Stanzas suggested in a Steamboat off Saint Bees’ Heads, l. 37—
Cruel of heart were they, bloody of hand.
INDEX TO THE POEMS
| VOL. | PAGE | |
| Aar, The Fall of the | vi | 308 |
| Abbeys, Old | vii | 100 |
| Address from the Spirit of Cockermouth Castle | vii | 347 |
| Address to a Child | iv | 50 |
| Address to Kilchurn Castle | ii | 400 |
| Address to my Infant Daughter, Dora | iii | 14 |
| Address to the Scholars of the Village School of —— | ii | 84 |
| Admonition | iv | 34 |
| Æneid, Translation of Part of the First Book of the | viii | [276] |
| “Aerial Rock—whose solitary brow” | vi | 187 |
| Affliction of Margaret—, The | iii | 7 |
| Afflictions of England | vii | 72 |
| After-Thought (Duddon) | vi | 263 |
| After-Thought (Tour on the Continent) | vi | 315 |
| Airey-Force Valley | viii | [146] |
| Aix-la-Chapelle | vi | 295 |
| “Alas! what boots the long laborious quest” | iv | 216 |
| Alban Hills, From the | viii | [65] |
| Albano, At | viii | [64] |
| Alfred | vii | 24 |
| Alfred, His Descendants | vii | 25 |
| Alice Fell; or, Poverty | ii | 272 |
| Aloys Reding | vi | 310 |
| Ambleside | viii | [156] |
| America, Aspects of Christianity in (Three Sonnets) | vii | 84 |
| American Episcopacy | vii | 85 |
| American Tradition | vi | 246 |
| Ancient History, On a celebrated Event in (Two Sonnets) | iv | 242 |
| Andrew Jones | viii | [221] |
| Anecdote for Fathers | i | 234 |
| Animal Tranquillity and Decay | i | 307 |
| Anticipation (October 1803) | ii | 436 |
| Anticipation of leaving School, Composed in | i | 1 |
| Apennines, Among the Ruins of a Convent in the | viii | [82] |
| Apology (Ecclesiastical Sonnets, 1st part) | vii | 18 |
| Apology (Ecclesiastical Sonnets, 2nd part) | vii | 55 |
| Apology (Sonnets upon the Punishment of Death) | viii | [112] |
| Apology (Yarrow Revisited) | vii | 309 |
| Applethwaite, At | iii | 23 |
| Aquapendente, Musings near | viii | [42] |
| Armenian Lady’s Love, The | vii | 232 |
| Artegal and Elidure | vi | 45 |
| Authors, A plea for, | viii | [99] |
| Author’s Portrait, To the | vii | 318 |
| Autumn (September) | vi | 64 |
| Autumn (Two Poems) | vi | 201 |
| Avarice, The last Stage of | ii | 60 |
| Avon, The (Annan) | vii | 303 |
| Bala-Sala, At | vii | 365 |
| Balbi | iv | 237 |
| Ballot, Protest against the | viii | [304] |
| Bangor, Monastery of Old | vii | 13 |
| Baptism | vii | 89 |
| Barbara | ii | 178 |
| Beaumont, Sir George, Epistle to | iv | 256 |
| Beaumont, Sir George, Upon perusing the foregoing Epistle to | iv | 267 |
| Beaumont, Sir George, Picture of Peele Castle, painted by | iii | 54 |
| Beaumont, Sir George, Beautiful Picture, painted by | iv | 271 |
| Beaumont, Sir George, Elegiac Stanzas addressed to | vii | 132 |
| Beaumont, To Lady | iv | 57 |
| Beggar, The Old Cumberland | i | 299 |
| Beggars (Two Poems) | ii | 276 |
| “‘Beloved Vale!’ I said, ‘when I shall con’” | iv | 35 |
| Benefits, Other (Two Sonnets) | vii | 40 |
| Bible, Translation of the | vii | 58 |
| Binnorie, The Solitude of | ii | 204 |
| Bird of Paradise, Coloured Drawing of the | viii | [29] |
| Bird of Paradise, Suggested by a Picture of | viii | [140] |
| Biscayan Rite (Two Sonnets) | iv | 241 |
| Bishops, Acquittal of the | vii | 79 |
| Bishops and Priests | vii | 86 |
| Black Comb, Inscription on a Stone on the side of | iv | 281 |
| Black Comb, View from the top of | iv | 279 |
| “Blest Statesman He, whose Mind’s unselfish will” | viii | [101] |
| Bologna, At (Three Sonnets) | viii | [85] |
| Bolton Priory, The Founding of | iv | 204 |
| Books and Newspapers, Illustrated | viii | [184] |
| Borderers, The | i | 112 |
| Bothwell Castle | vii | 299 |
| Boulogne, On being stranded near the Harbour of | vi | 378 |
| Bran, Effusion on the Banks of the | vi | 28 |
| Breadalbane, Ruined Mansion of the Earl of | vii | 295 |
| Brientz, Scene on the Lake of | vi | 315 |
| Brigham, Nun’s Well | vii | 347 |
| Britons, Struggle of the | vii | 11 |
| Brothers, The | ii | 184 |
| Brothers Water, Bridge at the foot of | ii | 293 |
| Brougham Castle, Song at the Feast of | iv | 82 |
| Brownie’s Cell | vi | 16 |
| Brownie, The | vii | 297 |
| Brugès (Two Poems) | vi | 288 |
| Brugès, Incident at | vii | 198 |
| Buonaparté | ii | 323 |
| Buonaparté | ii | 331 |
| Buonaparté | iv | 228 |
| Burial in the South of Scotland, A Place of | vii | 285 |
| Burns, At the Grave of | ii | 379 |
| Burns, Thoughts suggested near the Residence of | ii | 383 |
| Burns, To the Sons of | ii | 386 |
| Butterfly, To a | ii | 383 |
| Butterfly, To a | ii | 297 |
| Calais, August 1802 | ii | 331 |
| Calais, August 15, 1802 | ii | 334 |
| Calais, Composed by the Seaside, near | ii | 330 |
| Calais, Composed near | ii | 332 |
| Calais, Composed on the Beach, near | ii | 335 |
| Calais, Fish-women at | vi | 286 |
| Calvert, Raisley | iv | 44 |
| Camaldoli, At the Convent of (Three Sonnets) | viii | [72] |
| Canute | vii | 27 |
| Canute and Alfred | vi | 130 |
| Castle, Composed at —— | ii | 410 |
| “Castle of Indolence,” Written in my Pocket Copy of Thomson’s | ii | 305 |
