'But narrowed those of human happiness,' I answered. 'Which is of more consequence, empire or man? But now, man was the great object! I grant you he is, and for that reason a man who, like an artist of genius, adds to the innocent sources of human enjoyment, is greater than the soldier and conqueror, whose business is the annoyance and destruction of life. Aurelian has slain hundreds of thousands. Periander never injured a worm. He dwells in a calm and peaceful world of his own, and his works are designed to infuse the same spirit that fills himself into all who behold them. You must confess the superior power of art, and of the artist, in this very figure. Who thinks of conquest, blood, and death, as he looks upon these flowing outlines, this calm, majestic form—upon that still face? The artist here is the conqueror of the conqueror, and makes him subserve his own purposes; purposes, of a higher nature than the mere soldier ever dreamed of. No one can stand and contemplate this form, without being made a lover of beauty rather than of blood and death; and beauty is peace.'

'It must be impossible,' replied the bitter spirit, 'for one who loves Palmyra better than his native Rome, to see much merit in Aurelian. It is a common saying, Piso is a Palmyrene. The report is current too that Piso is about to turn author, and celebrate that great nation in history.'

'I wish I were worthy to do so,' I answered, 'I might then refute certain statements in another quarter. Yet events have already refuted them.'

'If my book,' replied Spurius, 'be copied a thousand times, the statements shall stand as they are. They are founded upon indisputable evidence and philosophical inferences.'

'But, Spurius, they are every one contradicted by the late events.'

'No matter for that, if they were ever true they must always be true. Reasoning is as strong as fact. I found Palmyra a vulgar, upstart, provincial city; the most distasteful of all spots on earth to a refined mind; such I left it, and such I have shown it to the world.'

'Yet,' I urged, 'if the Palmyrenes in the defence of their country showed themselves a brave, daring, and dangerous foe, as they certainly were magnanimous; if so many facts and events prove this, and all Rome admits it, it will seem like little else than malice for such pages to circulate in your book. Besides, as to a thousand other things I can prove you to have seen amiss.'

'Because I have but one eye, am I incapable of vision? Am I to be reproached with my misfortunes? One eye is the same as two; who sees two images except he squint? I can describe that wain, loaded down with wine casks, drawn by four horses with scarlet trappings, the driver with a sweeping Juno's favor in his cap, as justly as you can. Who can see more?'

'I thought not, Spurius, of your misfortune, though I must think two eyes better for seeing than one, but only of favorable opportunities for observation. You were in Palmyra from the ides of January to the nones of February, and lived in a tavern. I have been there more than half a year, and dwelt among the citizens themselves. I knew them in public and in private, and saw them under all circumstances most favorable to a just opinion, and I can affirm that a more discolored picture of a people was never drawn than yours.'

'All the world,' said the creature, 'knows that Spurius is no flatterer. I have not only published travels among the Palmyrenes, but I intend to publish a poem also—yes, a satire—and if it should be entitled "Woman's pride humbled," or "The downfall of false greatness" or "The gourd withered in a day," or "Mushrooms not oaks," or "Ants not elephants," what would there be wonderful in it?—or, if certain Romans should figure largely in it, eh?'