Paris from the Earliest Period to the Present Day; Volume 1

by William Walton

All these legal penalties, necessarily inefficient in themselves, were rendered doubly so by the dissolute code of morals, les mœurs Italiennes, as they were called under Mazarin, that obtained in all classes of society. Under Louis XIV, an ordinance of 1684, drawn up by Colbert, was especially directed against those unfortunate women who were afflicted with disease: on entering the hospital they were first whipped, and then subjected to hard labor and the most rigorous confinement. Under the Regency, in 1720, Paris was greatly outraged by the tragic death of the Comtesse de Roncy, a very pretty young wife, who, justly suspicious of her husband, courageously went to seek him one day at the house of a certain charmer whom he was in the habit of visiting. On this occasion, he was not there, but the unhappy wife recognized his portrait on the bracelet which her rival was wearing; the controversy soon became heated, the neighbors of this Rue Gît-le-Cœur flocked in and took sides against the intruder, who, in the end, was thrown out the window and died on the following day. The murderesses were all sent to the Châtelet. Under Louis XV, the prodigal luxury displayed by the actresses and opera-dancers, the femmes à la mode, who were called des impures, and the effrontery of the grand seigneurs and rich bankers who maintained them in this state, became, if possible, more scandalous than ever; it was said, for example, that the minister Bertin, who had lived for fifteen years with Mlle. Hus, of the Comédie Française, had given her a set of furniture that was valued at five hundred thousand livres.

"Mlle. Grandi, of the Opéra, a dancer of mediocre talent and with a very commonplace face, was complaining one evening at the theatre of having lost the good graces of a protector who had given her a thousand louis in five weeks; one of those present said to her that she would readily find some one to take his place. Mlle. Grandi replied that it was not so easy as might be supposed, but that, in any case, she was firmly decided not to accept any new liaison excepting on the condition that she received a carriage and two good horses, with at least a hundred louis of income assured to maintain this equipage. The conversation then ended, but the next day there arrived at Mlle. Grandi's lodging a magnificent carriage drawn by two horses and followed by three others led behind it, and in the carriage was found one hundred and thirty thousand livres in specie."

Sometimes these scandalous chronicles took another turn. Mlle. Guimard, also of the Opéra, "a celebrated dancer, who was openly protected by the Maréchal de Soubise, did not shine by any excessive faithfulness to her protector; she accepted a rendezvous in one of the faubourgs of Paris, and saw that there was so much misery in this quarter that she distributed a portion of the two thousand écus which she had received as the price of her complaisance among the poor people whom she encountered and carried the rest to the curé of Saint-Roch, requesting him to have the goodness to distribute it among the poor."

The gardens of the Palais-Royal figure largely in the history of Paris as the scene of many of the more important incidents of the constantly changing social life of the capital. In the latter part of the eighteenth century, this locality was so much the favorite resort of the femmes galantes that the honest bourgeois and their wives were finally compelled to abandon it altogether; in the latter part of 1771, the former were accordingly all expelled, but by the summer of 1772 they had all returned. It is related that the Duc de Chartres, walking here one day, passed one of these ladies and was so much struck by her appearance that he turned to the gentlemen accompanying him and said: "Ah! how ugly she is!" To which the offended fair promptly replied: "You have much uglier ones in your seraglio." The prince did not judge it expedient to discuss the subject, but he related the incident to the lieutenant of police, and the next day these promenaders were more rigorously expelled than ever. In consequence, "to-day," relates a chronicler of the period, "excepting on days of the opera, the Palais-Royal is nothing but a vast solitude." In 1784, the streets back of it, inhabited by a dissolute and degraded population of both sexes, had become "veritable cloacæ." On the evening of the 31st of October, 1785, at a moment when the evening promenade was more crowded even than usual, a dragoon, having one of these filles on his arm, pushed by the throng, happened to step on the foot of the Abbé de Lubersac, walking near him; the latter made use of a strong expression, to which the soldier replied in kind; the young woman endeavored to make peace by saying: "After all, it is only an abbé, who is not worth stopping for." The churchman, still further forgetting himself, permitted himself to kick the young woman quite as if she were a man; the dragoon took him by the collar; the Suisses of the palace hastened to quell the riot, but their numbers were quite insufficient; the Duc de Chartres, seeing the tumult, but not daring to show himself because of his great unpopularity, summoned the city guard to what by this time had become a "regular field of battle," and the disturbance was finally quelled. Among the wounded who were carried off was a Chevalier de Saint-Louis, "disemboweled;" and thereafter the Suisses prohibited the entrance of the gardens to all women of doubtful virtue.

