Ever since early childhood, Eric remembered looking forward to ceremonies of this sort. A Stranger would have been caught by one of the warrior bands, and it would be determined that he was an outlaw. Nine times out of ten, such a man was easy enough to identify. No one but an outlaw, for example, would be wandering the burrows by himself, without a band or at least a single companion to guard his back. The tenth time, when there was the slightest doubt, a request for ransom to his people would make the prisoner's position clear. There would be a story of some unforgivable sacrilege, some particularly monstrous crime that could be punished by nothing but complete anathema and the revocation of all privileges as a human being. The man had escaped the punishment being prepared for him. Do with him as you will, his people would say. He is no longer one of us; he is the same as a Monster; he is something non-human so far as we are concerned.
Then a sort of holiday would be declared. Out of the bits and pieces of lumber stolen from Monster territory and set aside by the women for this purpose, the members of the Female Society would erect a structure whose specifications had been handed down from mother to daughter for countless generations—all the way back to the ancestors who had built the Record-Machines. It was called a Stage or a Theater, although Eric had also heard it referred to as The Scaffold. In any case, whatever its true name, most of the details concerning it were part of the secret lore of the Female Society and, as such, were no proper concern of males.
One thing about it, however, everyone knew. On it would be enacted a moving religious drama: the ultimate triumph of humanity over the wickedness of the Monsters.
For this, the central character had to fulfill two requirements. He had to be an intelligent creature, as the Monsters were, so that he could be made to suffer as some day Mankind meant the Monsters to suffer; and he had to be non-human, as the Monsters were, so that every drop of fear, resentment and hatred distilled by the enormous swaggering aliens could be poured out upon his flesh without any inhibition of compunction or fellow-feeling.
For this purpose, outlaws were absolutely ideal, since all agreed that such disgusting creatures had resigned their membership in the human race.
When an outlaw was caught, work stopped in the burrows, and Mankind's warrior bands were called home. It was a great time, a joyous time, a time of festival. Even the children—doing whatever they could to prepare for the glorious event, running errands for the laboring women, fetching refreshment for the stalwart, guarding men—even the children boasted to each other of how they would express their hatred upon this trapped representative of the non-human, this bound and shrieking protagonist of the utterly alien.
Everyone had their chance. All, from the chief himself to the youngest child capable of reciting the catechism of ancestral science, all climbed in their turn upon the Stage—or Theater—or Scaffold—that the women had erected. All were thrilled to vent a portion of Mankind's vengeance upon the creature who had been declared alien, as an earnest of what they would some day do collectively to the Monsters who had stolen their world.
Sarah the Sickness-Healer had her turn early in the proceedings; thenceforth, she stood on the structure and carefully supervised the ceremony. It was her job to see that nobody went too far, that everyone had a fair and adequate turn, and that even at the end there was some life left in the victim. Because then, at the end, the structure had to be completely burned—along with its bloody occupant—as a symbol of how the Monsters must eventually be turned into ash and be blown away and vanish.
"And Mankind will come into its own," she would chant, while the charred fragments were kicked out of the burrow contemptuously. "And the Monsters will be gone. They will be gone forever, and there will be nothing upon all the wide Earth but Mankind."