Alinari photo.]

[Palace of the Conservators, Rome.

BRUTUS.

Then into his life at this time came an influence which helped to shape his character, but had nearly wrecked his fortunes. Brutus, fresh from Caesar's murder, was at Athens, residing, as we should say, in his old University, and drawing to himself the passionate admiration of its most brilliant undergraduates; among the rest, of the younger Cicero and of Horace. Few characters in history are more pathetically interesting than his. High born, yet disdainful of ambitious aims, irreproachable in an age of almost universal profligacy, the one pure member of a grossly licentious family, modest and unobtrusive although steeped in all the learning of old Greece, strong of will yet tolerant and gentle, his austerity so tempered by humanism that he won not only respect but love; he had been adored by the gay young patricians, who paid homage to the virtue which they did not rouse themselves to imitate, honoured as an equal by men far older than himself, by Cicero, by Atticus, by Caesar. As we stand before the bust in the Palace of the Conservators which preserves his mobile features, in that face at once sweet and sad, at once young and old, as are the faces not unfrequently of men whose temperaments were never young—already, at thirty-one years old, stamped with the lineaments of a grand but fatal destiny—we seem to penetrate the character of the man whom Dante placed in hell, whom Shakespeare, with sounder and more catholic insight, proclaimed to be the noblest Roman of them all:

His life was gentle, and the elements

So mixed in him, that Nature might stand up,

And say to all the world, This was a man.

Quitting Athens after a time to take command of the army which had been raised against Antony, Brutus carried Horace in his company with the rank of military tribune. He followed his patron into Asia; one of his early poems humorously describes a scene which he witnessed in the law courts at Clazomenae. (Sat. I, vii, 5.) He was several times in action; served finally at Philippi, sharing the headlong rout which followed on Brutus' death; returned to Rome "humbled and with clipped wings." (Od. II, vii, 10; Ep. II, ii, 50.) His father was dead, his property confiscated in the proscription following on the defeat, he had to begin the world again at twenty-four years old. He obtained some sort of clerkship in a public office, and to eke out its slender emoluments he began to write. What were his earliest efforts we cannot certainly say, or whether any of them survive among the poems recognized as his. He tells us that his first literary model was Archilochus (Ep. I, xix, 24), a Greek poet of 700 B.C., believed to have been the inventor of personal satire, whose stinging pen is said to have sometimes driven its victims to suicide. For a time also he imitated a much more recent satirist, Lucilius, whom he rejected later, as disliking both the harshness of his style and the scurrilous character of his verses. (Sat. I, x.) It has been conjectured therefore that his earliest compositions were severe personal lampoons, written for money and to order, which his maturer taste destroyed. In any case his writings found admirers. About three years after his return to Rome his friends Varius and Virgil praised him to Maecenas; the great man read the young poet's verses, and desired to see him. (Sat. I, vi, 54.)

It is as an enlightened and munificent patron of letters that Maecenas holds his place in popular estimation, but he was much more than this. He had been since Caesar's death the trusty agent and the intimate adviser of Augustus; a hidden hand, directing the most delicate manoeuvres of his master. In adroit resource and suppleness no diplomatist could match him. His acute prevision of events and his penetrating insight into character enabled him to create the circumstances and to mould the men whose combination was necessary to his aims. By the tact and moderation of his address, the honied words which averted anger, the dexterous reticence which disarmed suspicion, he reconciled opposing factions, veiled arbitrary measures, impressed alike on nobles and on populace the beneficence of imperial despotism, while he kept its harshness out of sight. Far from parading his extensive powers, he masked them by ostentatious humility, refusing official promotion, contented with the inferior rank of "Knight," sitting in theatre and circus below men whom his own hand had raised to station higher than his own. Absorbed in unsleeping political toil, he wore the outward garb of a careless, trifling voluptuary. It was difficult to believe that this apparently effeminate lounger, foppish in dress, with curled and scented hair, luxuriating in the novel refinement of the warm bath, an epicure in food and drink, patronizing actors, lolling in his litter amid a train of parasites, could be the man on whom, as Horace tells us, civic anxieties and foreign dangers pressed a ceaseless load. He had built himself a palace and laid out noble gardens, the remains of which still exist, at the foot of the Esquiline hill. It had been the foulest and most disreputable slum in Rome, given up to the burial of paupers, the execution of criminals, the obscene rites of witches, a haunt of dogs and vultures. He made it healthy and beautiful; Horace celebrates its salubrity, and Augustus, when an invalid, came thither to breathe its air. (Sat. I, viii, 8, 14.) There Maecenas set out his books and his gems and his Etruscan ware, entertained his literary and high born friends, poured forth his priceless Caecuban and Chian wines. There were drops of bitter in these cups. His beautiful wife Terentia tormented him by her temper and her infidelities; he put her away repeatedly, as often received her back. It was said of him that he had been married a hundred times, though only to a single wife: "What is the latest conjugal news?" men asked as his sumptuous litter passed by, "is it a marriage or a divorce?" And he was haunted by terror of death. "Prolong my life," was his prayer, in words which Seneca has ridiculed and La Fontaine translated finely, yet missing the terseness of the original, "life amid tortures, life even on a cross, only life!"