| Casual Incitement | vii | 14 |
| Catechising | vii | 91 |
| Cathedrals, etc. | vii | 105 |
| Catholic Cantons, Composed in one of the (Two Poems) | vi | 312 |
| Celandine, The Small | iii | 21 |
| Celandine, To the Small (Two Poems) | ii | 300 |
| Cenotaph (Mrs. Fermor) | vii | 135 |
| Chamouny, Processions in the Vale of | vi | 363 |
| Character, A | ii | 208 |
| Charles the First, Troubles of | vii | 71 |
| Charles the Second | vii | 75 |
| Chatsworth | vii | 272 |
| Chaucer, Selections from (Three Poems) | ii | 238 |
| Chiabrera, Epitaphs translated from | iv | 229 |
| Chichely, Archbishop, to Henry V. | vii | 47 |
| Child, Address to a | iv | 50 |
| Child, Characteristics of a, three years old | iv | 252 |
| Child, To a (Written in her Album) | viii | [7] |
| Childless Father, The | ii | 181 |
| Christianity in America, Aspects of (Three Sonnets) | vii | 84 |
| Churches, New | vii | 102 |
| Church to be erected (Two Sonnets) | vii | 103 |
| Churchyard, New | vii | 104 |
| Cintra, Convention of (Two Sonnets) | iv | 210 |
| Cistertian Monastery | vii | 37 |
| Clarkson, Thomas, To | iv | 62 |
| Clergy, Corruptions of the Higher | vii | 49 |
| Clergy, Emigrant French | vii | 101 |
| Clerical Integrity | vii | 78 |
| Clermont, The Council of | vii | 30 |
| Clifford, Lord | iv | 82 |
| Clouds, To the | viii | [142] |
| Clyde, In the Frith of, Ailsa Crag | vii | 369 |
| Clyde, On the Frith of | vii | 370 |
| Cockermouth Castle, Address from the Spirit of | vii | 347 |
| Cockermouth, In sight of | vii | 346 |
| Coleorton, Elegiac Musings in the grounds of | vii | 269 |
| Coleorton, A Flower Garden at | vii | 125 |
| Coleorton, Inscription for an Urn in the grounds of | iv | 78 |
| Coleorton, Inscription for a Seat in the groves of | iv | 80 |
| Coleorton, Inscription in a garden of | iv | 76 |
| Coleorton, Inscription in the grounds of | iv | 74 |
| Coleridge, Hartley, To | ii | 351 |
| Collins, Remembrance of | i | 33 |
| Cologne, In the Cathedral at | vi | 297 |
| Commination Service | vii | 96 |
| Complaint, A | iv | 17 |
| “Complete Angler,” Written on a blank leaf in the | vi | 190 |
| Conclusion (Duddon) | vi | 262 |
| Conclusion (Ecclesiastical Sonnets) | vii | 108 |
| Conclusion (Miscellaneous Sonnets) | vii | 177 |
| Conclusion (Prelude) | iii | 367 |
| Conclusion (Sonnets upon the Punishment of Death) | viii | [111] |
| Confirmation (Two Sonnets) | vii | 92 |
| Congratulation | vii | 102 |
| Conjectures | vii | 5 |
| Contrast, The. The Parrot and the Wren | vii | 141 |
| Convent in the Apennines | viii | [82] |
| Convention of Cintra, Composed while writing a Tract occasioned by the (Two Sonnets) | iv | 210 |
| Conversion | vii | 17 |
| Convict, The | viii | [217] |
| Cora Linn, Composed at | vi | 26 |
| Cordelia M——, To | vii | 400 |
| Cottage Girls, The Three | vi | 351 |
| Cottager to her Infant, The | iii | 74 |
| Council of Clermont, The | vii | 30 |
| Countess’ Pillar | vii | 307 |
| Covenanters, Persecution of the Scottish | vii | 79 |
| Cranmer | vii | 62 |
| Crosthwaite Church | viii | [157] |
| Crusaders | vii | 41 |
| Crusades | vii | 31 |
| Cuckoo and the Nightingale, The | ii | 250 |
| Cuckoo at Laverna, The | viii | [67] |
| Cuckoo Clock, The | viii | [151] |
| Cuckoo, To the | ii | 289 |
| Cuckoo, To the | vii | 169 |
| Cumberland Beggar, The Old | i | 299 |
| Cumberland Beggar, The Old, MS. Variants | viii | [220] |
| Cumberland, Coast of (In the Channel) | vii | 358 |
| Cumberland, On a high part of the coast of | vii | 337 |
| Daffodils, The | iii | 4 |
| Daisy, To the (Two Poems) | ii | 353 |
| Daisy, To the | ii | 360 |
| Daisy, To the | iii | 51 |
| Daniel, Picture of (Hamilton Palace) | vii | 303 |
| Danish Boy, The | ii | 96 |
| Danish Conquests | vii | 27 |
| Danube, The Source of the | vi | 303 |
| Dati, Roberto | iv | 234 |
| Dedication (Miscellaneous Sonnets) | vii | 159 |
| Dedication (Tour on the Continent) | vi | 285 |
| Dedication (White Doe of Rylstone) | iv | 102 |
| Dedication (White Doe of Rylstone) | vi | 42 |
| Departure from the Vale of Grasmere | ii | 377 |
| “Deplorable his lot who tills the ground” | vii | 38 |
| Derwent, To the River | vi | 193 |
| Derwent, To the River | vii | 345 |
| Descriptive Sketches | i | 35 |
| Descriptive Sketches | i | 309 |
| Desultory Stanzas | vi | 382 |
| Detraction which followed the Publication of a certain Poem, On the | vi | 212 |
| Devil’s Bridge, To the Torrent at the | vii | 129 |
| Devotional Incitements | vii | 314 |
| Dion | vi | 116 |
| Dissensions | vii | 10 |
| Distractions | vii | 68 |
| Dog, Incident characteristic of a favourite | iii | 48 |
| Dog, Tribute to the Memory of the same | iii | 49 |
| Donnerdale, The Plain of | vi | 251 |
| Dora, To (A little onward) | vi | 132 |
| Dora, To my Niece | viii | [297] |
| Douglas Bay, Isle of Man, On entering | vii | 360 |
| Dover, Composed in the Valley near | ii | 341 |
| Dover, Near | ii | 343 |
| Dover, The Valley of (Two Sonnets) | vi | 380 |
