CRADLE
Thirteenth-century manuscript in the Cambridge Library (Green).
The young St. Aliquis barons were rocked in beautifully carved cradles. They were bathed before a great fire and wrapped, not merely in the usual long baby clothes, but in little robes of silk and furs, even of precious ermine, to proclaim their noble rank. They were, of course, baptized at first opportunity, because unbaptized children had very dubious chances in the next world. Adela had been unable to go to the ceremony for either, but there had been a great gathering of relatives and vassals; for a christening is the formal acknowledgment of the child's legitimacy and settles many claims to inheritance. A child must have three godparents, two of its own sex and one of the other. At the font, one of these holds the babe round the body, and each of the others grasps a leg. Then the priest dips the child completely in the water. "Bare as a babe at baptism," runs the saying. Of course, the higher the rank of the godparents, the luckier the infant. François is proud already because the Duke of Quelqueparte calls him "godson," and Anseau because he is styled the same by the high Countess of Blois.
Up to seven the young boys were left to the care of their mother. Adela nursed her own sons, although wet nurses were the rule in many noble families; but at least three maids were constantly in attendance on each young sprig of St. Aliquis. Neither François nor Anseau is spared the wholesome diet of many blows. Monkish preachers are always warning against sparing the rod and spoiling the child, and every father and mother heeds this particular admonition. Truth to tell, conditions round a castle often tend to make boys little demons of rascality. All the hall has laughed at the epic "Daurel and Beton," in which a child at four was clever enough to steal his guardian's gloves, and at five to play chess and dice and to ride a tall horse. But François and Anseau are growing up reasonably honest, thanks to frequent dermal pain. They have enjoyed a great variety of toys, most of them of types as old as the Pyramids and which will be a delight in succeeding centuries. There are dolls with hempen wigs, carved wooden soldiers with helms and hauberks, windmills, all kinds of animals made of baked clay, wooden horses, and, of course, an armory of wooden weapons. The scores of children swarming the bailey are at their disposal as playfellows, with the sons of the higher officers preferred. There are innumerable games of the tag variety, but already François is learning to marshal his playmates in military companies. What greater delight than to defend some tower against their father's old foe, Foretvert? It will be lucky if they do not filch real arbalists and shoot deadly bolts at one another.
Education of Young Noblewomen
François is now being taken in hand by his father and taught many things needful for a baron's son to know before he is sent away to be "nourished" by some friendly seigneur. He has no sisters, but his aunt Alienor is just emerging from the usual education of a girl of family. If there had been a local nunnery she might have been sent to the convent school. As it was, Conon took in the daughter of a petty noble, a kind of sister under minor vows, who was half teacher, half attendant.
This good soul has given Alienor rather more of bookish learning than François will probably obtain. The young lady has learned to read and write Romain (North French) and at least to read Latin. The result is that she devours every romance manuscript which she can borrow or can persuade her brother to buy. She has been taught arithmetic fairly well; she has learned the names of the chief stars and constellations and the legend about the "Way of St. Jacques" (the Milky Way). She has picked up a knowledge of healing herbs and is not afraid of the sight of blood, nor does she flinch when binding up a wound. Warfare and tourneys require that young girls should become expert nurses and even make shift to set shattered bones. Of course, she can ride, and at hawking or hunting upon her dear roan Marchegai can keep up with the best; and, like every fortunate maiden in France, her lips are perpetually light with songs—pious or secular, from quaint little chants in honor of the Virgin to the merry
Easter time in April
Sings each small bird gentle,
"Zo fricandés, zo, zo!—
Zo fricandés, zo!"
Assuredly, Father Grégoire and the monks have not neglected her religious education. She has learned many prayers, besides the Credo, Ave, and Paternoster, which every Christian child must memorize as soon as possible. Her brother one Easter gave her a finely illustrated psalter, and she has most of the chants by heart. By constant attendance at mass she knows practically the entire service and understands its symbolism. She has plenty of quaint little superstitions, but no degrading ones. At bedtime she repeats a prayer which is popular with all the girls of France: "I implore thee again, Virgin Mary, mayest thou, with all the saints and the elect of God, keep close to me and council me, and further all my prayers and desires: and be with me in all my sorrows and necessities, in all that I am called upon to do, to say, or to think; on all days, at all hours, through all the moments of my life."