It may be remembered that, in the celebrated affair of the diamond necklace, the young person who was persuaded by the adventuress, Madame de la Motte, to personify the queen, Marie Antoinette, and to meet the duped Cardinal Rohan in the park of Versailles at ten o'clock in the evening for the purpose of giving him the fictitious authority to purchase the necklace, was a fille du monde who lived in the Rue du Jour at Paris, and was known as "la d'Oliva." For playing this part, the young woman was promised fifteen thousand livres. The mémoire that was afterward drawn up by the avocat of Madame de la Motte "excited the interest of all sensitive souls by relating that the demoiselle, enceinte at the moment of her arrest, had been delivered in the Bastile, and was nursing her infant herself."

One of the most celebrated resorts of the ladies of the monde and the demi-monde, the cabaret of Ramponneau at Belleville, was closed a few years before the outbreak of the Revolution of 1789. Its renown seems to have been established, in the early days of the Regency, by the fact that wine was there sold at three sous six deniers the pint, that is to say, at one sou less than the usual price. "It was so crowded that there were as many persons outside, waiting their turn to enter, as inside, although the accommodations were very considerable in size. This crowd excited the curiosity of persons of distinction, who wished to see for themselves this prodigy." It is described as a species of cellar, decorated on the exterior with a vine painted on the wall, and with a sign bearing the legend, "Au Tambour Royal," and a picture of the proprietor astride of a cask. It was furnished in the interior with wooden benches and crippled tables, around which crowded a multitude drawn from all classes of society, high and low.

The fame of the proprietor became so great that he was offered by the two managers, Gaudon and Nestre, of a theatrical establishment on the Boulevard du Temple, in 1758, ten livres a day if he would consent to show himself on their stage daily for the space of three months. The contracts were all signed, the songs prepared for him, when Ramponneau, worked upon by the Jansenists, suddenly refused to appear. In a statement drawn up before a notary, we read: "To-day appeared before me, the Sieur Jean Ramponneau, cabaretier, living in the basse Courtille, who has of his own free will and volition declared that the serious reflections which he has made upon the dangers and the obstacles to the salvation of those persons who appear upon the stage of a theatre, and upon the justness of the censures which the Church has pronounced upon these individuals, have determined him to renounce, as in these presents, through scruples of conscience and for the purpose of so contributing, on his part, to the purity of manners which it becomes a Christian to maintain, and in which he prays God always to maintain him, he renounces appearing, and promises to God never to appear, on any stage, nor to perform any function, profession, or act which is in the nature of those performed by those individuals who appear on the theatrical stage, whoever they may be," etc. The case was conducted on both sides by the most eminent avocats, and finally compromised by Ramponneau paying a large sum to have the agreement cancelled. He still had left one hundred thousand livres, with which he established himself at the Porcherons, and purchased from the Sieur Magny the cabaret de la Grande-Pinte, on which he expended sixty thousand livres more, and where he had the same success as at the Courtille. The court and the city thronged his establishment, which became the restaurant à la mode.

A very celebrated wine-shop, known as the Petit-Ramponneau, was established, in 1859, at Montmartre, and was the last in which wine was served in little crocks or jugs. The proprietors, MM. Lallemand, made a fortune in thus dispensing vin bleu and portions at six sous the plate.

"It had long been said that the third estate paid with its property, the nobility with its blood, the clergy with its prayers. Now, the clergy of the court and of the salon prayed but very little, the nobility no longer constituted in itself the royal army; but the third estate, remaining faithful to its functions in the State, still paid, and each year more. Since its purse was the common treasury, it was inevitable that the more the monarchy expended, the more would it place itself in a condition of dependency upon the bourgeoisie, and that a day would arrive when the latter, weary of paying, would demand its accounts. That day is called the Revolution of 1789."