'But what hinders that we should set before our visiters such hospitality as our poor house affords? Arria, have we not such as may well enough entertain Christians?'
Ælia, at a word from her mother, and accompanied by her sister, immediately busied themselves in the simple rites of hospitality, and soon covered the table which stood in the centre of the room with bread, lettuces, figs, and a flask of wine. While they were thus engaged, I could not but observe the difference in appearance of the two elder sisters, who, with equal alacrity, were setting out the provisions for our repast. One was clad like the others of the family in the garments common to the poor. The other—she who had spoken—was arrayed, not richly, but almost so, or, I should rather say, fancifully, and with studied regard to effect. While I was wondering at this, and seeking in my own mind for its explanation, I was interrupted in my thoughts by Macer.
'Thanks to Aurelian, Piso, we are able, though poor, as you see, and dwelling in these almost subterranean vaults, to live above the fear of absolute want. But especially are we indebted for many of our comforts, and for such luxury as this flask of Massican, to my partly gentile daughter, Ælia, whom you behold moving among us, as if by her attire she were not of us—but Cicer's heart is not truer—and who will, despite her faith and her father's bidding, dance and sing for the merriment of these idolaters. Never before, I believe, had Christian preacher a dancing-girl for a daughter.'
A deep blush passed over the features of the daughter as she answered,
'But, father, you know that in my judgment—and whose in this matter is so to be trusted?—I am in no way injured by my art, and it adds somewhat to the common stock. I see not why I need be any the less a Christian, because I dance; especially, as with me, it is but one of the forms of labor. Were it forbidden by our faith, or could it be shown to be to me an evil, I would cease. But most sure I am it is neither. Let me now appeal to Probus for my justification, and to Piso.'
'Doubtless,' said Probus, 'those Christians are right who abstain from the theatres, the amphitheatres, the circuses, and from the places of public amusement where sights and sounds meet ear and eye such as the pure should never hear or see, and such as none can hear or see and maintain their purity. The soul is damaged in spite of herself. But for these arts of music and dancing, practised for the harmless entertainment of those who feast their friends,—where alone I warrant Ælia is found—who can doubt that she is right? Were not the reception of the religion of Christ compatible with indulgence in innocent amusement, or the practice of harmless arts such as these, few, I fear, would receive it. Christianity condemns many things, which, by Pagans, are held to be allowable, but not everything.'
'Willingly would I abandon my art,' said Ælia,' did I perceive it to injure the soul; or could I in other ways buy bread for our household. So dearly do I prize this new-found faith, that for its sake, were it to be retained in no other way, would I relinquish it, and sink into the deeper poverty that would then be ours, or drudge at some humbler toil.'
'Do it, do it, Ælia,' said Macer; 'and the Lord will love thee all the more. 'Tis the only spot on thy white and glistering robes. The Lord loves not more than I to see thee wheeling and waving to and fro, to supply mirth to those, who, mayhap, would crucify thee the next hour, as others crucified thy master.'
Tears fell from the eyes of the fair girl as she answered,
'Father, it shall be as you wish. Not willingly, but by constraint, have I labored as I have. God will not forsake us, and will, I cannot doubt, open some new path of labor for me—if indeed the disorders of the times do not first scatter or destroy us.'