The same notion of general resemblance and affinity, accompanied with the same vagueness, is to be found in the writer who least participated in the general admiration of Linnæus, Buffon. Though it was in a great measure his love of higher views which made him dislike what he considered the pedantry of the Swedish school, he does not seem to have obtained a clearer sight of the principle of the natural method than his rival, except that he did not restrict his Characters to the fructification. Things must be arranged by their resemblances and differences, (he says in 1750[26],) ‘but the resemblances and differences must be taken not from one part but from the whole; and we must attend to the form, the size, the habit, the number and position of the parts, even the substance [128] of the part; and we must make use of these elements in greater or smaller number, as we have need.’
[26] Adanson, p. clvi. Buffon, Hist. Nat. t. i. p. 21.
14. Method of General Comparison.—A countryman of Buffon, who shared with him his depreciating estimate of the Linnæan system, and his wish to found a natural system upon a broader basis, was Adanson; and he invented an ingenious method of apparently avoiding the vagueness of the practice of following the general feeling of resemblance. This method consisted in making many Artificial Systems, in each of which plants were arranged by some one part; and then collecting those plants which came near each other in the greatest number of those Artificial Systems, as plants naturally the most related. Adanson gives an account[27] of the manner in which this system arose in his mind. He had gone to Senegal, animated by an intense zeal for natural history; and there, amid the luxuriant vegetation of the torrid zone, he found that the methods of Linnæus and Tournefort failed him altogether as means of arranging his new botanical treasures. He was driven to seek a new system. ‘For this purpose,’ he says, ‘I examined plants in all their parts, without omitting any, from the roots to the embryo, the folding of the leaves in the bud, their mode of sheathing[28], the situation and folding of the embryo and of its radicle in the seed, relatively to the fruit; in short, a number of particulars which few botanists notice. I made in the first place a complete description of each plant, putting each of its parts in separate articles, in all its details; when new species occurred I put down the points in which they differed, omitting those in which they agreed. By means of the aggregate of these comparative descriptions, I perceived that plants arranged themselves into classes or families which could not be artificial or arbitrary, not being founded upon one or two parts, which might change at certain limits, but on all the parts; so that the disproportion of one of these parts was corrected and balanced by the introduction of another.’ Thus the principle of Resemblance [129] was to suffice for the general arrangement, not by means of a new principle, as Symmetry or Organization, which should regulate its application, but by a numeration of the peculiarities in which the resemblance consisted.
[27] Pref. p. clvii.
[28] ‘Leur manière de s’engainer.’
The labour which Adanson underwent in the execution of this thought was immense. By taking each Organ, and considering its situation, figure, number, &c., he framed sixty-five Artificial Systems; and collected his Natural Families by a numerical combination of these. For example, his sixty-fifth Artificial System[29] is that which depends upon the situation of the Ovary with regard to the Flower; according to this system he frames ten Artificial Classes, including ninety-three Sections: and of these Sections the resulting Natural Arrangement retains thirty-five, above one-third: the same estimate is applied in other cases.
[29] Adanson, Pref. p. cccxii.
But this attempt to make Number supply the defects which the vague notion of Resemblance introduces, however ingenious, must end in failure. For, as Decandolle observes[30], it supposes that we know, not only all the Organs of plants, but all the points of view in which it is possible to consider them; and even if this assumption were true, which it is not, and must long be very far from being, the principle is altogether vicious; for it supposes that all these points of view, and all the resulting artificial systems are of equal importance:—a supposition manifestly erroneous. We are thus led back to the consideration of the Relative Importance of Organs and their qualities, as a basis for the classification of plants, which no Artificial Method can supersede; and thus we find the necessity of attending to something besides mere external and detached Resemblance. The method of General Comparison cannot, any more than the method of Blind Trial, lead us, with any certainty or clearness, to the Natural Method. Adanson’s Families are held by the best botanists to be, for the greater part, Natural; but his hypotheses are unfounded; and his success is [130] probably more due to the dim feeling of Affinity, by which he was unconsciously guided, than to the help he derived from his numerical processes.
[30] Dec. Theor. Elem. p. 67.
In a succeeding [chapter] I shall treat of that Natural Affinity on which a Natural System must really be founded. But before proceeding to this higher subject, we must say a few words on some of the other parts of the philosophy of Natural History,—the Gradation of Groups, the Nomenclature, the Diagnosis, and the application of the methods to other subjects.