| Druidical Excommunication | vii | 7 |
| Druids, Trepidation of the | vii | 6 |
| Duddon, The River | vi | 225 |
| Dungeon-Ghyll Force | ii | 138 |
| Dunollie Castle (Eagles) | vii | 292 |
| Dunolly Castle, On Revisiting | vii | 371 |
| Dunolly Eagle, The | vii | 372 |
| Duty, Ode to | iii | 37 |
| Dyer, To the Poet John | iv | 273 |
| Eagle and the Dove, The | viii | [309] |
| Eagles (Dunollie Castle) | vii | 292 |
| Eagle, The Dunolly | vii | 372 |
| Easter Sunday, Composed on | vi | 194 |
| Ecclesiastical Sonnets | vii | 2 |
| Echo, The Mountain | iv | 25 |
| Echo upon the Gemmi | vi | 360 |
| Eclipse of the Sun, The | vi | 345 |
| Eden, The River (Cumberland) | vii | 385 |
| Edward VI. | vii | 59 |
| Edward VI. signing the Warrant | vii | 60 |
| Egremont Castle, The Horn of | iv | 12 |
| Egyptian Maid, The | vii | 252 |
| Ejaculation | vii | 107 |
| Elegiac Musings (Coleorton Hall) | vii | 269 |
| Elegiac Stanzas (Goddard) | vi | 371 |
| Elegiac Stanzas (Mrs. Fermor) | vii | 132 |
| Elegiac Stanzas (Peele Castle) | iii | 54 |
| Elegiac Verses (John Wordsworth) | iii | 58 |
| Elizabeth | vii | 65 |
| Ellen Irwin | ii | 124 |
| Emigrant French Clergy | vii | 101 |
| Emigrant Mother, The | ii | 284 |
| Eminent Reformers (Two Sonnets) | vii | 66 |
| Emma’s Dell | ii | 153 |
| Engelberg | vi | 316 |
| Enghien, Duke d’ | vi | 114 |
| “England! the time is come when thou should’st wean” | ii | 432 |
| England, Afflictions of | vii | 72 |
| Enterprise, To | vi | 218 |
| Episcopacy, American | vii | 85 |
| Epistle to Sir George Beaumont | iv | 256 |
| Epistle to Sir George Beaumont, Upon perusing the foregoing | iv | 267 |
| Epitaph, A Poet’s | ii | 75 |
| Epitaph in the Chapel-yard of Langdale | viii | [120] |
| Epitaphs translated from Chiabrera | iv | 229 |
| “Ere with cold beads of midnight dew” | vii | 145 |
| “Even as a dragon’s eye that feels the stress” | vi | 69 |
| Evening of extraordinary splendour, Composed upon an | vi | 176 |
| Evening Star over Grasmere Water, To the | viii | [263] |
| Evening Walk, An | i | 4 |
| Event in Ancient History, On a celebrated (Two Sonnets) | iv | 242 |
| Excursion, The | v | 1 |
| Expostulation and Reply | i | 272 |
| Fact, A, and an Imagination | vi | 130 |
| Faery Chasm, The | vi | 241 |
| Fancy | iv | 36 |
| Fancy and Tradition | vii | 306 |
| Fancy, Hints for the | vi | 242 |
| Farewell, A | ii | 324 |
| Farewell Lines | vii | 155 |
| Farewell (Tour, 1833) | vii | 341 |
| Farmer of Tilsbury Vale, The | ii | 147 |
| Far-Terrace, The | vii | 154 |
| Father, The Childless | ii | 181 |
| Fathers, Anecdote for | i | 234 |
| Fermor, Mrs. (Cenotaph) | vii | 135 |
| Fermor, Mrs. (Elegiac Stanzas) | vii | 132 |
| Fidelity | iii | 44 |
| Filial Piety | vii | 231 |
| Fir Grove (John Wordsworth) | iii | 66 |
| Fishes in a Vase, Gold and Silver | vii | 214 |
| Fish-women | vi | 286 |
| Flamininus, T. Quintius (Two Sonnets) | iv | 242 |
| Fleming, To the Lady (Rydal Chapel), (Two Poems) | vii | 109 |
| Floating Island (D. W.) | viii | [125] |
| Florence (Four Sonnets) | viii | [78] |
| Flower Garden, A (Coleorton) | vii | 125 |
| Flowers | vi | 235 |
| Flowers (Cave of Staffa) | vii | 378 |
| Flowers in the Island of Madeira | viii | [177] |
| “Fly, some kind Harbinger, to Grasmere-dale!” | ii | 419 |
| Foresight, or Children gathering Flowers | ii | 298 |
| Forms of Prayer at Sea | vii | 97 |
| Forsaken Indian Woman, Complaint of a | i | 275 |
| Forsaken, The | iii | 10 |
| Fort Fuentes | vi | 328 |
| Fountain, The | ii | 91 |
| Fox, Mr., Lines composed on the expected death of | iv | 47 |
| France, Sky-prospect from the Plain of | vi | 377 |
| Francesco Pozzobonnelli | iv | 236 |
| French Army in Russia (Two Poems) | vi | 107 |
| French Clergy, Emigrant | vii | 101 |
| French Revolution | ii | 34 |
| French Revolution, In allusion to Histories of the (Three Sonnets) | viii | [130] |
| French Royalist, Feelings of a | vi | 114 |
| Friend, To a (Banks of the Derwent) | vii | 348 |
| Funeral Service | vi | 97 |
| Furness Abbey, At | viii | [168] |
| Furness Abbey, At | viii | [176] |
| Gemmi, Echo upon the | vi | 360 |
| General Fast, Upon the late (1832) | vii | 323 |
| George the Third (November, 1813) | iv | 282 |
| George the Third, On the death of | vi | 209 |
| Germans on the Heights of Hockheim, The | vi | 216 |
| Germany, Written in | ii | 73 |
| Gillies, Margaret, To (Two Poems) | viii | [114] |
| Gillies, Margaret | viii | [306] |
| Gillies, Robert Pearce | vi | 33 |
| Gipsies | iv | 65 |
| Glad Tidings | vii | 15 |
| Gleaner, The | vii | 202 |
| Glen-Almain, or, The Narrow Glen | ii | 393 |
| Glencroe, At the Head of | vii | 295 |
| Glowworm, The | viii | [231] |
| Goddard, Elegiac Stanzas | vi | 371 |
| Gold and Silver Fishes in a Vase (Two Poems) | vii | 214 |
| Goody Blake and Harry Gill | i | 253 |
| Gordale | vi | 185 |
| Grace Darling | viii | [310] |
| Grasmere, Departure from the Vale of (August 1803) | ii | 377 |
| Grasmere, Home at | viii | [235] |
| Grasmere, Inscription on the Island at | ii | 213 |
