'Life, we have been long together,' &c.[104]
You have given a specimen of that ever-to-be-pitied victim of Swift, 'Vanessa.' I have somewhere a short piece of hers upon her passion for Swift, which well deserves to be added. But I am becoming tedious, which you will ascribe to a well-meant endeavour to make you some return for your obliging attentions.
I remain, dear Sir, faithfully yours,
WM. WORDSWORTH.[105]
66. Hamilton's 'Spirit of Beauty:' Verbal Criticism: Female Authorship: Words.
Where there is so much sincerity of feeling in a matter so dignified as the renunciation of poetry for science, one feels that an apology is necessary for verbal criticism. I will therefore content myself with observing that 'joying' for joy or joyance is not to my taste. Indeed I object to such liberties upon principle. We should soon have no language at all if the unscrupulous coinage of the present day were allowed to pass, and become a precedent for the future. One of the first duties of a Writer is to ask himself whether his thought, feeling, or image cannot be expressed by existing words or phrases, before he goes about creating new terms, even when they are justified by the analogies of the language. 'The cataract's steep flow' is both harsh and inaccurate: 'thou hast seen me bend over the cataract' would express one idea in simplicity and all that was required. Had it been necessary to be more particular, 'steep flow' are not the words that ought to have been used. I remember Campbell says in a composition that is overrun with faulty language, 'And dark as winter was the flow of Iser rolling rapidly;' that is, 'flowing rapidly.' The expression ought to have been 'stream' or 'current...' These may appear to you frigid criticisms, but depend upon it no writings will live in which these rules are disregarded....
Female authorship is to be shunned as bringing in its train more and heavier evils than have presented themselves to your sister's ingenuous mind. No true friend I am sure will endeavour to shake her resolution to remain in her own quiet and healthful obscurity. This is not said with a view to discourage her from writing, nor have the remarks made above any aim of the kind; they are rather intended to assist her in writing with more permanent satisfaction to herself. She will probably write less in proportion as she subjects her feelings to logical forms, but the range of her sensibilities so far from being narrowed will extend as she improves in the habit of looking at things thro' a steady light of words; and, to speak a little metaphysically, words are not a mere vehicle, but they are powers either to kill or animate.[106]
67. His 'Play:' Hone: Eyesight failing, &c.
TO CHARLES LAMB, ESQ.
Jan. 10. 1830.
MY DEAR LAMB,