51
A View of Dorchester Amphitheatre from the Entrance.
The cave, or receptacle of the gladiators, wild beasts, &c. I suppose to have been at the upper end, under the ascent to the terrace, being vaults under that part of the body of the work: whether they were of the same chalk, or timber, or whether they were arched with brick or stone, or what other matter, I cannot say; but the ruin thereof seems to be the reason of the present deformity at that end; so that it is not easy to guess at its original profile. We may observe that the parapet and terrace go back there, and, taking a new sweep, fall beyond the line of the outer oval; for two reasons, as I conceive: 1st, Because by that means there is a greater length obtained for the ascent to the terrace, which makes it more gradual and easy: 2dly, Thereby more space is procured for the apartments of the prisoners under ground. TAB. LIII.By the section lengthwise, it is easily understood that I suppose a passage quite through, or subterraneous gallery upon that end of the longest diameter,TAB. XLII. 2d Vol. under the ascent to the terrace, from the out-side into the area: this must open at the bottom of the podium, as was practised in other works of like nature, with a squarish door, as Varro tells us, de re rustica. “The door (says he) ought to be low and narrow, of that sort which they call a cochlea, as is wont to be in the cave where the bulls are shut up for fight.� The entrance to this place might be from without-side the amphitheatre: here is no want of room for the door within; for the level of the area was at least twelve feet lower than the podium, like our pit at the play-houses; and it is probable there was a descent of the whole level this way, to draw off the rain into some subterraneous passage: the podium in the castrensian amphitheatre is monstrously high. Our area, no doubt, is exceedingly elevated by manuring, ploughing, and ruins: yet it preserves a dish-like concavity, through innumerable injuries; for the descent from the entrance is very great, and you go down as into a pit. I conjecture the middle part of the area is now ten foot lower than the level of the field: but the field itself, especially about the entrance, is much lowered by ploughing, because the end of the circular walk there, which should be even with the ground, is a good deal above it. The dens and caves of the wild beasts at the great circ in Rome were only of earth and wood, till Claudius the emperor built them of marble. This ruin at the upper end is very considerable; for it has so filled the arena thereabouts, that the cattle plough up to the very præcinctio. On the out-side is a large round tumour, a considerable way beyond the exterior verge, and regular in figure, which certainly has been somewhat appertaining to the work: I could wish that a careful person had liberty of digging into it. Moreover, this podium had a parapet of earth, if not a balustrade, as was usual in others: behind this, upon the lowermost seat, was the place of the senators and chief persons, who often had chairs or cushions: this was the best place for seeing and hearing, as being nearest the arena; whence Juvenal says,
—————— generosior & Marcellis,
Et Catulis Paulique minoribus et Fabiis &
Omnibus ad podium spectantibus.———
So Suetonius, in Augusto, says, the senate made an order, that the first or lowest seat at public spectacles should be left for them: probably this was broader than any other seat, with a greater space between the podium and next seat, for more ease. The chair of state for the prætor was on one side, and probably another opposite to it for the emperor, or his legate, which was reserved empty, for state, in their absence; or for the editor of the shows, who was generally thus distinguished: and it is remarkable that a little prominence is still left in these very places. These were set in the middle of the podium, on each side, upon the shortest diameter, and were covered with canopies like a tabernacle. This podium had, for greater safety, grates, nets, and lattice work of iron, or more costly metal, supported by pillars, and the like: beside, there were rollers of wood or ivory length-wise, which hindered the beasts from climbing up, by their turning round, as is particularly described by Calpurnius. And, moreover, in greater amphitheatres, there was a ditch full of water under it, called euripus, first introduced by Julius Cæsar. In the early times of these buildings, the people sat all together promiscuously; but after the emperors, the places were distinguished according to the degrees of quality, senators, knights, or common people. The knights seats were next to the senators, fourteen deep in number; so that gradus quatuordecim became a phrase for the equestrian order. We may suppose these two degrees filled all the seats in our amphitheatre under the circular walk or ascent. The common people possessed the remainder, or the whole concavity above the circular walk, taking the best places as they came first: but the uppermost seats were reserved particularly for the women; and one reason of their distance was, I suppose, because the gladiators were naked. And that no routs and confusions should disturb the order of these solemnities, there were proper officers appointed, that took care none should presume to sit out of the seats suitable to his degree.
I imagine the terrace at top in our work was designed for the men of arms: for they are by no means to be excluded, seeing one of the primary intents of these diversions was to inure them, as well as the people, to blood and murder. Hence, before they went upon any great expedition, or foreign war, these feasts and butcheries were publicly celebrated: and in my opinion, the two rising plots, that are squarish on each side upon the shortest diameter, were for the officers. These are above the level of the walk, or terrace, and might possibly have a tent set upon them for that purpose. I call them pavilions: they are of a handsome turn, and capable each of holding two dozen of people commodiously: their side-breadth is fifteen foot; their length, i. e. north and south, twenty: they are somewhat nearer the upper end, not standing precisely upon the shortest diameter, and four foot above the level of the terrace. I considered with care that seeming irregularity of the terrace on both sides the lower end; for it is higher within side than without, yet so as to produce no ill effect below, either within or without, but the contrary. I find it is a master-piece of skill, and am surprised that it has not been more defaced in so long time. The matter is this: the work standing on a declining plain, this artifice was necessary to render its appearance regular; for when you stand in the centre within-side, the whole circuit of the terrace seems and is really of one level: but on the out-side the verge of the north-easterly part is sloped off gradually toward the entrance where the declivity is, conformably with it; whence the whole exterior contour appears of an equal height too: and this could not otherwise have been obtained, since within it was necessary to keep a true level, without regard to the outer plain. As to the seats, which I have supposed in [plate 50], they were contrived to be twice as broad as high: their height was but a small matter more than a foot, and their breadth not above two feet and a half; half that space being allotted for the seat of the lowermost, and the other half for the feet of the uppermost. The declivity of these gradus is justly made within an angle of thirty degrees, the third part of a quadrant: but this is more exact at the ends; for in the middle, or towards the shortest diameter over the elevated part of the circular walk, the upper series of seats has a somewhat more obtuse angle; the reason of which is obvious, to overlook the breadth of the circular walk. This is most plainly seen in the sections, and is done with judgement, because by that means the upper edge of the amphitheatre is in a right line with the declivity. As to the disposition of these seats, their method is as new as curious: it is so contrived, that the circular walks cut the whole breadth in two equal parts upon the shortest diameter; therefore an equal number of seats is above and under it: hence the middle seat at each extremity is in the same level with the elevated part of the walk. Though these seats in other amphitheatres abroad were made of stone or marble, yet they were generally covered with boards, because more wholesome; and that sometimes covered with cushions for the better sort. Dion Cassius tells us, this piece of nicety was first brought in by Caligula, who gave cushions to the senators seats, that they might not sit upon the bare boards, and Thessalic caps to keep them from the sun. The vulgar had mats made of reeds. I think we may well infer from hence, that the seats in our amphitheatre were covered too with plank, if not made wholly of it. The præcinctiones, or, as Vitruvius sometimes calls them in Greek, diazomata, which commentators make a difficulty about, to me seem only balustrades, because he orders them to be as high as the breadth of the walk along them: beside that upon the podium, here might possibly be one upon the inner edge of the terrace which separated between the soldiers and the women.