The brothers received all this courtesy with the native ease and dignity which ever accompany true genius. There was no offensive boldness, or presuming vanity, but neither was there any shrinking cowardice nor timidity. They felt that they were men, not less distinguished by the gods, than many or most of those, in whose presence they were, and they were sufficient to themselves. The Roman Demetrius resembles much his brother of Palmyra, but, in both form and countenance, possesses beauty of a higher order. His look is contemplative and inward; his countenance pale and yet dark; his features regular and exactly shaped, like a Greek statue; his hair short and black; his dress, as was that of him of Palmyra, of the richest stuffs, showing that wealth had become their reward as well as fame.

'Let us,' cried the Emperor, 'in full cups, drawn from the Livian fount, do honor to ourselves, and the arts, by drinking to the health of Demetrius of Palmyra, and Demetrius of Rome.' Every cup was filled, and drained. 'We owe you thanks,' then added Aurelian, 'that you have completed this great work at the time promised; though I fear it has been to your own cost, for the paleness of your cheeks speaks not of health.'

'The work,' replied the Roman Demetrius, 'could not have been completed but for the timely and effectual aid of my Eastern brother, to whose learned hand, quicker in its execution than my own, you are indebted for the greater part of the sculptures, upon both the bowl and dish.'

'It is true, noble Emperor,' said the impetuous brother, 'my hand is the quicker of the two, and in some parts of this work, especially in whatever pertains to the East, and to the forms of building or of vegetation, or costume seen chiefly or only there, my knowledge was perhaps more exact and minute than his; but, let it be received, that the head that could design these forms and conceive and arrange these histories, and these graceful ornaments—to my mind more fruitful of genius than all else—observe you them? have you scanned them all?—belongs to no other than Demetrius of Rome. In my whole hand, there resides not the skill that is lodged in one of his fingers;—nor, in my whole head, the power that lies behind one of his eyes.'

The enthusiasm of the Eastern brother called up a smile upon the faces of all, and a blush upon the white cheek of the Roman.

'My brother is younger than I,' he said, 'and his blood runs quicker. All that he says, though it be a picture of the truest heart ever lodged in man, is yet to be taken with abatement. But for him, this work would have been far below its present merit. Let me ask you especially to mark the broad border, where is set forth the late triumph, and ambassadors, captives, and animals of all parts of the earth, especially of the East, are seen in their appropriate forms and habits. That is all from the chisel of my brother. Behold here'—and rising he approached the vase, and vast as it was, by a touch, so was it constructed, turned it round—'behold here, where is figured the Great Queen of—'; in the enthusiasm of art, he had forgotten for a moment to whom he was speaking; for at that instant his eye fell upon the countenance of Julia, who stood near him,—while hers at the same moment caught the regal form of Zenobia, bent beneath the weight of her golden chains—and which he saw cast down by an uncontrollable grief. He paused, confused and grieved—saying, as he turned back the vase, 'Ah me! cruel and indiscreet! Pardon me, noble ladies! and yet I deserve it not.'

'Go on, go on, Demetrius,' said Julia, assuming a cheerful air. 'You offend me not. The course of Empire must have its way; individuals are but emmets in the path. I am now used to this, believe me. It is for you rather, and the rest, to forgive in me a sudden weakness.'

Demetrius, thus commanded, resumed, and then with minuteness, with much learning and eloquence, discoursed successively upon the histories, or emblematic devices, of this the chief work of his hands. All were sorry when he ceased.

'To what you have overlooked,' said Aurelian, as he paused, 'must I call you back, seeing it is that part of the work which I most esteem, and in which at this moment I and all, I trust, are most interested—the sculptures upon the platter; which represent the new temple and ceremonies of the dedication, which to-morrow we celebrate.'

'Of this,' replied Demetrius, 'I said less, because perhaps the work is inferior, having been committed, our time being short, to the hands of a pupil—a pupil, however, I beg to say, who, if the Divine Providence spare him, will one day, and that not a remote one, cast a shadow upon his teachers.'