| Grasmere, Return to | ii | 419 |
| Grasmere Lake, Composed by the side of | iv | 73 |
| Grave-stone, A (Worcester Cathedral) | vii | 201 |
| “Great men have been among us; hands that penned” | ii | 346 |
| Green, George and Sarah | viii | [266] |
| Green Linnet, The | ii | 367 |
| Greenock | vii | 383 |
| Greta, To the River | vii | 344 |
| “Grief, thou hast lost an ever ready friend” | vi | 195 |
| Grotto, Written in a | viii | [234] |
| Guernica, Oak of | iv | 245 |
| Guilt and Sorrow | i | 77 |
| Gunpowder Plot | vii | 69 |
| Gustavus IV | iv | 227 |
| Gwerndwffnant, Holiday at | viii | [284] |
| H. C., Six years old, To | ii | 351 |
| Hambleton Hills, After a journey across the | ii | 349 |
| Happy Warrior, Character of the | iv | 7 |
| Hart-Leap Well | ii | 128 |
| Hart’s-Horn Tree | vii | 305 |
| Haunted Tree, The | vi | 199 |
| Hawkshead, Written as a School Exercise at | viii | [211] |
| Hawkshead School, In anticipation of leaving | i | 1 |
| Hawkshead School, Address to the Scholars of | ii | 84 |
| Haydon, To B. R. | vi | 61 |
| Haydon, To B. R. (Picture of Napoleon Buonaparte) | vii | 276 |
| Heidelberg, Castle of (Hymn for Boatmen) | vi | 301 |
| Helvellyn, To ——, on her first ascent of | vi | 135 |
| Henry Eighth, Portrait of | vii | 166 |
| Her eyes are wild | i | 258 |
| Hermitage (St. Herbert’s Island) | ii | 210 |
| Hermitage, Near the Spring of the | vi | 175 |
| Hermit’s Cell, Inscriptions in and near | vi | 170 |
| Highland Boy, The Blind | ii | 420 |
| Highland Broach, The | vii | 310 |
| Highland Girl, To a | ii | 389 |
| Highland Hut | vii | 296 |
| Hint from the Mountains | vi | 156 |
| Hints for the Fancy | vi | 242 |
| Historian, Plea for the | viii | [61] |
| Hoffer | iv | 213 |
| Hogg, James, Extempore Effusion upon the death of | viii | [24] |
| Holiday at Gwerndwffnant | viii | [284] |
| Home at Grasmere | viii | [235] |
| Horn of Egremont Castle, The | iv | 12 |
| Howard, Mrs., Monument of (Wetheral), (Two Sonnets) | vii | 386 |
| Humanity | vii | 222 |
| Hutchinson, Sarah, To | vii | 162 |
| Hymn for Boatmen (Heidelberg) | vi | 301 |
| Hymn, The Labourer’s Noon-day | vii | 408 |
| I.F., To | viii | [307] |
| Idiot Boy, The | i | 283 |
| Illustrated Books and Newspapers | viii | [184] |
| Illustration (The Jung-Frau) | vii | 70 |
| Imagination | vi | 67 |
| Immortality, Ode, Intimations of | viii | [189] |
| Indian Woman, Complaint of a Forsaken | i | 275 |
| Infant Daughter, Address to my | iii | 14 |
| Infant M—— M——, To the | vii | 170 |
| Infant, The Cottager to her | iii | 74 |
| Influence Abused | vii | 26 |
| Influence of Natural Objects | ii | 66 |
| Influences, Other | vii | 19 |
| Inglewood Forest, Suggested by a View in | vii | 304 |
| Inscription for a Monument in Crosthwaite Church (Southey) | viii | [157] |
| Inscription for a Stone (Rydal Mount) | vii | 269 |
| Inscriptions (Coleorton) | iv | 74 |
| Inscriptions (Hermit’s Cell) | vi | 170 |
| Installation Ode | viii | [320] |
| Interdict, An | vii | 32 |
| Introduction (Ecclesiastical Sonnets) | vii | 4 |
| Introduction (Prelude) | iii | 132 |
| Invasion, Lines on the expected | ii | 437 |
| Inversneyde | ii | 389 |
| Invocation to the Earth | vi | 95 |
| Iona (Two Sonnets) | vii | 379 |
| Iona, The Black Stones of | vii | 381 |
| Isle of Man (Two Sonnets) | vii | 362 |
| Isle of Man, At Bala-Sala | vii | 365 |
| Isle of Man, At Sea off the | vii | 359 |
| Isle of Man, By the Sea-shore | vii | 361 |
| Isle of Man (Douglas Bay) | vii | 360 |
| Italian Itinerant, The | vi | 338 |
| Italy, After leaving (Two Sonnets) | viii | [84] |
| “It is no Spirit who from heaven hath flown” | ii | 375 |
| “I watch, and long have watched, with calm regret” | vi | 197 |
| Jedborough, The Matron of | ii | 414 |
| Jewish Family, A | vii | 195 |
| Joanna, To | ii | 157 |
| Joanna H., Lines addressed to | viii | [282] |
| Joan of Kent, Warrant for Execution of | vii | 60 |
| Jones, Rev. Robert | vi | 257 |
| Journey Renewed | vi | 257 |
| June, 1820 | vi | 214 |
| Jung-Frau, The, and the Fall of the Rhine | vii | 70 |
| Kendal, Upon hearing of the death of the Vicar of | vi | 40 |
| Kendal and Windermere Railway, On the projected | viii | [166] |
| Kent, To the Men of (October, 1803) | ii | 434 |
| Kilchurn Castle, Address to | ii | 400 |
| Killicranky, In the Pass of | ii | 435 |
| King’s College Chapel, Cambridge, Inside of (Three Sonnets) | vii | 106 |
| Kirkstone, The Pass of | vi | 158 |
| Kirtle, The Braes of | ii | 124 |
| Kitten and Falling Leaves, The | iii | 16 |
| Laborer’s Noon-day Hymn, The | vii | 408 |
| Lady, To a, upon Drawings she had made of Flowers in Madeira | viii | [177] |
| Lady E. B., and the Hon. Miss P., To the | vii | 128 |
| Lamb, Charles, Written after the death of | viii | [17] |
| Lancaster Castle, Suggested by the view of | viii | [103] |
| Langdale, Epitaph in the Chapel-yard of | viii | [120] |
| Laodamia | vi | 1 |
| Last of the Flock, The | i | 279 |
| Last Supper, by Leonardo da Vinci, The | vi | 343 |
