'By Jupiter!' said one, 'that is well done. They are all down, who can deny it! Those are ruins not to be built up again. Who, I wonder, is the artist? He must be a Roman to the last drop of his blood, and the last hair of his beard.'
'His name is Sporus,' replied his companion, 'as I hear, a kinsman of Fronto, the priest of Apollo.'
'Ah, that's the reason the priest figures here,' cried the first, 'and the Empress too; for they say nobody is more at the Gardens than Fronto. Well, he's just the man for his place. If any man can bring up the temples again, it's he. Religion is no sham at the Temple of the Sun. The priests are all what they pretend to be. Let others do so, and we shall have as much reason to thank the Emperor for what he has done for the gods—and so for us all—as for what he has done for the army, the empire, and the city.'
'You say well,' rejoined the other. 'He is for once a man, who, if he will, may make Rome what she was before the empire, a people that honored the gods. And this picture seems as if it spoke out his very plans, and I should not wonder if it were so.'
'Never doubt it. See, here lies a Temple of Isis flat enough; next to it one of the accursed tribe of Jews. And what ruder pile is that?'
'That must be a Temple of the British worship, as I think. But the best of all, is this Christian church: see how the wretches fly, while the work goes on! In my notion, this paints what we may soon see.'
'I believe it! The gods grant it so! Old men, in my judgment, will live to see it all acted out. Do you hear what is said? That Aurelian has put to death his own niece, the princess Aurelia?'
'That's likely enough,' said another, 'no one can doubt it. 'Tis easy news to believe in Rome. But the question is what for?'
'For what else but for her impiety, and her aims to convert Mucapor to her own ways.'
'Well, there is no telling, and it's no great matter; time will show. Meanwhile, Aurelian forever! He's the man for me!'