Mr. Price soon after mentioned a statement of Coleridge's respecting himself, recorded in his 'Table Talk,' namely, that a visit to the battle-field of Marathon would raise in him no kindling emotion, and asked Mr. Wordsworth whether this was true as a token of his mind. At first Mr. Wordsworth said, 'Oh! that was a mere bravado, for the sake of astonishing his hearers!' but then, correcting himself, he added, 'And yet it might in some sense be true, for Coleridge was not under the influence of external objects. He had extraordinary powers of summoning up an image or series of images in his own mind, and he might mean that his idea of Marathon was so vivid, that no visible observation could make it more so.' 'A remarkable instance of this,' added Mr. Wordsworth, 'is his poem, said to be "composed in the Vale of Chamouni." Now he never was at Chamouni, or near it, in his life.' Mr. Wordsworth next gave a somewhat humorous account of the rise and progress of the 'Ancient Mariner.' 'It arose,' he said, 'out of the want of five pounds which Coleridge and I needed to make a tour together in Devonshire. We agreed to write jointly a poem, the subject of which Coleridge took from a dream which a friend of his had once dreamt concerning a person suffering under a dire curse from the commission of some crime.' 'I,' said Wordsworth, 'supplied the crime, the shooting of the albatross, from an incident I had met with in one of Shelvocke's voyages. We tried the poem conjointly for a day or two, but we pulled different ways, and only a few lines of it are mine.' From Coleridge, the discourse then turned to Scotland. Mr. Wordsworth, in his best manner, with earnest thoughts given out in noble diction, gave his reasons for thinking that as a poet Scott would not live. 'I don't like,' he said, 'to say all this, or to take to pieces some of the best reputed passages of Scott's verse, especially in presence of my wife, because she thinks me too fastidious; but as a poet Scott cannot live, for he has never in verse written anything addressed to the immortal part of man. In making amusing stories in verse, he will be superseded by some newer versifier; what he writes in the way of natural description is merely rhyming nonsense.' As a prose writer, Mr. Wordsworth admitted that Scott had touched a higher vein, because there he had really dealt with feeling and passion. As historical novels, professing to give the manners of a past time, he did not attach much value to those works of Scott's so called, because that he held to be an attempt in which success was impossible. This led to some remarks on historical writing, from which it appeared that Mr. Wordsworth has small value for anything but contemporary history. He laments that Dr. Arnold should have spent so much of his time and powers in gathering up and putting into imaginary shape the scattered fragments of the history of Rome.[248]
These scraps of Wordsworth's large, thoughtful, earnest discourse, seem very meagre as I note them down, and in themselves perhaps hardly worth preserving and yet this is an evening which those who spent it in his company will long remember. His venerable head; his simple, natural, and graceful attitude in his arm-chair; his respectful attention to the slightest remarks or suggestions of others in relation to what was spoken of; his kindly benevolence of expression as he looked round now and then on the circle in our little parlour, all bent to 'devour up his discourse,' filled up and enlarged the meaning which I fear is but ill conveyed in the words as they are now set down.
(V.) LADY RICHARDSON: WORDSWORTH'S BIRTH-DAY.
On Tuesday, April the 7th, 1844, my mother[249] and I left Lancrigg to begin our Yorkshire journey. We arrived at Rydal Mount about three o'clock, and found the tables all tastefully decorated on the esplanade in front of the house. The Poet was standing looking at them with a very pleased expression of face; he received us very kindly, and very soon the children began to arrive. The Grasmere boys and girls came first, and took their places on the benches placed round the gravelled part of the esplanade; their eyes fixed with wonder and admiration on the tables covered with oranges, gingerbread, and painted eggs, ornamented with daffodils, laurels, and moss, gracefully intermixed. The plot soon began to thicken, and the scene soon became very animated. Neighbours, old and young, of all degrees, ascended to the Mount to keep the Poet's seventy-fourth birthday, and every face looked friendly and happy. Each child brought its own mug, and held it out to be filled with tea, in which ceremony all assisted. Large baskets of currant cakes were handed round and liberally dispensed; and as each detachment of children had satisfied themselves with tea and cake, they were moved off, to play at hide and seek among the evergreens on the grassy part of the Mount. The day was not bright, but it was soft, and not cold, and the scene, viewed from the upper windows of the house, was quite beautiful, and one I should have been very sorry not to have witnessed. It was innocent and gay, and perfectly natural. Miss F——, the donor of the fête, looked very happy, and so did all the Poet's household. The children, who amounted altogether to above 300, gave three cheers to Mr. Wordsworth and Miss F——. After some singing and dancing, and after the division of eggs, gingerbread, and oranges had taken place, we all began to disperse. We spent the night at the Oaks, and set off on our journey the following morning. The gay scene at the Mount often comes before me, as a pleasant dream. It is perhaps the only part of the island where such a reunion of all classes could have taken place without any connection of landlord and tenant, or any clerical relation, or school direction. Wordsworth, while looking at the gambols on the Mount, expressed his conviction that if such meetings could oftener take place between people of different condition, a much more friendly feeling would be created than now exists in this country between the rich and poor.
July 12th, 1844.—Wordsworth spoke much during the evening of his early intercourse with Coleridge, on some one observing that it was difficult to carry away a distinct impression from Coleridge's conversation, delightful as every one felt his outpourings to be. Wordsworth agreed, but said he was occasionally very happy in clothing an idea in words; and he mentioned one which was recorded in his sister's journal during a tour they all made together in Scotland. They passed a steam engine, and Wordsworth made some observation to the effect that it was scarcely possible to divest oneself of the impression on seeing it that it had life and volition. 'Yes,' replied Coleridge, 'it is a giant with one idea.'
He discoursed at great length on Scott's works. His poetry he considered of that kind which will always he in demand, and that the supply will always meet it, suited to the age. He does not consider that it in any way goes below the surface of things; it does not reach to any intellectual or spiritual emotion; it is altogether superficial, and he felt it himself to be so. His descriptions are not true to Nature; they are addressed to the ear, not to the mind. He was a master of bodily movements in his battle-scenes; but very little productive power was exerted in popular creations.
DUDDON EXCURSION