| Latimer and Ridley | vii | 61 |
| Latitudinarianism | vii | 76 |
| Laud | vii | 71 |
| Leonardo da Vinci, The Last Supper | vi | 343 |
| Lesbia | viii | [32] |
| Liberty (Gold and Silver Fishes) | vii | 216 |
| Liberty (Tyrolese Sonnets) | iv | 214 |
| Liberty, Obligations of Civil to Religious | vii | 81 |
| Liege, Between Namur and | vi | 293 |
| Lines, composed a few miles above Tintern Abbey | ii | 51 |
| Lines composed on the expected death of Mr. Fox | iv | 47 |
| Lines, Farewell | vii | 155 |
| Lines left upon a Seat in a Yew-tree | i | 108 |
| Lines on the expected Invasion, 1803 | ii | 437 |
| Lines suggested by a Portrait from the Pencil of F. Stone (Two Poems) | viii | [1] |
| Lines written as a School Exercise at Hawkshead | viii | [211] |
| Lines written in Early Spring | i | 268 |
| Lines written in the Album of the Countess of Lonsdale | viii | [8] |
| Lines written upon a Stone, upon one of the Islands at Rydal | ii | 63 |
| Lines written upon hearing of the death of the late Vicar of Kendal | vi | 40 |
| Lines written while sailing in a Boat at Evening | i | 32 |
| Liturgy, The | vii | 88 |
| Loch Etive, Composed in the Glen of | vii | 291 |
| Lombardy, In | viii | [83] |
| London, Written in (1802), (Two Sonnets) | ii | 344 |
| Longest Day, The | vi | 153 |
| Long Meg and her Daughters | vii | 390 |
| Lonsdale, The Countess of (Album) | viii | [8] |
| Lonsdale, To the Earl of | v | 20 |
| Lonsdale, To the Earl of | vii | 392 |
| Louisa | ii | 362 |
| Love, The Birth of | viii | [215] |
| Love lies bleeding (Two Poems) | viii | [148] |
| Loving and Liking | vii | 320 |
| Lowther | vii | 391 |
| Lowther, To the Lady Mary | vi | 211 |
| Lucca Giordano | viii | [183] |
| Lucy Gray; or, Solitude | ii | 99 |
| Lucy (Three Poems) | ii | 78 |
| Lucy (Three years she grew) | ii | 81 |
| Lycoris, Ode to (Two Poems) | vi | 145 |
| M. H., To | ii | 167 |
| Madeira, Flowers in the Island of | viii | [177] |
| Malham Cove | vi | 184 |
| Manse, On the sight of a (Scotland) | vii | 286 |
| March, Written in | ii | 293 |
| Margaret ——, The Affliction of | iii | 7 |
| Mariner, By a Retired | vii | 364 |
| “Mark the concentred hazels that enclose” | vi | 71 |
| Marriage Ceremony | vii | 94 |
| Marriage of a Friend, Composed on the Eve of the | iv | 276 |
| Marshall, To Cordelia | vii | 400 |
| Mary Queen of Scots, Captivity of | vi | 191 |
| Mary Queen of Scots, Lament of | vi | 162 |
| Mary Queen of Scots (Workington) | vii | 349 |
| Maternal Grief | iv | 248 |
| Matron of Jedborough, The | ii | 414 |
| Matthew | ii | 87 |
| May Morning, Composed on (1838) | viii | [97] |
| May Morning, Ode composed on | vii | 146 |
| May, To | vii | 148 |
| Meditation | vii | 401 |
| Memory | vii | 117 |
| “Men of the Western World!” | viii | [112] |
| Mental Affliction | viii | [36] |
| Merry England | vii | 343 |
| Michael | ii | 215 |
| Michael Angelo, From the Italian of (Three Sonnets) | iii | 380 |
| Michael Angelo, Translation from | viii | [265] |
| “Milton! thou should’st be living at this hour” | ii | 346 |
| Missions and Travels | vii | 23 |
| Monasteries, Dissolution of the (Three Sonnets) | vii | 52 |
| Monasteries, Saxon | vii | 22 |
| Monastery, Cistertian | vii | 37 |
| Monastery of Old Bangor | vii | 13 |
| Monastic Power, Abuse of | vii | 50 |
| Monastic Voluptuousness | vii | 51 |
| Monkhouse, Mary | vii | 170 |
| Monks and Schoolmen | vii | 39 |
| Monument of Mrs. Howard (Two Sonnets) | vii | 386 |
| Monument (Long Meg and her Daughters) | vii | 390 |
| Moon, The (The Shepherd, looking eastward) | vi | 68 |
| Moon, The (With how sad steps, O Moon) | iv | 38 |
| Moon (The Crescent-moon, the Star of Love) | viii | [127] |
| Moon, The (Sea-side) | viii | [13] |
| Moon, The (Rydal) | viii | [15] |
| Moon, The (Who but is pleased to watch) | viii | [184] |
| Moon, The (How beautiful the Queen of Night) | viii | [188] |
| Moon, The (Once I could hail) | vii | 152 |
| Morning Exercise, A | vii | 178 |
| Mosgiel Farm (Burns) | vii | 383 |
| Mother, The Mad | i | 258 |
| Mother’s Return, The | iv | 63 |
| Mountains, Hint from the | vi | 156 |
| Mull, In the Sound of | vii | 293 |
| Music, Power of | iv | 20 |
| Mutability | vii | 100 |
| Naming of Places, Poems on the | ii | 153 |
| Namur and Liege, Between | vi | 293 |
| Natural Objects, Influence of | ii | 66 |
| “Near Anio’s stream, I spied a gentle Dove” | viii | [65] |
| Needlecase in the form of a Harp, On seeing a | vii | 157 |
| Negro Woman | ii | 342 |
| Newspaper, Composed after reading a | vii | 290 |
| Nightingale, The | vi | 214 |
| Nightingale, The Cuckoo and the | ii | 250 |
| Night Piece, A | i | 227 |
| Night-thought, A | viii | [88] |
| Nith, On the Banks of | ii | 383 |
| Norman Boy, The | viii | [132] |
| Norman Conquest, The | vii | 28 |
| North Wales, Composed among the Ruins of a Castle in | vii | 131 |
| Nortons, The Fate of the | iv | 100 |
| November, 1806 | iv | 49 |
| November, 1813 | iv | 282 |
| November 1 (1815) | vi | 63 |
| Nunnery | vii | 388 |
| Nun’s Well, Brigham | vii | 347 |
