I should say [to your young friend] style is in Poetry of incalculable importance. He seems, however, aware of it, for his diction is obviously studied. Now the great difficulty is to determine what constitutes a good style. In estimating this we are all subject to delusion, not improbably I am so, when it appears to me that the metaphor in the first speech of his dramatic scene is too much drawn out. It does not pass off as rapidly as metaphors ought to do, I think, in dramatic writing. I am well aware that our early dramatists abound with these continuities of imagery, but to me they appear laboured and unnatural, at least unsuited to that species of composition, of which action and motion are the essentials. 'While with the ashes of a light that was,' and the two following lines, are in the best style of dramatic writing. To every opinion thus given always add, I pray you, 'in my judgment,' though I may not, to save trouble or to avoid a charge of false modesty, express it. 'This over-pressure of a heavy pleasure,' &c., is admirable; and, indeed, it would be tedious to praise all that pleases me. Shelley's 'Witch of Atlas' I never saw; therefore the stanza referring to Narcissus and her was read by me to some disadvantage. One observation I am about to make will at least prove I am no flatterer, and will therefore give a qualified value to my praise.

'There was nought there that morn
But thrice three antient hills alone.'

Here the word 'alone,' being used instead of only, makes an absurdity like that noticed in the Spectator—'Enter a king and three fidlers solus.'[88]

54. Of the 'Icôn Basiliké,' &c. LETTER TO SOUTHEY.

MY DEAR S——,

I am ashamed not to have done your message about the Icôn to my brother.[89]
I have no excuse, but that at that time both my body and my memory were
run off their legs. I am very glad you thought the answer[90] appeared to you triumphant, for it had struck me as in the main point, knowledge of the subject, and spirit in the writing, and accuracy in the logic, as one of the best controversial tracts I ever had.

I am glad you have been so busy; I wish I could say so much of myself. I have written this last month, however, about 600 verses, with tolerable success.

Many thanks for the review: your article is excellent. I only wish that you had said more of the deserts of government in respect to Ireland; since I do sincerely believe that no government in Europe has shown better dispositions to its subjects than the English have done to the Irish, and that no country has improved so much during the same period. You have adverted to this part of the subject, but not spoken so forcibly as I could have wished. There is another point might be insisted upon more expressly than you have done—the danger, not to say the absurdity, of Roman Catholic legislation for the property of a Protestant church, so inadequately represented in Parliament as ours is. The Convocation is gone; clergymen are excluded from the House of Commons; and the Bishops are at the beck of Ministers. I boldly ask what real property of the country is so inadequately represented: it is a mere mockery.

Most affectionately yours,
W.W.[91]

55. Of the Roman Catholic Question.