Some combatants are intent on grim business. These are the professional jousters, determined to get as many ransoms as possible and to maintain their own proud reputation. Their armor is beautifully burnished; but it is quite plain. They have prepared for a regular battle. Other knights have painted their scabbards, lance butts, and shields with brilliant white, red, or black. On the crests of their helmets they have set outlandish figures—monsters, heads of birds, or of women. As in fancy balls of other days, their aim is to attract attention by the peculiarity of their costumes. Conon does not desire a bloody tourney and the funeral of several friendly knights as a climax to his gayety. Orders have therefore been given that all lance points are to be blunted, also that all sword edges and points be rounded. The tournament lances, too, are lighter than the battle lances and made of brittle wood.[66] Nevertheless, the blows struck will be terrible. The best leach from Pontdebois is already in the duke's lodge, and his services will be needed.
Strictly speaking, a tourney falls into two parts—the jousting always comes first, with the mêlée, which is the real tourney proper, as the grand climax to the entire occasion.
What follows might seem to men of other days somewhat monotonous after the novelty has worn away, although the first contests are exciting enough. The competing knights have been told off in pairs, partly by mutual consent, partly by the tactful arrangement of the camp marshals. After the procession around the lists, the contestants take their stations, some in the saddle, some dismounted in the spaces between the barriers. There is an awesome hush along the lodges and in the great standing throng of the vulgar. A herald calls in loud voice, "Let him come to joust who wishes to do battle!" Instantly two keen trumpets answer each other from opposite ends of the lists, and two pursuivants come forward. These worthies are really only jongleurs on less exciting days. They have now taken the deniers of two young barons who are anxious to make a brave appearance. The pursuivants are grotesquely dressed with bright parti-colored mantles and bliauts. Each begins bawling shrilly even while his rival is calling: "Here is the good cavalier and baron, Ferri of St. Potentin. A brave knight of a valorous house. He will teach a lesson to his enemies!" "Here is the good cavalier, Raoul, eldest son of the most puissant Count of Maurevay. Watch now his deeds, all you who love brave actions!"
A TOURNAMENT IN THE TWELFTH CENTURY
At the back are the galleries where the ladies sit; then, near the entrance to the lists, some cavaliers wait their turn to take part in the contest; in the center, some servants and others of the contestants pick up one of the combatants who has been thrown from his horse by his adversary.
Then each of the twain reviles the master of the other: "He! Your Sire Raoul is the son of a crow. All his friends will this day be ashamed of him. Let him find his ransom money!"
"Silence all boasts, you pursuivant of a caitiff master. Sire Ferri, if he outlives the shock, will have his spurs struck from his heels as being unworthy of knighthood!"
Meantime the two champions, rigid as statues, suffer their squires to lead them upon their tall destrers to opposite ends of the lists. When they are facing and their squires have nodded that their masters are ready, a marshal waves his white baton, calling loudly, "In the name of God and St. Michael, do your battle!"