The American painter was Mr. Washington Allston. Wordsworth sent him a MS. copy of the poem, transcribed "in gratitude for the pleasure he had received from the sight of Mr. Allston's pictures, in particular 'Jacob's Dream,'" and at the end of the MS. of his poem, Wordsworth wrote, "The Author does not know how far he was indebted to Mr. Allston for part of the 3rd stanza. The multiplication of ridges in a mountainous country, as Mr. A. has probably observed, arises from two causes, sunny or watery vapour—the former is here meant. When does Mr. A. return to England?" In a letter on "Wordsworth and Allston," in The Athenæum, Mr. J. Dykes Campbell refers to "something in the picture having given definite form to observations of natural phenomena the significance of which the poet had not immediately noted." "Wordsworth," he adds, "was a close and untiring rather than a quick or keen observer, and his mind was at all times stored with a wealth of notes which sometimes had to wait long before they could either be worked out or worked in. Sometimes—as in this instance, perhaps—they were revivified by the suggestions of some kindred observer who happened to anticipate the poet in giving them form."—See The Athenæum, August 7, 1894.—Ed.
[DI] Compare the reference in the Ode, Intimations of Immortality, ll. 178, 179, to—
Though nothing can bring back the hour
Of splendour in the grass, of glory in the flower.
1819
With the exception of The Haunted Tree, and the lines entitled September 1819, all the poems composed during the year 1819 were sonnets. Four of the latter were published along with Peter Bell, in the first edition of that poem; and other twelve, along with The Waggoner, which was first published in the same year. One of the twelve refers to the Old Hall of Donnerdale, and belongs to the series of Sonnets on the River Duddon, where it will be found (No. XXVII.) It was first published, along with those referring to Rydal, in the volume of 1819, and probably detached from the rest of the series, because originally it had no particular reference to the Old Hall in the Duddon Valley; but was (as Wordsworth indicates in the third of the Fenwick notes to the Duddon) "taken from a tradition belonging to Rydal Hall, which once stood, as is believed, upon a rocky and woody hill on the right hand as you go from Rydal to Ambleside, and was deserted from the superstitious fear here described, and the present site fortunately chosen instead."—Ed.