| "Do, do do, petit soldat, |
| Pense à ta bel', la plus belle des belles, |
| Do, do do, petit soldat, |
| Sois-lui fidèle, |
| Si elle t'aime, aime-la." |
At two o'clock in the morning, a heavy step is heard on the stair, the door of the room is pushed violently open, and a hoarse voice, without any respect for the slumber of the others, calls out the name of the unlucky "cook for the day." The latter gets out of bed, feels around for his blouse and his sabots, and departs with an equal amount of unnecessary noise. Outside, he finds the corporal commanding the culinary department, with the keys of the store-house; between them, they open the kitchen, light the fires, and prepare the morning meal, first the soup and then the coffee,—five kilogrammes of the latter for a battalion. When réveil sounds, the beverage is ready, the men of the corvée carry it up into the dormitory in great earthenware jugs, one in each hand. If their iron-pegged shoes should happen to slip on the ice or snow of the court-yard, not only would the unlucky bearer run a strong chance of being frozen on one side as he fell, and scalded on the other, but he would also have to face the wrath of some thirty hungry warriors. This coffee is not exquis, but it is hot, and the men receive a good allowance of it; if the corporal be good-natured, they drink it sitting on their beds, and steeping their bread in it in the inelegant fashion dear to all their compatriots.
Finally, when the conscript has become a soldier, mastered the intricacies of the Théorie and the details of the manual of arms, learned the secret of keeping his accoutrements in parade order, taken part in the interminable drills in the secrecy of the caserne that prepare for the great ones in public, he departs for the grand manœuvres. When they are over, the classe for that year is dismissed, except those unfortunates who are detained as many days longer as they have served days in prison. The cheerfulness with which the soldiers undergo the fatigues and discomforts of these annual exercises is rightfully considered as an excellent sign of the efficiency of the service. In the present year of grace, these manœuvres were rendered unusually trying by the persistent abnormal midsummer heat, and by the blinding dust that blotted out whole parades. And yet, says a correspondent of the Temps, "if the armoire à glace (the knapsack) be heavy, the road dusty, and the march across cultivated fields laborious, it is none the less true than in the ranks of each detachment there are to be found certain loustics whose inexhaustible repertory is sufficient to unwrinkle the most morose brows.
"The ancient French gaiety is dead, you say; follow, then, for a couple of hours a column of infantry on the march, and you will not be long in being undeceived. You will recognize very quickly that, in the army, this gaiety is still in very good condition, even though it be at times a little too gross. And, if you know your authors a little, you will see things that would astonish them.
"You will hear chanted the Boîteuse, which was hummed, some two hundred and odd years ago, by the troops of Louis XIV, and the couplets of which swarm with allusions to the infirmity of Mlle. de la Vallière; Auprès de ma blonde ... song addressed to Mme. de Montespan, and a multitude of others bearing witness to the passage of noble sovereigns, or of illustrious chiefs now long since disappeared."
You will also, if you are a foreigner, see many other interesting traits of national character, and, not improbably, some such curiously unmilitary proceeding as that represented on our page, engraved from the record of an unsympathetic photograph. This particular incident took place at the manœuvres at Châteaudun in 1894; the President of the Republic, M. Casimir-Perier, is distributing the cross of the Legion of Honor to a number of specially deserving officers and sous-officiers.
That very modern instrument of warfare, the bicycle, appeared in the manœuvres of this present year of grace with more importance than ever. One correspondent, writing from Dompierre-sur-Besbre, on the 11th of September, says: "The compagnie cycliste, covering the advance of the march of the thirteenth corps, threw itself into Thiel at the moment when the advance guard of the division was attacked by superior forces. Taking advantage of the shelter of the woods, of the hedges, of the houses, it held the enemy at bay long enough to permit the division to come up, and the company bivouacked with the division." Another writes: "I rejoined the column by a cross-road at the end of which the dragoons were defiling past at a hard trot, followed by the compagnie cycliste, whose support at this moment was most valuable. It protected the retreat by delivering at certain distances volleys which momentarily arrested the pursuit. It was wonderful to see with what rapidity the men of Captain Gérard's command threw themselves into their saddles, covered a distance of five or six hundred mètres, faced about and opened fire. If they had been more numerous, what service would they not have rendered! The cavalry officers who see them every day at work are the first to recognize their usefulness." The employment of these instruments has even been extended to the gendarmerie by an order of the Minister of War, at the close of the manœuvres,—two legions of this force having been furnished with them. In 1897, some machines constructed by the artillery were distributed to a legion near Paris, as an experiment, with very satisfactory results,—the transmission of orders, maintenance of communication, etc., being thus assured in a satisfactory manner. There is, of course, some opposition manifested to this innovation, and the employment of mounted gendarmes is not yet discontinued. As may be seen from the illustrations on page 139, the French military bicycle, the invention of Captain Gérard, is constructed in such a manner as to fold up and be transported on the soldier's back.
As in all old armies, very many of the regiments have records which date back to the last century, and of which they are very proud;—one of the cavalry regiments, the Fourth Chasseurs, celebrated in 1890 the anniversary of its creation in 1744 with an historical restoration and a military carrousel of the most picturesque character. In the immense court of their caserne in the Quartier Gramont of Saint-Germain-en-Laye there might be seen to defile a cavalcade of all the uniforms worn by the regiment, and of all the standards borne by it since the date of its organization. The tendency of modern warfare is to abolish more and more the picturesque and artistic, but the wars of the Republic and the First Empire have contributed a series of costumes among the most martial and the most imposing known to history.
Something of this contrast of costume may be seen in the reproduction of M. Orange's painting from the Salon of 1891, the "Medallists of Saint Helena," on page 175,—the annual ceremony of the old soldiers of the First Empire depositing their memorial wreaths at the base of the Vendôme column; and it is with a very natural impulse that the French citizen and the French soldier of to-day turn from the bitter memories of their last war to recall the images of those great days when the nation was afire as it has never been since. The curious revival of Napoleonic literature which we have witnessed within the last few years may doubtless be ascribed in part, at least, to this longing to dispel somewhat the national depression. There is not wanting in these memoirs abundant testimony to the strange transformation which the casting off of the ancient régime wrought in the whole people. In the Consulat et l'Empire, M. Thiers quotes the testimony of an astonished Prussian officer after the astonishing battle of Auerstadt in which Davout with twenty-six thousand men overthrew sixty thousand of the soldiers trained in the school of the great Frederick, repulsed twenty times the charges of the cavalry considered the best in Europe, and took with his forty-four cannon one hundred and fifteen of the enemy's. "If we had to fight the French only with our fists, we would be vanquished. They are small and weakly; one of our Germans could beat four of them; but under fire they become supernatural beings. They are carried away by an inexpressible ardor, of which no trace can be seen in our own soldiers." In much more recent publications, the Mémoires du sergent Bourgogne, the Souvenirs d'un officier danois, the Lieutenant Frisenberg, there is further testimony as to the quality of this Grande Armée. The latter, a young soldier, records the strong impression made upon him by the French officers when he first met them, their sobriety, their moderation, wonderful in the conquerors of Europe, their easy acceptance of orders. "What will not a Frenchman dare!" he exclaims. It is this apotheosis of military valor and efficiency which we see apostrophized in so much contemporary national art,—as in Karbowsky's "Drums of the Republic," Bac's spirited sketch of the return of the troops to Paris after Marengo, Marold's "Review in the Carrousel," under the eyes of the Emperor, and Le Blant's return of the veterans of the Republic and their fierce impatience under the supercilious inspection of the dandies and incroyables of the capital.