BY MISS GRACE A. LEWIS.
Among the many fugitives whose stories were full of interest, was that of a woman named Rachel. She was tall, muscular, slight, with an extremely sensitive nervous organization, a brain of large size, and an expression of remarkable sagacity and quickness. She was living in West Chester, Chester county, Pa., when attempts were made to retake her to Slavery. With wonderful swiftness and adroitness she eluded pursuit, and was soon hurried away. Speedily reaching our house, she hid herself away during the day, and in the evening, as a place of greater safety, she was transferred to the house of our uncle, Dr. Fussell, then residing on an adjoining farm. As was his wont, this kind-hearted man soon entered into a conversation with her, and in a few minutes discovered that she had once been a pupil of his during his residence in Maryland many years before.
At the moment of recognition she sprang up, overwhelming him with her manifestations of delight, crying: "You Dr. Fussell? You Dr. Fussell? Don't you remember me? I'm Rache—Cunningham's Rache, down at Bush River Neck." Then receding to view him better, "Lord bless de child! how he is grown!"
Her tongue once loosened, she poured forth her whole history, expressing in every lineament her concentrated abhorrence of her libertine master, "Mort Cunningham." Over that story, it is needful to pass lightly, simply saying, she endured all outraged nature could endure and survive. For the sake of humanity we may trust there were few such fiends even among southern masters as this monster in human shape. Cunningham finally sold her to go further South, with a master whose name cannot now be recalled. This man was in ill health, and after a time he and his wife started northward, bringing Rache with them. On the voyage the master grew worse, and one night when he was about to die, a fearful storm arose, which Rache devoutly believed was sent from Heaven. In describing this scene, she impersonated her surroundings with wonderful vividness and marvellous power. At one moment she was the howling wind; at another the tumultuous sea—then the lurching ship—the bellowing cow frightened by the storm—the devil, who came to carry away her master's soul, and finally the weak, dying man, as he passed to eternity.
They proceeded on their voyage and landed at their place of destination. Rache sees the cow snuffing the land breeze and darting off through the crowd. The captain of the vessel points to the cow and motions her to follow its example. She needs nothing more. Again she is acting—she is now the cow; but human caution, shrewdness, purpose, are lent to animal instinct. She looks around her with wary eye—scents the air—a flash, and she is hidden from the crowd which you see around her—she is free! Making her way northward, she finally arrived at the house of Emmer Kimber, Kimberton, Chester county, Pa., and proving a remarkably capable woman, she remained a considerable time in his family, as a cook. She finally married, and settled in West Chester, where the pair prospered and were soon surrounded by the comforts of a neat home. After several years of peaceful life there, she was one day alarmed, not by the heirs of her dead master, but by the loathed "Mort Cunningham," who, without the shadow of legal right, had come to carry her back to Slavery. Fear lent her wings. She darted into a hatter's shop and out through the back buildings, springing over a dye kettle in her way, and cleared a board fence at a bound. On her way to a place of safety she looked back to see, with keen enjoyment, "Mort Cunningham" falling backward from the fence she had leaped. Secure in a garret, she looked down into the streets below, to see his vacant, dazed look as he sought, unable to find her. Her rendering of the expression of his face at this time, was irresistibly ludicrous, as was that of his whole bearing while searching for her. "Mort Cunningham" did not get her, but whether or not she ever returned to the enjoyment of her happy home, in West Chester, we never knew, as this sudden flight was the last we ever heard of her. She was one of the most wide-awake of human beings, and the world certainly lost in the uneducated slave, an actor of great dramatic power.
FRANCES ELLEN WATKINS HARPER.
The narratives and labors of eminent colored men such as Banneker, Douglass, Brown, Garnet, and others, have been written and sketched very fully for the public, and doubtless with advantage to the cause of freedom. But there is not to be found in any written work portraying the Anti-Slavery struggle, (except in the form of narratives,) as we are aware of, a sketch of the labors of any eminent colored woman. We feel, therefore, not only glad of the opportunity to present a sketch not merely of the leading colored poet in the United States, but also of one of the most liberal contributors, as well as one of the ablest advocates of the Underground Rail Road and of the slave.
No extravagant praise of any kind,—only simple facts are needed to portray the noble deeds of this faithful worker.
The want of space forbids more than a brief reference to her early life.
Frances Ellen Watkins Harper (Watkins being her maiden name) was born in the City of Baltimore in 1825, not of slave parentage, but subjected of course to the oppressive influence which bond and free alike endured under slave laws. Since reaching her majority, in looking back, the following sentences from her own pen express the loneliness of her childhood days. "Have I yearned for a mother's love? The grave was my robber. Before three years had scattered their blight around my path, death had won my mother from me. Would the strong arm of a brother have been welcome? I was my mother's only child." Thus she fell into the hands of an aunt, who watched over her during these early helpless years. Rev. William Watkins, an uncle, taught a school in Baltimore for free colored children, to which she was sent until she was about thirteen years of age. After this period, she was put out to work to earn her own living. She had many trials to endure which she would fain forget; but in the midst of them all she had an ardent thirst for knowledge and a remarkable talent for composition, as she evinced at the age of fourteen in an article which attracted the attention of the lady in whose family she was employed, and others. In this situation she was taught sewing, took care of the children, &c.; and at the same time, through the kindness of her employer, her greed for books was satisfied so far as was possible from occasional half-hours of leisure. She was noted for her industry, rarely trifling away time as most girls are wont to do in similar circumstances. Scarcely had she reached her majority ere she had written a number of prose and poetic pieces which were deemed of sufficient merit to publish in a small volume called "Forest Leaves." Some of her productions found their way into newspapers and attracted attention. The ability exhibited in some of her productions was so remarkable that some doubted and others denied their originality. Of this character we here copy an extract from one of her early prose productions: