[I must confess, though of course I did not acknowledge it in the few lines I wrote in the Strangers’ book kept at the convent, that I was somewhat disappointed at Vallombrosa. I had expected, as the name implies, a deep and narrow valley overshadowed by enclosing hills; but the spot where the convent stands is in fact not a valley at all, but a cove or crescent open to an extensive prospect. In the book before mentioned, I read the notice in the English language that if anyone would ascend the steep ground above the convent, and wander over it, he would be abundantly rewarded by magnificent views. I had not time to act upon this recommendation, and only went with my young guide to a point, nearly on a level with the site of the convent, that overlooks the Vale of Arno for some leagues. To praise great and good men has ever been deemed one of the worthiest employments of poetry, but the objects of admiration vary so much with time and circumstances, and the noblest of mankind have been found, when intimately known, to be of characters so imperfect, that no eulogist can find a subject which he will venture upon with the animation necessary to create sympathy, unless he confines himself to a particular part or he takes something of a one-sided view of the person he is disposed to celebrate. This is a melancholy truth, and affords a strong reason for the poetic mind being chiefly exercised in works of fiction: the poet can then follow wherever the spirit of admiration leads him, unchecked by such suggestions as will be too apt to cross his way if all that he is prompted to utter is to be tested by fact. Something in this spirit I have written in the note attached to the Sonnet on the King of Sweden; and many will think that in this poem and elsewhere I have spoken of the author of Paradise Lost in a strain of panegyric scarcely justifiable by the tenor of some of his opinions, whether theological or political, and by the temper he carried into public affairs, in which, unfortunately for his genius, he was so much concerned.—I.F.]
Thick as autumnal leaves that strew the brooks
In Vallombrosa, where Etrurian shades
High over-arch’d embower.
Paradise Lost.[146]
“Vallombrosa—I longed in thy shadiest wood
To slumber, reclined on the moss-covered floor!”[147]
Fond wish that was granted at last, and the Flood,
That lulled me asleep, bids me listen once more.
Its murmur how soft! as it falls down the steep, 5