| Nutting | ii | 70 |
| Oak and the Broom, The | ii | 174 |
| Oak of Guernica | iv | 245 |
| Octogenarian, To an | viii | [185] |
| Ode, Installation | viii | [320] |
| Ode, Vernal | vi | 138 |
| Ode (Who rises on the Banks of Seine) | vi | 104 |
| Ode (1814) (When the soft hand) | vi | 96 |
| Ode (1815) (Imagination—ne’er before content) | vi | 88 |
| Ode, The Morning of the Day of Thanksgiving | vi | 74 |
| Ode to Duty | iii | 37 |
| Ode to Lycoris (Two Poems) | vi | 145 |
| Ode composed on May Morning | vii | 146 |
| Ode, Intimations of Immortality | viii | [189] |
| Oker Hill in Darley Dale, A Tradition of | vii | 230 |
| “O Nightingale! thou surely art” | iv | 67 |
| “On Nature’s invitation do I come” | ii | 118 |
| Open Prospect | vi | 243 |
| Ossian, Written in a blank leaf of Macpherson’s | vii | 373 |
| Our Lady of the Snow | vi | 318 |
| Oxford, May 30, 1820 (Two Sonnets) | vi | 213 |
| Painter, To a (Two Sonnets) | viii | [114] |
| Palafox | iv | 222 |
| Palafox | iv | 228 |
| Palafox | iv | 240 |
| Papal Abuses | vii | 33 |
| Papal Dominion | vii | 34 |
| Papal Power | vii | 36 |
| Papal Unity | vii | 42 |
| Parrot and the Wren, The | vii | 141 |
| Parsonage in Oxfordshire, A | vi | 217 |
| Pastoral Character | vii | 87 |
| Patriotic Sympathies | vii | 74 |
| Paulinus | vii | 15 |
| Peele Castle, Suggested by a Picture of | iii | 54 |
| Pelion and Ossa | ii | 238 |
| Pennsylvanians, To the | viii | [179] |
| Persecution | vii | 8 |
| Personal Talk | iv | 30 |
| Persuasion | vii | 16 |
| Peter Bell | ii | 1 |
| Peter Bell, On the detraction which followed | vi | 212 |
| Pet-Lamb, The | ii | 142 |
| Philoctetes | vii | 167 |
| Picture, Upon the sight of a beautiful | iv | 271 |
| Piety, Decay of | vii | 163 |
| Piety, Filial | vii | 231 |
| Pilgrim Fathers (Two Sonnets) | vii | 84 |
| Pilgrim’s Dream, The | vi | 167 |
| Pillar of Trajan, The | vii | 137 |
| Places of Worship | vii | 87 |
| Plea for Authors, A | viii | [99] |
| Plea for the Historian | viii | [61] |
| Poet and the Caged Turtledove, The | vii | 265 |
| Poet’s Dream, The | viii | [135] |
| Poet’s Epitaph, A | ii | 75 |
| Poet to his Grandchild, A | viii | [305] |
| Point at issue, The | vii | 58 |
| Point Rash Judgment | ii | 163 |
| Poor Robin | viii | [116] |
| Poor Susan, The Reverie of | i | 226 |
| Popery, Revival of | vii | 61 |
| Portrait, Lines suggested by a (Two Poems) | viii | [1] |
| Portrait of I.F., On a | viii | [306] |
| Portrait of the Duke of Wellington, On a | viii | [118] |
| Portrait, To the Author’s | vii | 318 |
| Postscript (John Dyer) | vi | 264 |
| Power of Music | iv | 20 |
| Power of Sound, On the | vii | 203 |
| Prayer at Sea, Forms of | vii | 97 |
| Prayer, The Force of | iv | 204 |
| Prelude, Prefixed to “Poems of Early and Late Years” | viii | [123] |
| Prelude, The | iii | 121 |
| Presentiments | vii | 266 |
| Primrose of the Rock, The | vii | 274 |
| Prioress’ Tale, The | ii | 240 |
| Processions (Chamouny) | vi | 363 |
| Prophecy, A. February, 1807 | iv | 59 |
| Punishment of Death, Sonnets upon the | viii | [103] |
| Queen, To the | viii | [319] |
| Quillinan, To Rothay | vii | 171 |
| Railway, On the projected Kendal and Windermere | viii | [166] |
| Railways, etc. | vii | 389 |
| Rainbow, The | ii | 291 |
| Ranz des Vaches, On hearing the | vi | 326 |
| Recovery | vii | 9 |
| Redbreast chasing the Butterfly, The | ii | 295 |
| Redbreast, The | vii | 410 |
| Redbreast, To a | viii | [38] |
| Reflections | vii | 57 |
| Reformation, General view of the Troubles of the | vii | 64 |
| Reformers, Eminent (Two Sonnets) | vii | 66 |
| Reformers in Exile, English | vii | 64 |
| Regrets | vii | 99 |
| Regrets, Imaginative | vii | 56 |
| Repentance | iii | 11 |
| Reproof | vii | 21 |
| Resolution and Independence | ii | 312 |
| Rest and be thankful | vii | 295 |
| Resting-place, The (Two Sonnets) | vi | 254 |
| Retirement | vii | 165 |
| Return | vi | 248 |
| Return, The Mother’s | iv | 63 |
| Reverie of Poor Susan | i | 226 |
| Rhine, Author’s Voyage down the | viii | [273] |
| Rhine, Upon the Banks of the | vi | 299 |
| Richard I | vii | 31 |
| Richmond Hill (Thomson) | vi | 214 |
| Ridley, Latimer and | vii | 61 |
| Robinson, To Henry Crabb (Tour in Italy, 1837) | viii | [41] |
| Rob Roy’s Grave | ii | 403 |
| Rock, Inscribed upon a | vi | 173 |
| Rocks, Two heath-clad | viii | [170] |
| Rocky Stream, Composed on the Banks of a | vi | 208 |
| Rocky Stream, On the Banks of a | viii | [188] |
| Rogers, Samuel, To | vii | 280 |
| Roman Antiquities | viii | [33] |
| Roman Antiquities (Old Penrith) | vii | 308 |
| Roman Refinements, Temptations from | vii | 10 |
| Romance of the Water Lily | vii | 252 |
| Rome (Two Sonnets) | viii | [62] |
| Rome, At (Three Sonnets) | viii | [59] |
| Rome, The Pine of Monte Mario at | viii | [58] |
| Roslin Chapel, Composed in | vii | 287 |
| Rotha Q——, To | vii | 171 |
| Ruins of a Castle in North Wales | vii | 131 |
| Rural Architecture | ii | 206 |
| Rural Ceremony | vii | 98 |
