This game long since, this martial exercise
Ascanius brought, when Alba’s walls he rear’d.
Whence the old Latins celebrate the same,
As he a lad, with him the Trojan youth.
The Albans taught it theirs: from them great Rome
Learnt it, and to their country’s honour call
The game Troy town, the boys the Trojan band.
I conceive this game was of two sorts; that performed on foot; that on horse-back, or in chariots: the intent of both was to exercise the youth in warlike activity, for it was a sort of mock fight: that on foot was the Pyrrhic dance. Suetonius says, lusus ipse quem vulgo Pyrrhicum appellant Troja vocatur. If we carry it up to its first original, we must affirm it was invented by the Corybantes, Idei dactyli, Curetes, whose institution, when confirmed among the Romans, was continued by the priests called Salii, dancing in armour, and clashing their weapons together with some sort of concert. Likewise the real soldiers had the same festival, which they called armilustrium, celebrated on the 19. Octob. of which Varro gives us an account de lingua Lat. Suetonius mentions it in Tiberio, c. 72. This, whether performed on foot or horse-back, by children, priests or soldiers, was manifestly the same thing: their gestures, turnings, returnings, knots and figures, their assaults, retreat, and the like, were aptly represented by mazes and labyrinths; which very comparison Virgil uses.
Ut quondam Cretâ fertur labyrinthus in altâ,
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