Armand Marion of Seattle, Washington, is another boy with a finely rounded game who, given experience and seasoning, bids fair to become a great star. Marion does not have enough punch yet and, needs to gain decisiveness of attack.
Charles Wood of New York, W. W. Ingraham of Providence, Milo Miller and Eric Wood of Philadelphia, John Howard of Baltimore, and others are of equal class and of nearly equal promise to the boys I have mentioned.
In the younger class of boys those under 15, one finds many youngsters already forming real style. The boy who shows the greatest promise and today the best all-round game, equalling in potential power even Vincent Richards at the same age, is Alexander L. (Sandy) Wiener of Philadelphia. At fourteen young Weiner is a stylist of the highest all-court type.
Among the other boys who may well develop into stars in the
future are Meredith W. Jones, Arthur Ingraham, Jr., Andrew Clarke
Ingraham, Miles Valentine, Raymond Owen, Richard Chase, Neil
Sullivan, Henry Neer, and Edward Murphy.
There are many other great players I would like to analyse, but
space forbids. Among our leaders are Roland Roberts, John
Strachan, C. J. Griffin, Davis, and Robert Kinsey in California;
Walter T. Hayes, Ralph Burdock, and Heath Byford in the Middle
West; Howard Voshell, Harold Throckmorton, Conrad B. Doyle, Craig
Biddle, Richard Harte, Colket Caner, Nathaniel W. Niles, H. C.
Johnson, Dean Mathey, and many others of equal fame in the East.
CHAPTER XIII. BRITISH ISLES
J. C. PARKE
There is no name in tennis history of the past decade more famous than that of J. C. Parke. In twelve months, during 1912 and 1913, he defeated Brookes, Wilding, and M'Loughlin—a notable record; and now in 1920, after his wonderful work in the World War, he returns to tennis and scores a decisive victory over W. M. Johnston.
Parke is essentially a baseline player. His service is soft, flat, but well placed. His ground strokes are hit with an almost flat racquet face and a peculiar short swing. He uses a pronounced snap of the wrist. He slices his straight backhand shot, but pulls his drive 'cross court. It is Parke's famous running drive down the line that is the outstanding feature of his game. Parke was a ten-second hundred-yard man in college, and still retains his remarkable speed of foot. He hits his drive while running at top speed and translates his weight to the ball. It shoots low and fast down the line. It is a marvellous stroke.
Parke's volleying is steady and well placed but not decisive. His overhead is reliable and accurate, but lacks "punch." The great factor of Parke's game is his uncanny ability to produce his greatest game under the greatest stress. I consider him one of the finest match players in the world. His tactical knowledge and brainy attack are all the more dangerous, because he has phenomenal power of defence and fighting qualities of the highest order. There is no finer sportsman in tennis than Parke. Generous, quiet, and modest, Parke is deservedly a popular figure with the tennis world.