| Rural Illusions | vii | 319 |
| Russian Fugitive, The | vii | 239 |
| Ruth | ii | 104 |
| Rydal, At, on May Morning (1838) | viii | [94] |
| Rydal Chapel | vii | 109 |
| Rydal, Written upon a Stone at | ii | 63 |
| Rydal, In the woods of | vii | 176 |
| Rydal Mere, By the side of | vii | 403 |
| Rydal Mount, Inscription for a Stone in the Grounds of | vii | 269 |
| S. H., To | vii | 162 |
| Sacheverel | vii | 82 |
| Sacrament | vii | 93 |
| Sailor’s Mother, The | ii | 270 |
| Saint Bees’ Head, In a Steam-boat off | vii | 351 |
| Saint Catherine of Ledbury | viii | [34] |
| Saint Gothard (Ranz des Vaches on the Pass of) | vi | 326 |
| Saint Herbert’s Island, Derwent-water (Hermitage) | ii | 210 |
| Saints | vii | 54 |
| Salinero, Ambrosio | iv | 233 |
| Salisbury Plain, Incidents upon | i | 77 |
| San Salvador, The Church of | vi | 332 |
| Saxon Clergy, Primitive | vii | 19 |
| Saxon Conquest | vii | 12 |
| Saxon Monasteries | vii | 22 |
| Saxons | vii | 29 |
| “Say, what is Honour?—’Tis the finest sense” | iv | 225 |
| Schill | iv | 226 |
| Scholars of the Village School of ——, Address to the | ii | 84 |
| School, Composed in anticipation of leaving | i | 1 |
| School Exercise at Hawkshead, Written As a | viii | [211] |
| Schwytz | vi | 324 |
| Scottish Covenanters, Persecution of the | vii | 79 |
| Scott, Sir Walter, Departure of | vii | 284 |
| Sea-shore, Composed by the | vii | 340 |
| Sea-side, Composed by the | ii | 330 |
| Sea-side, By the | vii | 338 |
| Seasons, Thoughts on the | vii | 229 |
| Seathwaite Chapel | vi | 249 |
| Seclusion (Two Sonnets) | vii | 20 |
| Sellon, To Miss | viii | [325] |
| September 1, 1802 | ii | 342 |
| September, 1815 | vi | 64 |
| September, 1819 | vi | 201 |
| Seven Sisters, The | ii | 204 |
| Sexton, To a | ii | 95 |
| Sheep-washing | vi | 253 |
| Shepherd-Boys, The Idle | ii | 138 |
| “She was a Phantom of delight” | iii | 1 |
| Simon Lee | i | 262 |
| Simplon Pass, Column lying in the | vi | 356 |
| Simplon Pass, Stanza’s composed in the | vi | 357 |
| Simplon Pass, The | ii | 69 |
| Sister, To my | i | 270 |
| Skiddaw | ii | 238 |
| Sky-lark, To a | iii | 42 |
| Sky-lark, To a | vii | 143 |
| Sky-prospect—From the Plain of France | vi | 377 |
| Sleep, To (Three Sonnets) | iv | 42 |
| Snow-drop, To a | vi | 191 |
| Sobieski, John | vi | 110 |
| Solitary Reaper, The | ii | 397 |
| Solitude (The Duddon) | vi | 245 |
| Somnambulist, The | vii | 393 |
| Song at the Feast of Brougham Castle | iv | 82 |
| Song for the Spinning Wheel | iv | 275 |
| Song for the Wandering Jew | ii | 182 |
| Sonnet, The | vii | 163 |
| Sonnet, June, 1820 (Fame tells of groves) | vi | 214 |
| Sonnet, September 1, 1802 (We had a female Passenger) | ii | 342 |
| Sonnet, September, 1802 (Inland, within a hollow vale) | ii | 343 |
| Sonnet, September, 1815 (While not a leaf seems faded) | vi | 64 |
| Sonnet, October, 1803 (One might believe) | ii | 430 |
| Sonnet, October, 1803 (These times strike monied worldlings) | ii | 432 |
| Sonnet, October, 1803 (When, looking on the present face of things) | ii | 433 |
| Sonnet, November, 1806 (Another year!) | iv | 49 |
| Sonnet, November, 1813 (Now that all hearts are glad) | iv | 282 |
| Sonnet, November 1, 1815 (How clear, how keen) | vi | 63 |
| Sonnet, November, 1836 (Even so for me a Vision) | viii | [37] |
| Sound of Mull, In the | vii | 293 |
| Sound, The Power of | vii | 203 |
| Southey, Edith May | vii | 157 |
| Southey, (Inscription for monument) | viii | [157] |
| Spade of a Friend, To the | iv | 2 |
| Spaniards (Three Sonnets) | iv | 246 |
| Spanish Guerillas, The French and the | iv | 248 |
| Spanish Guerillas | iv | 253 |
| Sparrow’s Nest, The | ii | 236 |
| Spinning Wheel, Song for the | iv | 275 |
| Sponsors | vii | 90 |
| Spring, Lines written in Early | i | 268 |
| Staffa, Cave of (Four Sonnets) | vii | 376 |
| Star and the Glow-worm, The | vi | 167 |
| Star-gazers | iv | 22 |
| Staubbach, On approaching the | vi | 306 |
| Steamboats, Viaducts, and Railways | vii | 389 |
| Stepping-stones, The (Two Sonnets) | vi | 239 |
| Stepping Westward | ii | 396 |
| Stone, F., Lines suggested by a Portrait from the Pencil of (Two Poems) | viii | [1] |
| Storm, Composed during a | vi | 187 |
| Stray Pleasures | iv | 18 |
| Stream, Composed on the Banks of a Rocky | vi | 208 |
| Stream, On the Banks of a Rocky | viii | [188] |
| Stream, Tributary | vi | 250 |
| Streams (The Duddon) | vi | 255 |
| Streams, The unremitting voice of nightly | viii | [187] |
| Swan, The | vi | 198 |
| Sweden, The King of | ii | 338 |
| Sweden, The King of | iv | 227 |
| Switzerland, Subjugation of | iv | 60 |
| Tables Turned, The | i | 274 |
| Tell, Effusion in presence of the Tower of | vi | 321 |
| Temptations from Roman Refinements | vii | 10 |
| Thanksgiving after Childbirth | vii | 95 |
| Thanksgiving Ode | vi | 74 |
| “The leaves that rustled on this oak-crowned hill” | vii | 406 |
| “There is a bondage worse, far worse, to bear” | ii | 431 |
| “There is a little unpretending Rill” | iv | 53 |
