[9] Phil. Trans. 1823. On the Motions of the Eye.
[10] Bridgewater Treatise, p. 282. I have adopted, in writing the above, the views and expressions of Sir Charles Bell. The essential part of the doctrine there presented is, that the eye constantly makes efforts to turn, so that the image of an object to which our attention is drawn, shall fall upon a certain particular point of the retina; and that when the image falls upon any other point, the eye turns away from this oblique into the direct position. Other writers have maintained that the eye thus turns not because the point on which the image falls in direct vision is the most sensible point, but that it is the point of greatest distinctness of vision. They urge that a small star, which disappears when the eye is turned full upon it, may often be seen by looking a little away from it: and hence, they infer that the parts of the retina removed from the spot of direct vision, are more sensible than it is. The facts are very curious, however they be explained, but they do not disturb the doctrine delivered in the text.
16. It is not to our present purpose to follow the physiology of this subject; but we may notice that Sir C. Bell has examined the special circumstances which belong to this operation of the eye. We learn from him that the particular point of the eye which thus traces the forms of visible objects is a part of the retina which has been termed the sensible spot; being that part which is most distinctly sensible to the impressions of light and colour. This part, indeed, is not a spot of definite size and form, for it appears that proceeding from a certain point of the retina, the distinct sensibility diminishes on every side by degrees. And the searching motion of the eye arises from the desire which we instinctively feel of receiving upon the sensible spot the image of the object to which the attention is directed. We are uneasy and impatient till the eye is turned so that this is effected. And as our attention is transferred from point to point of the scene before us, the eye, and this point of the eye in particular, travel along with the thoughts; and the muscular sense, which tells us of these movements of the organ of [129] vision, conveys to us a knowledge of the forms and places which we thus successively survey.
17. How much of activity there is in the process by which we perceive the outlines of objects appears further from the language by which we describe their forms. We apply to them not merely adjectives of form, but verbs of motion. An abrupt hill starts out of the plain; a beautiful figure has a gliding outline. We have
The windy summit, wild and high,
Roughly rushing on the sky.
These terms express the course of the eye as it follows the lines by which such forms are bounded and marked. In like manner another modern poet[11] says of Soracte, that it
From out the plain
Heaves like a long-swept wave about to break,
And on the curl hangs pausing.
[11] Byron, Ch. Har. vi. st. 75.
Thus the muscular sense, which is inseparably connected with an act originating in our own mind, not only gives us all that portion of our perceptions of space in which we use the sense of touch, but also, at least in a great measure, another large portion of such perceptions, in which we employ the sense of sight. As we have before seen that our knowledge of solid space and its properties is not conceivable in any other way than as the result of a mental act, governed by conditions depending on its own nature; so it now appears that our perceptions of visible figure are not obtained without an act performed under the same conditions. The sensations of touch and sight are subordinated to an idea which is the basis of our speculative knowledge concerning space and its relations; and this same idea is disclosed to our consciousness by its practically regulating our intercourse with the external world.
By considerations such as have been adduced and referred to, it is proved beyond doubt, that in a great [130] number of cases our knowledge of form and position is acquired from the muscular sense, and not from sight directly:—for instance, in all cases in which we have before us objects so large and prospects so extensive that we cannot see the whole of them in one position of the eye[12].