It is evident how proper engravings are to preserve the memory of things, and how much better an idea they convey to the mind than written descriptions, which often not at all, oftener not sufficiently, explain them: beside, they present us with the pleasure of observing the various changes in the face of nature, of countries, and the like, through the current of time and vicissitude of things. These embellishments are the chief desiderata of the excellent Mr. Camden’s Britannia, and other writers of this sort, whose pens were not so ready to deliver their sentiments in lines as letters: and how hard it is for common artificers to draw from mere description, or to express well what they understand not, is obvious from our engravings in all sciences. I am sensible enough, that large allowances must be made for my own performances in this kind, and some for the artificers parts therein, who, for want of more practice in such works, cannot equal others abroad. I know not whether it will be an excuse, or a fault, if I should plead the expedition I used in the drawing part; but I may urge, that a private person, and a moderate fortune, may want many useful assistants and conveniences for that purpose. It is enough for me to point them out; to show things that are fine in themselves, and want little art to render them more agreeable, or that deserve to be better done; or any way to contribute toward retrieving the noble monuments of our ancestors; in which case only, we are behind other the learned nations in Europe. It is not that we have a less fund of curiosities than they, were the description of them attempted by an abler hand, and more adequate experience.
Two or three of the plates are inserted only as heads, being not referred to in the discourse, as Tab. VIII. the ground-plot of the ruins of Whitehall. I myself never saw the palace, but was pleased that I chanced to take this draught of its ruinous ichnography, but the very week before totally destroyed. Thus much I thought owing to the venerable memory of that name, which is ever the word at sea with British ships, and which makes the whole world tremble. Tab. X. is an ancient seal of the bishops of Norwich.[1] This plate the learned and curious Mr. le Neve, Norroy king at arms, lent me out of his good will to promote the work: the seal is remarkable for having letters upon the edge, represented in the empty ringlet; the manner of it is like our milled money; but how it was performed in wax, is not easy to say. Tab. XV. was likewise lent me by Mr. Norroy abovesaid. I design always, in these collections of mine, to insert one plate in a hundred, of some person’s effigies that has deserved well of the antiquities of Britain: it is but a just piece of gratitude to their memory. Tab. XL. (the Greek view at Athens) I took from an original drawing in Mr. Talman’s collection. I have some more of that sort: though they relate not to Britain, I do not fear the reader will be displeased with me on that account. How much rather ought we to lament the scarcity of such! What noble monuments of Greece are sunk into eternal oblivion, through want of Drawing in travellers that have been there in great numbers, or for want of encouragement to those that are able! With what regret do I mention that most beautiful temple of Minerva in the citadel of Athens, without dispute the finest building upon the globe, anno 1694! that year it was casually blown up with gunpowder, and not a drawing of it preserved.
15
Guil: Faithorne Sculp:
HENRICUS SPELMANNUS.
Eques Auratus.
8
Palaces.