| There was a Boy | ii | 57 |
| “The Stars are mansions built by Nature’s hand” | vi | 210 |
| “This Lawn, a carpet all alive” | vii | 228 |
| Thomson’s “Castle of Indolence,” Stanzas written in | ii | 305 |
| Thorn, The | i | 239 |
| Thrasymene, Near the Lake of (Two Sonnets) | viii | [66] |
| Thrush, The (Two Sonnets) | viii | [93] |
| Thun, Memorial near the Lake of | vi | 310 |
| Tillbrook, Rev. Samuel | vi | 65 |
| Tilsbury Vale, The Farmer of | ii | 147 |
| Tintern Abbey, Lines, composed a few miles above | ii | 51 |
| To —— in her seventieth year | vii | 172 |
| To —— Upon the birth of her First-born Child | vii | 328 |
| To —— (Mrs. Wordsworth), (Two Poems) | vii | 121 |
| To —— (Look at the fate of summer flowers) | vii | 124 |
| To —— (Miscellaneous Sonnets—Dedication) | vii | 159 |
| To —— (Miscellaneous Sonnets—Conclusion) | vii | 177 |
| To —— (Wait, prithee, wait!) | viii | [32] |
| To —— on her First Ascent of Helvellyn | vi | 135 |
| To —— (The Haunted Tree) | vi | 199 |
| Torrent at Devil’s Bridge | vii | 129 |
| Tour among the Alps (1791-2), (Descriptive Sketches) | i | 35 |
| Tour among the Alps (1791-2), (Descriptive Sketches) | i | 309 |
| Tour in Italy (1837), Memorials of a | viii | [39] |
| Tour in Scotland (1803), Memorials of a | ii | 377 |
| Tour in Scotland (1814), Memorials of a | vi | 15 |
| Tour in Scotland (1831) | vii | 278 |
| Tour in the Summer of 1833 | vii | 341 |
| Tour on the Continent (1820), Memorials of a | vi | 285 |
| Toussaint L’Ouverture, To | ii | 339 |
| Tradition | vi | 253 |
| Tradition, American | vi | 246 |
| Tradition, Fancy and | vii | 306 |
| Tradition of Oker Hill | vii | 230 |
| Trajan, The Pillar of | vii | 137 |
| Translation of the Bible | vii | 58 |
| Transubstantiation | vii | 44 |
| Triad, The | vii | 181 |
| Tributary Stream | vi | 250 |
| Troilus and Cresida | ii | 264 |
| Trosachs, The | vii | 288 |
| Turtledove, The Poet and the Caged | vii | 265 |
| Twilight | vi | 67 |
| Two April Mornings, The | ii | 89 |
| Two Thieves, The | ii | 60 |
| Tyndrum, Suggested at | vii | 294 |
| Tynwald Hill | vii | 366 |
| Tyrolese, Feelings of the | iv | 215 |
| Tyrolese, On the final submission of the | iv | 217 |
| Tyrolese Sonnets | iv | 213 |
| Ulpha, Kirk of | vi | 260 |
| Uncertainty | vii | 7 |
| Utilitarians, To the | viii | [299] |
| Valedictory Sonnet (Miscellaneous Sonnets) | viii | [102] |
| Vallombrosa, At | viii | [75] |
| Vaudois, The (Two Sonnets) | vii | 44 |
| Vaudracour and Julia | iii | 24 |
| Venetian Republic, On the Extinction of | ii | 336 |
| Venice, Scene in | vii | 34 |
| Venus, To the Planet (January 1838) | viii | [92] |
| Venus, To the Planet (Loch Lomond) | vii | 299 |
| Vernal Ode | vi | 138 |
| Vienna, Siege of, raised by John Sobieski | vi | 110 |
| Virgin, The | vii | 54 |
| Visitation of the Sick | vii | 96 |
| Waggoner, The | iii | 76 |
| Waldenses | vii | 46 |
| Wallace’s Tower | vi | 26 |
| Walton, Isaac | vi | 190 |
| Walton’s Book of Lives | vii | 77 |
| Wandering Jew, Song for the | ii | 182 |
| Wansfell | viii | [153] |
| Warning, The | vii | 330 |
| Wars of York and Lancaster | vii | 48 |
| Waterfall and the Eglantine, The | ii | 170 |
| Water-fowl | iv | 277 |
| Waterloo, After visiting the Field of | vi | 292 |
| Waterloo, Occasioned by the Battle of (Three Sonnets) | vi | 111 |
| We are Seven | i | 228 |
| Wellington, On a Portrait of the Duke of | viii | [118] |
| Westall, Mr. W., Views of the Caves, etc., in Yorkshire, by (Three Poems) | vi | 183 |
| Westminster Bridge, Composed upon | ii | 328 |
| Westmoreland Girl, The | viii | [172] |
| “Whence that low voice?—A whisper from the heart” | vi | 252 |
| “Where lies the truth? has Man, in wisdom’s creed” | viii | [182] |
| “While Anna’s peers and early playmates tread” | vii | 169 |
| Whirl-blast, The | i | 238 |
| Whistlers, The Seven | iv | 68 |
| White Doe of Rylstone | iv | 100 |
| “Who fancied what a pretty sight?” | ii | 374 |
| “Why, Minstrel, these untuneful murmurings” | vii | 161 |
| Wicliffe | vii | 49 |
| Widow on Windermere Side, The | viii | [89] |
| Wild Duck’s Nest, The | vi | 189 |
| Wild-Fowl | viii | [234] |
| William the Third | vii | 80 |
| Winter (French Army), (Two Poems) | vi | 107 |
| Wishing-gate, The | vii | 189 |
| Wishing-gate Destroyed, The | vii | 192 |
| Worcester Cathedral, A Grave-Stone in | vii | 201 |
| Wordsworth, Catherine | vi | 72 |
| Wordsworth, Dora | vi | 132 |
| Wordsworth, John, Elegiac Verses in memory of | iii | 58 |
| Wordsworth, John (Fir Grove) | iii | 66 |
| Wordsworth, To the Rev. Christopher | viii | [162] |
| Wordsworth, To the Rev. Dr. (Duddon) | vi | 227 |
| Wordsworth, Thomas | viii | [39] |
| Wren’s Nest, A | vii | 325 |
| Yarrow Unvisited | ii | 411 |
| Yarrow Visited | vi | 35 |
| Yarrow Revisited | vii | 278 |
| Yew-trees | ii | 369 |
| Yew-tree Seat | i | 108 |
| York and Lancaster, Wars of | vii | 48 |
| Young England | viii | [180] |
| Young Lady, To a | ii | 365 |
| Youth, Written in very early | i | 3 |
| Zaragoza | iv | 224 |