- [1799]
- [Influence of Natural Objects in calling forth and strengthening the Imagination in Boyhood and Early Youth]
- [The Simplon Pass]
- [Nutting]
- [Written in Germany, on one of the Coldest Days of the Century]
- [A Poet's Epitaph]
- ["Strange fits of passion have I known"]
- ["She dwelt among the untrodden ways"]
- ["I travelled among unknown men"]
- ["Three years she grew in sun and shower"]
- ["A slumber did my spirit seal"]
- [Address to the Scholars of the Village School of ——]
- [Matthew]
- [The Two April Mornings]
- [The Fountain]
- [To a Sexton]
- [The Danish Boy]
- [Lucy Gray; or, Solitude]
- [Ruth]
1799
The poems belonging to the year 1799 were chiefly, if not wholly, composed at Goslar, in Germany; and all, with three exceptions, appeared in the second edition of Lyrical Ballads (1800). The exceptions were the following:
- The lyric beginning, "I travelled among unknown men," which was first published in the "Poems" of 1807;
- and two fragments from The Prelude, viz. The Influence of Natural Objects (which appeared in The Friend in 1809), and The Simplon Pass (first published in the 8vo edition of the Poems in 1845).
Wordsworth reached Goslar on the 6th of October 1798, and left it on the 10th of February 1799. It is impossible to determine the precise order in which the nineteen or twenty poems associated with that city were composed. But it is certain that the fragment on the immortal boy of Windermere —whom its cliffs and islands knew so well—was written in 1798, and not in 1799 (as Wordsworth himself states); because Coleridge sent a letter to his friend, thanking him for a MS. copy of these lines, and commenting on them, of which the date is "Ratzeburg, Dec. 10, 1798." For obvious reasons, however, I place the fragments originally meant to be parts of The Recluse together; and, since Wordsworth gave the date 1799 to the others, it would be gratuitous to suppose that he erred in reference to them all, because we know that his memory failed him in reference to one of the series. Therefore, although he spent more than twice as many days in 1798 as in 1799 at Goslar, I set down this group of poems as belonging to 1799, rather than to the previous year. It will be seen that, after placing all the poems of this Goslar period in the year to which they belong, it is possible also to group them according to their subject matter, without violating chronological order. I therefore put the fragments, afterwards incorporated in The Prelude, together. These are naturally followed by Nutting—a poem intended for The Prelude, but afterwards excluded, as inappropriate. The five poems referring to "Lucy" are placed in sequence, and the same is done with the four "Matthew" poems. A small group of four poems follows appropriately, viz. To a Sexton, The Danish Boy, Lucy Gray, and Ruth; while the Fenwick note almost necessitates our placing the Poet's Epitaph immediately after the Lines Written in Germany; and, with Wordsworth's life at Goslar, we naturally associate five things—the cold winter, The Prelude, the "Lucy" and the "Matthew" poems, and the Poet's Epitaph.—Ed.
[1799 Contents]
[Main Contents]
Influence of Natural Objects in calling forth and strengthening the Imagination in Boyhood and Early Youth
From an Unpublished Poem