. . . I behold . . .
[437] 1820.
c.
Leaps instantly enrobed in . . .
FOOTNOTES:
[FA] "The 'parting glance' of this sonnet would naturally be taken just before rounding the brow of the hill. The path drops somewhat suddenly, so that two or three steps bring the traveller from a level whence looking backward the 'sinuous lapse' of the stream may be seen for some distance, to a stage where it is entirely hidden from view. Or, more likely, the 'sinuous lapse' is that which lies below the spectator, as he stands at this point of vantage, and looks down into Wrynose Bottom. The 'Protean change' is then the contrast between the 'cradled Nursling' as the poet looks back into Wrynose Gap, and the 'loosely-scattered chain' or 'glittering snake' which he sees below him, as he turns and looks down into Wrynose Bottom. These similes are accurately descriptive of the river so seen, especially towards evening when the western light is on the water. From this point the Duddon descends to the valley by a quick series of falls. The first of these falls—a very pretty cascade just at the edge of the hill—is probably the 'dizzy steep' mentioned in the sonnet." (Herbert Rix.)
[FB] "As I went towards the road which leads down from the Three Shire Stones to Cockley Beck, I constantly found myself repeating Sonnet number IV.
The stream seemed now 'a loosely-scattered chain to make,' now to 'appear a glittering snake,' silently 'thridding with sinuous lapse the rushes, through' (if we might call the bog-myrtle bushes dwarf willows) 'dwarf willows gliding, and by ferny brake.'
I regained the main road, and took a parting, 'no negligent adieu' at the 'cradled nursling'; and saw the cascade at the grotto—wherefrom I first began to track the 'nursling' to its upland cradle—as white as snow in May. There, thought I, is the sight that suggested the line—