the year, she ordered that the Bacchanalia should be held during five days in every month. It was from that time that these orgies were carried on with frightful licentiousness and excesses of every kind. The evil at length became so alarming, that, in B.C. 186, the consuls, by the command of the senate, instituted an investigation into the nature and object of these new rites. The result was that numerous persons were arrested, and some put to death; and that a decree of the senate was issued, commanding that no Bacchanalia should be held either in Rome or Italy; that if any one should think such ceremonies necessary, or if he could not neglect them without scruples or making atonements, he should apply to the praetor urbanus, who might then consult the senate. If the permission should be granted to him in an assembly of the senate, consisting of not less than one hundred members, he might solemnise the Bacchic sacra; but no more than five persons were to be present at the celebration; there should be no common fund, and no master of the sacra or priest. A brazen table containing this important document was discovered near Bari, in southern Italy, in the year 1640, and is at present in the imperial Museum of Vienna. While the Bacchanalia were thus suppressed, another more simple and innocent festival of Bacchus, the Liberalia (from Liber, or Liber Pater, a name of Bacchus), continued to be celebrated at Rome every year on the 16th of March. Priests and aged priestesses, adorned with garlands of ivy, carried through the city wine, honey, cakes, and sweetmeats, together with an altar with a handle (ansata ara), in the middle of which there was a small fire-pan (foculus), in which from time to time sacrifices were burnt. On this day Roman youths who had attained their sixteenth year received the toga virilis.

DĬŎSCŪRĬA (διοσκούρια), festivals celebrated in various parts of Greece in honour of the Dioscuri (Castor and Pollux). Their worship was very generally adopted in Greece, especially in the Doric and Achaean states; but little is known of the manner in which their festivals were celebrated. At Athens the festival was called Anaceia.